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"Rembrandt and His Circle: Drawings and Prints": The Metropolitan Museum of Art Bulletin, v. 64, no. 1 (Summer, 2006)
THE METROPOLITAN MUSEUM OF ART BULLETIN | VOLUME 64 | NUMBER 1

"Rembrandt and His Circle: Drawings and Prints"

Plomp, Michiel C.
2006
48 pages
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Michiel Plomp

Met Art in Publication

The Artist's Mother: Head and Bust, Three-Quarters Right, Rembrandt (Rembrandt van Rijn)  Dutch, Etching; New Holl. second state of four
1628
Two Studies of a Woman Reading, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and brown iron-gall ink
1635–40
Old Man Leaning on a Stick, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and brown ink
1632–35
Study Sheet with Three Women and a Boy, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and brown ink
ca. 1638–39
The Last Supper, after Leonardo da Vinci, Rembrandt (Rembrandt van Rijn)  Dutch, Red chalk
1634–35
Self-Portrait Leaning on a Stone Sill, Rembrandt (Rembrandt van Rijn)  Dutch, Etching, drypoint and burin; second state of two
1639
Studies of the Heads of Saskia and Others, Rembrandt (Rembrandt van Rijn)  Dutch, Etching; first of two states
1636
The Death of the Virgin, Rembrandt (Rembrandt van Rijn)  Dutch, Etching and drypoint
1639
Two Cottages, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and brown ink (gallnut ink, possibly only partially), corrected with white chalk and/or body color.
ca. 1636
Cottage near the Entrance to a Wood, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and inks ranging from light to dark brown, brown washes, corrected in white (oxidized, partially abraded), and touches of red chalk (in added structures to the left of the main cottage).
1644
Cottage among Trees, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and brown ink, brush and brown wash, on paper washed with brown
ca. 1650
View of Amsterdam from the Northwest, Rembrandt (Rembrandt van Rijn)  Dutch, Etching
ca. 1640
The Three Trees, Rembrandt (Rembrandt van Rijn)  Dutch, Etching, engraving and drypoint
1643
The Hundred Guilder Print, Rembrandt (Rembrandt van Rijn)  Dutch, Etching, engraving, and drypoint; second state of two
1648
The Wedding Night of Tobias and Sarah, Rembrandt (Rembrandt van Rijn)  Dutch, Pen brown ink, brush and brown wash; framing lines in pen and brown ink
1640–49
Satire on Art Criticism, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and brown ink corrected with white.
1644
Herman Doomer (ca. 1595–1650), Rembrandt (Rembrandt van Rijn)  Dutch, Oil on wood
1640
Jan Six, Rembrandt (Rembrandt van Rijn)  Dutch, Etching, drypoint, burin; fifth of five states
1647
Hendrickje Stoffels (1626–1663), Rembrandt (Rembrandt van Rijn)  Dutch, Oil on canvas
mid-1650s
Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt van Rijn)  Dutch, Drypoint printed on vellum
1653
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