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Seventeenth-Century Italian Drawings in The Metropolitan Museum of Art

Seventeenth-Century Italian Drawings in The Metropolitan Museum of Art

Bean, Jacob
1979
300 pages
405 illustrations
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Preface

Works Cited in Abbreviated Form

Notices and Illustrations

Addendum

Index of Former Owners

Concordance

Index of Artists

Diana Bathing, Francesco Albani  Italian, Pen and brown ink, brush and brown wash
1578–1660
The Expulsion of Adam and Eve from Paradise (recto); Studies for the Same Composition (verso), Francesco Allegrini  Italian, Pen and brown ink, over red chalk
1624–63
Cain Slaying Abel, Francesco Allegrini  Italian, Pen and brown ink; framing lines in pen and brown ink on mount
1624–63
Lot and His Daughters, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash; framing lines in red chalk, and pen and brown ink on mount
1624–63
King Solomon Receiving the Queen of Sheba, Francesco Allegrini  Italian, Pen and brown ink; framing lines in pen and brown ink on mount
1624–63
The Arrest of Christ, Francesco Allegrini  Italian, Pen and brown ink
1624–63
Christ before the High Priest Caiphas, Francesco Allegrini  Italian, Pen and brown ink.  Framing lines in pen and brown ink on mount
1624–63
Christ Crucified with the Good Thief, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash.  Framing lines in red chalk, and in pen and brown ink on mount
1624–63
Group of Figures Copied from Michelangelo's Last Judgment, Francesco Allegrini  Italian, Pen and brown ink, over traces of black chalk; framing lines in pen and brown ink on mount
1624–63
The Martyrdom of Saint Sebastian (recto); Bearded Old Man Blessing Seen in Half-length (verso), Francesco Allegrini  Italian, Pen and brown ink (recto and verso). <br/>Framing lines in black chalk, and pen and brown ink on mount
1624–63
Two Monastic Figures Standing before a Church, Francesco Allegrini  Italian, Pen and brown ink; framing lines in pen and brown ink on mount
1624–63
Battle of the Titans, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash.  Framing lines in black chalk, and pen and brown ink on mount
1624–63
The Rape of Europa, Francesco Allegrini  Italian, Pen and brown ink; framing lines in black chalk, and in pen and brown ink on mount
1624–63
The Death of Polyxena, Francesco Allegrini  Italian, Pen and brown ink, brush an brown wash.  Framing lines in pen and brown ink on mount
1624–63
Aeneas Carrying Anchises in the Burning of Troy, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink on mount
1624–63
Aeneas and Achates Entering Dido's Palace in a Cloud, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in black chalk, and in pen and brown ink on mount
1624–63
The Departure of Aeneas Announced to Dido?, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in red chalk
1624–63
The Death of Dido, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink on mount
1624–63
Landscape with Figures: The Silver Age, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash; framing lines in black chalk, and in pen and brown ink on mount
1624–63
Scene of Sacrifice, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash.  Framing lines in black chalk, and pen and brown ink on mount
1624–63
Showing 20 of 379

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Metropolitan Museum of Art (New York, N.Y.), and Jacob Bean, eds. 1979. 17th Century Italian Drawings in the Metropolitan Museum of Art. New York: The Museum : distributed by H. Abrams.