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"Rembrandt and His Circle: Drawings and Prints": The Metropolitan Museum of Art Bulletin, v. 64, no. 1 (Summer, 2006)
THE METROPOLITAN MUSEUM OF ART BULLETIN | VOLUME 64 | NUMBER 1

"Rembrandt and His Circle: Drawings and Prints"

Plomp, Michiel C.
2006
48 pages
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Michiel Plomp

Met Art in Publication

The Artist's Mother: Head and Bust, Three-Quarters Right, Rembrandt (Rembrandt van Rijn)  Dutch, Etching; New Holl. second state of four
Rembrandt (Rembrandt van Rijn)
1628
Two Studies of a Woman Reading, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and brown iron-gall ink
Rembrandt (Rembrandt van Rijn)
1635–40
Old Man Leaning on a Stick, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and brown ink
Rembrandt (Rembrandt van Rijn)
1632–35
Study Sheet with Three Women and a Boy, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and brown ink
Rembrandt (Rembrandt van Rijn)
ca. 1638–39
The Last Supper, after Leonardo da Vinci, Rembrandt (Rembrandt van Rijn)  Dutch, Red chalk
Rembrandt (Rembrandt van Rijn)
1634–35
Self-Portrait Leaning on a Stone Sill, Rembrandt (Rembrandt van Rijn)  Dutch, Etching, drypoint and burin; second state of two
Rembrandt (Rembrandt van Rijn)
1639
Studies of the Heads of Saskia and Others, Rembrandt (Rembrandt van Rijn)  Dutch, Etching; first of two states
Rembrandt (Rembrandt van Rijn)
1636
The Death of the Virgin, Rembrandt (Rembrandt van Rijn)  Dutch, Etching and drypoint
Rembrandt (Rembrandt van Rijn)
1639
Two Cottages, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and brown ink (gallnut ink, possibly only partially), corrected with white chalk and/or body color.
Rembrandt (Rembrandt van Rijn)
ca. 1636
Cottage near the Entrance to a Wood, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and inks ranging from light to dark brown, brown washes, corrected in white (oxidized, partially abraded), and touches of red chalk (in added structures to the left of the main cottage).
Rembrandt (Rembrandt van Rijn)
1644
Cottage among Trees, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and brown ink, brush and brown wash, on paper washed with brown
Rembrandt (Rembrandt van Rijn)
ca. 1650
View of Amsterdam from the Northwest, Rembrandt (Rembrandt van Rijn)  Dutch, Etching
Rembrandt (Rembrandt van Rijn)
ca. 1640
The Three Trees, Rembrandt (Rembrandt van Rijn)  Dutch, Etching, engraving and drypoint
Rembrandt (Rembrandt van Rijn)
1643
The Hundred Guilder Print, Rembrandt (Rembrandt van Rijn)  Dutch, Etching, engraving, and drypoint; second state of two
Rembrandt (Rembrandt van Rijn)
1648
The Wedding Night of Tobias and Sarah, Rembrandt (Rembrandt van Rijn)  Dutch, Pen brown ink, brush and brown wash; framing lines in pen and brown ink
Rembrandt (Rembrandt van Rijn)
1640–49
Satire on Art Criticism, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and brown ink corrected with white.
Rembrandt (Rembrandt van Rijn)
1644
Herman Doomer (ca. 1595–1650), Rembrandt (Rembrandt van Rijn)  Dutch, Oil on wood
Rembrandt (Rembrandt van Rijn)
1640
Jan Six, Rembrandt (Rembrandt van Rijn)  Dutch, Etching, drypoint, burin; fifth of five states
Rembrandt (Rembrandt van Rijn)
1647
Hendrickje Stoffels (1626–1663), Rembrandt (Rembrandt van Rijn)  Dutch, Oil on canvas
Rembrandt (Rembrandt van Rijn)
mid-1650s
Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt van Rijn)  Dutch, Drypoint printed on vellum
Rembrandt (Rembrandt van Rijn)
1653
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