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Venetian Prints and Books in the Age of Tiepolo

Venetian Prints and Books in the Age of Tiepolo

Boorsch, Suzanne
1997
48 pages
26 illustrations
8.5 x 11 in
This title is out of print.
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Suzanne Boorsch

Met Art in Publication

Plate 7: The Doge Attends the Giovedi Grasso Festival in the Piazzetta, from 'Ducal Ceremonies and Festivals' (Le Feste Ducali)
Multiple artists/makers
ca. 1766
Compendio delle vite de' pittori veneziani istorici più rinomati del presente secolo con suoi ritratti tratti dal naturale delineati ed incisi
Multiple artists/makers
1762
Classical Ruins with Equestrian Statue and Circular Temple
Marco Ricci
1723–30
Le Fabriche, e vedute di Venetia, Luca Carlevaris Italian, plates: etching
Le Fabriche, e vedute di Venetia
Luca Carlevaris
Giovanni Battista Finazzi
1703
Illustration for a Book: Surrender of the Keys of a City to an Emperor, Giovanni Battista Tiepolo Italian, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk
Illustration for a Book: Surrender of the Keys of a City to an Emperor
Giovanni Battista Tiepolo
1696–1770
Landscape with a Fishing Scene
Anton Maria Zanetti the Elder
Annibale Carracci
1721
Portrait of Anton Maria Zanetti the Elder, Giovanni Antonio Faldoni Italian, Etching and engraving
Portrait of Anton Maria Zanetti the Elder
Multiple artists/makers
ca. 1725
The Virgin and Child with Saint John the Baptist, Anton Maria Zanetti the Elder Italian, Chiaroscuro woodcut, with dark brown line block and medium brown and mustard yellow tone blocks
The Virgin and Child with Saint John the Baptist
Anton Maria Zanetti the Elder
Parmigianino (Girolamo Francesco Maria Mazzola)
1722
The Funeral
Multiple artists/makers
1735 (?)
Classical Ruins with Equestrian Monument
Giovanni Domenico Ferretti
Marco Ricci
1743
Studies of Heads, Francesco Algarotti Italian, Etching
Studies of Heads
Francesco Algarotti
ca. 1744
Diversarum Iconum...Series Secunda, Anton Maria Zanetti the Elder Italian, Chiaroscuro woodcuts, etchings, and engravings
Diversarum Iconum...Series Secunda
Anton Maria Zanetti the Elder
1749
Plate I: the Piazzetta seen from the Molo
Multiple artists/makers
ca. 1766
The Entombment
John Baptist Jackson
Jacopo Bassano (Jacopo da Ponte)
1739
The Locks at Dolo, an oval-shaped basin with boats at center, buildings on either side, a fruit vendor and groups of figures in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; second state of three
The Locks at Dolo, an oval-shaped basin with boats at center, buildings on either side, a fruit vendor and groups of figures in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Joseph Smith
1735–46
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from 'Views' (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; undivided plate, only state
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from 'Views' (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Joseph Smith
1741
La Gerusalemme liberata
Multiple artists/makers
1745
Studj di pittura gia dissegnati da Giambatista Piazzetta
Multiple artists/makers
1760
Title page and series of 21 etchings in the "Magnificentiores Selectioresque Urbis Venetiarum Prospectus"
Michele Marieschi
Carlo Orsolini
1741
The Sacrifice of Polyxena, from "Bacchanals and Histories", Francesco Fontebasso Italian, Etching
The Sacrifice of Polyxena, from "Bacchanals and Histories"
Francesco Fontebasso
1744
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Boorsch, Suzanne. 1997. Venetian Prints and Books in the Age of Tiepolo: Exhibition Held at] the Metropolitan Museum of Art, [New York, January 23-April 27, 1997. New York: Metropolitan museum of art.