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The Metropolitan Museum of Art Bulletin, v. 27, no. 6 (February, 1969)
THE METROPOLITAN MUSEUM OF ART BULLETIN | VOLUME 27 | NUMBER 6

The Metropolitan Museum of Art Bulletin, v. 27, no. 6 (February, 1969)

Bean, Jacob, Yvonne Hackenbroch, Morrison H. Heckscher, Clare Le Corbeiller, and John J. McKendry
1969
44 pages
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"Grace and Favor"
Clare Le Corbeiller

"Gideon Saint"
Morrison H. Heckscher

"A Fortunate Year"
Jacob Bean and John J. McKendry

"Some Portraits of Charles V"
Yvonne Hackenbroch

Tureen with cover and stand, Jacques-Nicolas Roettiers, Silver, French, Paris
1770–71
Snuffbox with portrait of Catherine II (1729–1796), Empress of Russia, Joseph Etienne Blerzy  French, Gold, enamel, diamonds, French, Paris
1774–75, minaiture ca. 1786
Multiple artists/makers
1750–82
Oeuvres Diverses de Lalonde. Tome 1., Richard de Lalonde  French, Engraving, etching
Multiple artists/makers
late 18th century
Pair of scallop-shell dishes, Jacques-Nicolas Roettiers, Silver, French, Paris
1771–73
Scrapbook of Working Designs, Gideon Saint  British, Pen and ink, engraving and etching
ca. 1760
1767
Standing Nude Man (recto); Three Studies of Soldiers (verso), Taddeo Zuccaro  Italian, Red chalk, highlighted with traces of white gouache (recto); red chalk (verso)
1550
Adoration of the Shepherds, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Pen and brown ink, brush and brown wash
1645–50
1632
Endymion Sleeping, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, brush and light brown wash
1635–50
Four Tulips:  Boter man (Butter Man), Joncker (Nobleman), Grote geplumaceerde (The Great Plumed One), and Voorwint (With the Wind), Jacob Marrel  German, watercolor on vellum
ca. 1635–45
Three Figures around a globe, Salvator Rosa  Italian, Pen and brown ink, brush and brown wash, over traces of black chalk
1615–73
A View of the Vestibule of Santa Maria Maggiore at Rome, Georges François Blondel  French, Mezzotint; published state
1765–67
Scene of Contemporary Life: The Acrobats, Giovanni Domenico Tiepolo  Italian, Pen and dark brown ink, brush and brown wash, over traces of black chalk
1727–1804
Near Glaris [Glarus], Switzerland, Francis Towne  British, Pen and black ink, brush and gray wash, over traces of graphite
September 2, 1781
Design for Gallery Elevation and Ceiling, Hôtel Cottier, Jules-Edmond-Charles Lachaise  French, Watercolor and gilt
ca. 1867
The Fireside, Edgar Degas  French, Monotype in black ink on white heavy laid paper
ca. 1876–77
Delmonico Building, Charles Sheeler  American, Lithograph
1926
Two Maps II, Jasper Johns  American, Lithograph
1966
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