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(New York, November 23, 2009)—The Metropolitan Museum's summer 2009 opening of its New American Wing, along with the concurrent presentation of three highly acclaimed and widely attended special exhibitions—Roxy Paine on the Roof: Maelstrom; Francis Bacon: A Centenary Retrospective; and The Model as Muse: Embodying Fashion—generated $593 million in spending by regional, national, and foreign tourists to New York, according to a visitor survey the Museum released today. Using the industry standard for calculating tax revenue impact, the study found that the direct tax benefit to the City and State from out-of-town visitors to the Museum totaled some $59.3 million. (Study findings are attached.)
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The Metropolitan Museum of Art will be open to the public on Monday, December 28 (the Monday between Christmas and New Year's Day), as part of the Museum's popular "Holiday Mondays" program. The Museum will open the doors of its main building this winter and spring on three additional major Monday holidays: January 18 (Martin Luther King Jr. Day), February 15 (Presidents' Day), and May 31 (Memorial Day).
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Philippe de Montebello, Director Emeritus of The Metropolitan Museum of Art, and currently the Fiske Kimball Professor in the History of Culture and Museums, Institute of Fine Arts, New York University, returns to the Museum for his first public appearance there since last fall, to offer "Watteau and Words: A Reading of French Poetry" on Thursday, November 19, 2009, at 6:00 p.m. The event will take place in the Museum's Grace Rainey Rogers Auditorium in conjunction with Watteau, Music, and Theater, an exhibition presented in honor of Mr. de Montebello, who stepped down from his 31-year directorship of the Museum on December 31, 2008.
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The public's first opportunity to visit the landmark exhibition American Stories: Paintings of Everyday Life 1765-1915 at The Metropolitan Museum of Art will be October 12 (Columbus Day), the next "Met Holiday Monday." Met Holiday Mondays are extra public viewing days that take place on the Mondays of major holiday weekends, when historically the Museum has been closed.
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Salman Rushdie's latest novel, The Enchantress of Florence, brings together Florentine Italy and Mughal India, and the cultures that lie between them, in a tale that has been described as a "sumptuous mixture of history and fable." On Tuesday, October 6, 2009, at 6:00 p.m., the Metropolitan Museum of Art Concerts & Lectures series will present a conversation with the author and three art historians – Carmen Bambach, Curator of Drawings and Prints, and Navina Haidar Haykel, Associate Curator of Islamic Art, both of the Museum; and David Roxburgh, Prince Alwaleed Bin Talal Professor of Islamic Art History at Harvard University – to explore major themes and visual imagery in his novel.
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(New York, September 8, 2009)—Thomas P. Campbell, Director of The Metropolitan Museum of Art, today announced four major senior staff appointments:
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(February 2009)—A special message from Board of Trustees Chairman James R. Houghton regarding the Museum's continued commitment to its mission during the ongoing global fiscal crisis: Message from James R. Houghton (PDF)
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For tickets, call the Concerts & Lectures Department at 212-570-3949 or visit
www.metmuseum.org/tickets, where updated schedules and programs (including
additional lectures that are free with Museum admission) are available.
Tickets are also available at the Great Hall Box Office, which is open
Tuesday–Thursday 10–5:00, Friday and Saturday 10–7:00, and Sunday noon–5:00.
Student discount tickets are available for some events; call 212-570-3949.
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(New York, November 24, 2008) – The Metropolitan Museum's presentation of three acclaimed and widely attended exhibitions in the summer 2008 season—J. M. W. Turner, Jeff Koons on the Roof, and Superheroes: Fashion and Fantasy—generated $610 million in spending by regional, national, and foreign tourists to New York, according to a visitor survey released today by the Museum. Using the industry standard for calculating tax revenue impact, the study found that the direct tax benefit to the City and State from out-of-town visitors to the Museum totaled some $61 million.
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The Metropolitan Museum of Art will be open to the public on Monday, December 29 (the Monday between Christmas and New Year's Day), as part of the Museum's popular "Holiday Mondays" program. The Museum will open the doors of its main building this winter and spring on three additional major Monday holidays: January 19 (Martin Luther King Jr. Day), February 16 (Presidents' Day), and May 25 (Memorial Day).
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For tickets, call the Concerts & Lectures Department at 212-570-3949 or visit
www.metmuseum.org/tickets, where updated schedules and programs (including
additional lectures that are free with Museum admission) are available.
Tickets are also available at the Great Hall Box Office, which is open
Tuesday–Thursday 10–5:00, Friday and Saturday 10–7:00, and Sunday noon–5:00.
Student discount tickets are available for some events; call 212-570-3949.
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(New York, December 16, 2008)—The Brooklyn Museum announced today a landmark collection-sharing partnership with The Metropolitan Museum of Art.
http://www.brooklynmuseum.org/press/ (PDF)
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(New York, September 9, 2008)—The Metropolitan Museum of Art announced today that Thomas P. Campbell – an accomplished curator with a specialty in European tapestry who has worked at the Museum since 1995 – has been elected its next Director and CEO, succeeding Philippe de Montebello, who announced in January his intention to retire from the Metropolitan Museum at the end of this year. Mr. Campbell, who organized the groundbreaking and widely acclaimed exhibitions Tapestry in the Renaissance: Art and Magnificence (2002) and Tapestry in the Baroque: Threads of Splendor (2007), is currently Curator in the Department of European Sculpture and Decorative Arts as well as Supervising Curator of the Museum's Antonio Ratti Textile Center. He was elected at today's meeting of the Board of Trustees and will assume the directorship of the Metropolitan Museum on January 1, 2009.
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Galleries, shops, and dining areas at The Metropolitan Museum of Art will be open to the public on September 1 (Labor Day), the next "Met Holiday Monday." This special viewing day is also the last chance for visitors to see two popular exhibitions: Superheroes: Fashion and Fantasy, which has already had more than 400,000 visitors since it opened on May 7, and Radiance from the Rain Forest: Featherwork in Ancient Peru.
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For tickets, call the Concerts & Lectures Department at 212-570-3949, or visit www.metmuseum.org/tickets, where updated schedules and programs (including additional lectures that are free with Museum admission) are also available.
Tickets are also available at the Great Hall Box Office, which is open
Tuesday-Saturday 10-5:00, and Sunday noon-5:00.
Student discount tickets are available for some events; call 212-570-3949.
-
For tickets, call the Concerts & Lectures Department at 212-570-3949, or visit
www.metmuseum.org/tickets, where updated schedules and programs (including additional lectures that are free with Museum admission) are also available.
Tickets are also available at the Great Hall Box Office, which is open
Tuesday-Saturday 10-5:00, and Sunday noon-5:00.
Student discount tickets are available for some events; call 212-570-3949.
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The Metropolitan Museum of Art's Multicultural Audience Development Initiative will mark its tenth anniversary on January 24, 2008, with its first-ever gala benefit, An Evening of Many Cultures. At the event, two of the founding members of the initiative, Lowery Stokes Sims and Richard V. Clarke, will be honored for their longstanding commitment to the Museum and to its outreach efforts. The celebration will feature special evening viewings in the Museum's constellation of galleries reflecting many of the cultures of the world. Also on view will be the acclaimed exhibition Eternal Ancestors: The Art of the Central African Reliquary and new installations of works by the contemporary, African-American artist, Kara Walker, and the African artist, El Anatsui.
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For tickets, call the Concerts & Lectures Department at 212-570-3949, or visit www.metmuseum.org/tickets, where updated schedules and programs are also available.
Tickets are also available at the Great Hall Box Office, which is open
Tuesday-Saturday 10-5:00, and Sunday noon-5:00.
Student discount tickets are available for some events; call 212-570-3949.
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The main building of The Metropolitan Museum of Art – located at Fifth Avenue and 82nd Street in Manhattan – will be open to the public from 9:30 a.m. to 5:30 p.m. on the following Met Holiday Mondays in summer and fall of 2007:
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(New York, May 31, 2007) – The Metropolitan Museum's concurrent presentation of two acclaimed and widely attended exhibitions in the fall 2006/winter 2007 season – Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde and Americans in Paris, 1860-1900 – generated $377 million in spending by regional, national, and foreign tourists to New York, according to a visitor survey the Museum released today. Using the industry standard for calculating tax revenue impact, the study found that the direct tax benefit to the City and State from out-of-town visitors to the Museum totaled some $37.7 million. (Study findings attached.)
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The main building of The Metropolitan Museum of Art – located at Fifth Avenue and 82nd Street in Manhattan – will be open to the public from 9:30 a.m. to 5:30 p.m. on the following Met Holiday Mondays in 2007:
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The Metropolitan Museum of Art, the Aga Khan Trust for Culture, and His Highness Prince Aga Khan Shia Imami Ismaili Council for the United States of America will present a special program at The Metropolitan Museum of Art on Sunday, October 8, 2006. The theme of this Sunday at the Met program will be Islamic art and culture, and it will include a film, a lecture, and a musical performance, as follows:
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A new, lavishly illustrated guidebook called The Cloisters: Medieval Art and Architecture – co-authored by the head of the department of medieval art and a museum educator at The Metropolitan Museum of Art – provides in-depth information on highlights of the collection of The Cloisters, which is the only museum in North America devoted to the art and architecture of medieval Europe. (The Cloisters is a branch museum of the Metropolitan Museum.)
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The historic development of Cairo and its growing, shifting, and transforming urban fabric will be the focus of a lecture by Swiss architect/urban designer Dr. Stefano Bianca at 2:00 p.m. on April 23 in the Grace Rainey Rogers Auditorium of The Metropolitan Museum of Art. It is free with Museum admission.
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(New York, March 21, 2006)—The acclaimed and widely attended fall/winter special exhibition Vincent van Gogh: The Drawings generated $251 million in spending by regional, national, and foreign tourists to New York, according to a Metropolitan Museum of Art visitor survey released today. Using the standard ratio for calculating tax revenue impact, the study found that the direct tax benefit to the City and State from visitors who declared that seeing the exhibition was a deciding factor in their decision to visit New York totaled some $25 million.
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(New York, November 14, 2005) – The Metropolitan Museum of Art will be open to the public on Monday, December 26 (the Monday between Christmas and New Year's Day), as part of the Museum's popular "Holiday Mondays" program. The Museum, which has been closed to the public on Mondays for some 30 years, will open the doors of its main building this winter and spring on three additional major Monday holidays: January 16 (Martin Luther King Jr. Day), February 20 (Presidents' Day), and May 29 (Memorial Day).
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Inspired by the exhibition Vincent van Gogh: The Drawings– which will be on view at The Metropolitan Museum of Art from October 18 through December 31, 2005 – the Museum's restaurants will offer visitors a variety of special dining experiences, including afternoon tea, guest chefs from around New York City, and prix-fixe dinner options.
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A rotating selection of pivotal, iconic works from The Metropolitan Museum of Art's recent landmark acquisition of the Gilman Paper Company Collection, entitled Master Photographs from the Gilman Collection: A Landmark Acquisition, will be on view this summer in The Howard Gilman Gallery and, in two installments through April 2006, in the Robert Wood Johnson, Jr. Gallery.
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(New York, February 16, 2005) – The catalogue for Byzantium: Faith and Power (1261-1557), The Metropolitan Museum of Art's landmark exhibition of spring 2004, received the College Art Association's (CAA) prestigious Alfred H. Barr, Jr., Award, it was announced today. The award was accepted in Atlanta, Georgia, at the annual meeting of the CAA by the Museum's curator of Byzantine art, Dr. Helen C. Evans, who edited the book and organized the exhibition.
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(New York, January 18, 2005)–The Metropolitan Museum of Art today announced two special programs in its weekly series for Spanish-speaking families, El Primer Contacto con el Arte. Classes in the series – which focuses on a different theme and area of the Museum each month – meet on Saturdays, 11:30 a.m. to 1:00 p.m., and feature discussion and sketching activities for ages six through 12.
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(New York, November 9, 2004)—The Metropolitan Museum of Art announced today the promotion of two new officers: Nina Diefenbach to the post of Vice President for Development and Membership, and Jeffrey Russian as Vice President for Finance and Planning. They were both elected at today's meeting of the Museum's Board of Trustees.
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From November 5, 2004, through March 6, 2005, The Metropolitan Museum of Art will present Few Are Chosen: Street Photography and the Book, 1936-1966. Drawn from the collections of the Metropolitan and the Gilman Paper Company, the exhibition spotlights 35 photographs related to six influential 20th-century publications by the photographers Bill Brandt, Henri Cartier-Bresson, Walker Evans, Robert Frank, William Klein, and Helen Levitt. Few Are Chosen also includes copies of each book, sometimes represented in multiple editions to show how the meaning of images changed with their presentation.
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(New York, October 1, 2004) – Visitors to The Metropolitan Museum of Art during its next "Holiday Monday" – Columbus Day, October 11 – will enjoy a special opportunity to view the landmark exhibition China: Dawn of A Golden Age, 200-750 AD on the day before it officially opens to the public. The exhibition brings together more than 300 works of extreme rarity and cultural importance, most of them recently excavated, and many never seen outside China.
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(New York, August 3, 2004) -- The Metropolitan Museum of Art announced today that, in response to enthusiastic public support of the "Holiday Mondays" program inaugurated in 2003, it will continue to offer these special viewing days – which take place on the Mondays of major holiday weekends – for a second year. The Metropolitan Museum's main building will be open to the public on the following Monday holidays: September 6 (Labor Day), October 11 (Columbus Day), December 27, 2004 (the Monday between Christmas and New Year's Day), January 17 (Martin Luther King Jr. Day), February 21 (Presidents' Day), and May 30, 2005 (Memorial Day). The Museum had previously been closed to the public on Mondays for some 30 years.
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The Metropolitan Museum of Art launches its second half-century of presenting concerts in the 2004-2005 season with a diverse selection of world-renowned artists and young talent, upholding the Concerts & Lectures 50-year tradition.
"The success of the Museum's 50th anniversary concert season has renewed our dedication to excellence, continuity, and innovation in programming," said the Metropolitan's Director, Philippe de Montebello. "That these qualities are carried forward is evidenced by the dynamic combination of hand-picked artists and programs in our 51st season. The year's pianists, following the 50th anniversary's impressive piano roster, range from a festival of young competition winners to The Art of André Watts, while notable early-music events are complemented by a series devoted to contemporary composer Steve Reich."
Highlights of the 62 concerts comprising the 2004-2005 season, the 36th programmed by Hilde Limondjian, Concerts & Lectures General Manager since 1969, include two spring festivals – Celebrating Jordi Savall, three concerts in April presenting the viola da gamba artist and early music leader with his three acclaimed ensembles, and A Festival of International Competition Winners, also in April, of six young pianists, first-prize winners of major competitions, many in their U.S. debuts. The U.S. premiere of Steve Reich's 2003 work Dance Patterns highlights The Music of Steve Reich, a three-concert series performed by Steve Reich and Musicians. Continuing an initiative from the 50th anniversary season celebrating the multifaceted artistry of one musician, The Art of André Watts showcases the pianist in a recital, a chamber program, and an illustrated talk. Three major ensembles – Orpheus, New York Collegium, and Chanticleer – offer early-music programs in gallery spaces, and two singers make their Metropolitan Museum debuts at The Temple of Dendur in The Sackler Wing: soprano Olga Borodina and tenor Rolando Villazón, whose performance will also be his U.S. recital debut.
The Beaux Arts Trio, which celebrates its own 50th anniversary in 2004-2005, will begin a three-year Beethoven project that will present all of the composer's piano trios, sonatas for violin and piano, and sonatas for cello and piano. Complementing this is a series of six concerts, Surrounding Beethoven, of music that anticipated, mirrored, or followed this core repertoire, performed by a diverse roster of artists: Frederic Chiu and Windscape, Jonathan Biss and Miriam Fried, the Juilliard String Quartet with Heinz Holliger, the Prague Symphony Orchestra with Navah Perlman, the Borromeo String Quartet, and the Salzburger Kammerphilharmonie with Kate Dillingham. The chamber music of Dvorák is the anchor for the Guarneri String Quartet's five concerts, which feature eminent guest artists including Peter Serkin, Ida Kavafian, Anton Kuerti, and former member David Soyer. Paula Robison continues her exploration of The Great Vivaldi with two programs. And the artist roster of the season's Musicians from Marlboro series includes Kim Kashkashian and Samuel Rhodes.
In addition to the Festival of International Competition Winners, two series showcase some of today's finest young talent. The Accolades young artist series features four violinists: Stefan Jackiw, Giora Schmidt, Corey Cerovsek, and Jennifer Koh. Also, in its second season, the newest of the Museum's resident ensembles and the first to bear its name, Metropolitan Museum Artists in Concert, presents three programs of classic repertoire mirroring the new, which will be broadcast live on 96.3 FM WQXR.
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(NEW YORK, JUNE 15, 2004)—The Metropolitan Museum of Art today announced a major restructuring and redefinition of curatorial responsibilities at the Museum with the creation of a new and expanded department: Nineteenth-Century, Modern, and Contemporary Art, embracing European paintings from 1800 to the present, as well as international 20th-century sculpture, drawings, prints, decorative arts, and design. The integrated and broadened new department will enjoy the mandate—and, within several years, additional new gallery space as well—to bring to the public the full and dynamic story of modern art, in all media, from its beginnings to the present day.
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(New York-June 4, 2004)—Due to the exceptional public response to The Metropolitan Museum of Art's acclaimed international loan exhibition Byzantium: Faith and Power (1261-1557), the Museum announced today that it will extend the run of the show through Monday, July 5, which is a special "Holiday Monday" viewing day at the Museum. The exhibition was originally scheduled to close on Sunday, July 4.
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His All Holiness Ecumenical Patriarch Bartholomew, spiritual head of the worldwide Orthodox Christian Church, will deliver the lecture "Byzantine Icons: A Legacy for Humanism" at The Metropolitan Museum of Art on Thursday, March 18. Presented in conjunction with the upcoming international loan exhibition Byzantium: Faith and Power (1261-1557), the lecture will take place at 2 p.m. in the Museum's Grace Rainey Rogers Auditorium. Reservations, which are required, may be obtained on a first-come, first-served basis by calling (212) 570-3792. The event is free to the public with Museum admission.
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(New York, September 9, 2003) – Tourists visiting The Metropolitan Museum of Art's acclaimed Spring 2003 exhibition, Manet/Velázquez: The French Taste for Spanish Painting, spent a combined $368 million during their visits to New York City, according to a Museum audience survey released today.
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(New York, September 10, 2003) -- Philippe de Montebello, Director of The Metropolitan Museum of Art, announced today that, for the first time in three decades, the Museum will open its doors to the public this fall, winter, and spring on major Monday holidays: October 13 (Columbus Day), December 29 (the Monday between Christmas and New Year's Day), January 19 (Martin Luther King Jr. Day), February 16 (Presidents' Day), and May 31 (Memorial Day). The Museum has been closed to the public on Mondays for some 30 years.
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(New York, June 2, 2003)—Due to the exceptionally strong public response to The Metropolitan Museum of Art's acclaimed international loan exhibition Manet/Velázquez: The French Taste for Spanish Painting, the Museum announced today that it will extend the run of the show through June 29. It was originally scheduled to close on June 8.
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(New York, March 25, 2003)—In response to the record-breaking attendance at The Metropolitan Museum of Art's special exhibition Leonardo da Vinci, Master Draftsman, the Museum announced today that it will extend its visiting hours on the exhibition's final weekend until 10:00 p.m. on both Saturday, March 29, and Sunday, March 30.
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Three works of art of exceptional importance have been acquired by The Metropolitan Museum of Art, it was announced today by the Museum's Director, Philippe de Montebello. In making the announcement, Mr. de Montebello stressed the high quality of the works, which come from different centuries and cultures, and reinforce the Museum's ongoing commitment to continually refining and augmenting its encyclopedic collections with what he termed "the best of kind." The new acquisitions are: a 14th-century Crucifixion scene in tempera and gold leaf on wood by the Italian master Pietro Lorenzetti; a bust of the mythological figure Marsyas by the late-Baroque sculptor Balthazar Permoser; and a set of three late-14th-century handscrolls from Japan illustrating the Tale of Aki-no-yonaga (Tale for the Long Autumn Night).
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(New York, Tuesday, October 8, 2002)-Sometime between closing time (5:30 p.m.) and 9:00 p.m. on Sunday, October 6, a 15th-century Venetian marble Adam by Tullio Lombardo fell with its pedestal in the Vélez Blanco Patio at The Metropolitan Museum of Art.
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Some 60 of the most important examples of armor, weapons, firearms, and martial accoutrements acquired by The Metropolitan Museum of Art in the last decade will be shown this fall. Opening to the public on September 4, Arms and Armor: Notable Acquisitions 1991-2002 will be the inaugural exhibition in the newly named Arthur Ochs Sulzberger Gallery.
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The exhibition catalogue for Art and the Empire City: New York, 1825-1861 has been chosen as one of the prestigious Books to Remember for 2000—the first time the catalogue for an art exhibition has been so honored. Each year, 25 books receive the award by the New York Public Library.
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On Monday, May 7, at 8:00 p.m., the Concerts & Lectures program of The Metropolitan Museum of Art will present Aida: The Making of a Musical – a behind-the-scenes discussion about the Museum's Egyptian art collection and the inspiration for Elton John and Tim Rice's Tony® Award winning musical Aida. The discussion will be followed by a concert of songs led by the show's stars, Tony® Award winner Heather Headley, Adam Pascal, and Taylor Dayne.
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The Web site of The Metropolitan Museum of Art — www.metmuseum.org — now offers unprecedented access to six of the Museum's historic American period rooms, through state-of-the-art Virtual Reality technology that allows online visitors to "tour" the rooms through all-inclusive, three dimensional views. The six rooms — which are on permanent view in the Metropolitan Museum's American Wing, installed with some of the finest American decorative art objects in the collection — date from the 17th to the 20th century, from the living hall of a pre-1674 home from Ipswich, Massachusetts, to a Frank Lloyd Wright living room from Wayzata, Minnesota (1912–14). The online presentation of the rooms offers views of the rooms as well as extensive historical and contextual information about the architecture, furniture and decorative objects, and interior decoration of each, provided by The American Wing's curatorial staff.
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Four of the world's foremost educational and cultural leaders will discuss the impact and implications of the technological advances of our time in a roundtable discussion — Culture and Technology: Present and Future — to take place in The Metropolitan Museum of Art's Grace Rainey Rogers Auditorium on Monday, April 30, at 6:00 p.m.
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(New York City, April 14, 2000)-The Metropolitan Museum of Art and Fleet today announced an innovative "student pass" program that will provide free admission to the Metropolitan for schoolchildren and their families from all five boroughs of New York City this fall. Expected to reach the 1.5 million kindergarten through high-school students in public, private, and parochial schools, this is the broadest school pass program yet undertaken by the Metropolitan Museum. This outreach program will coincide with the Museum's presentation of Art and the Empire City: New York, 1825-1861 - a landmark exhibition of the visual arts in America between the opening of the Erie Canal and the start of the Civil War - that will be on view from September 19, 2000, through January 7, 2001. The announcement was made at a news conference today at which the Museum unveiled plans for the exhibition.
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Two special exhibitions celebrate the reopening:
The Forgotten Friezes from the Castle of Vélez Blanco
Sculpture and Decorative Arts of the Spanish Renaissance
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(New York, March 14, 2000) — Last Friday, in a news story reported by the Associated Press and subsequently printed in the New York Times (March 12), the executive director of the World Jewish Congress, Elan Steinberg, suggested — apparently relying on a brief provenance listing in an 18-year-old-catalogue published by The Metropolitan Museum of Art — that a painting in the Museum's collection "may have been stolen from Jews" during the Nazi-World War II era: Portrait of a Man, a 1597 work by Peter Paul Rubens.
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In a significant effort to enrich teachers' skills and to develop classroom resources, The Metropolitan Museum of Art has published 20th-Century Art: A Resource for Educators. The large boxed set of comprehensive written, visual, and high-tech materials provides essential tools for educators, featuring a 173-page publication — fully illustrated in color — with essays, strategies for classroom lessons, and background information that includes artists' writings and extensive bibliographic material. Also included in the packet are a set of forty slides, a full-sized, three-part poster set, a video, and a CD-ROM version of the book.
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A panel of four of the world's most distinguished museum directors will discuss and debate the challenges and opportunities facing museums as computers, the Internet, and other new technologies enter the arts arena. The program will take place on Monday, May 10, at 6:00 p.m. in The Metropolitan Museum of Art's Grace Rainey Rogers Auditorium.
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For more information on the individual galleries, go to:
Greek Art of the Sixth through Fourth Centuries B.C.: Mary and Michael Jaharis Gallery;
Greek Art of the Sixth Century B.C.: Judy and Michael H. Steinhardt Gallery;
Greek Art of the Sixth Century B.C.: The Bothmer Gallery I;
Greek Art of the Fifth Century B.C.: The Bothmer Gallery II;
Greek Art of the Fifth Century B.C.: The Wiener Gallery;
Greek Art of the Fifth and Early Fourth Centuries B.C.: Stavros and Danaë Costopoulos Gallery;
Greek Art of the Fourth Century B.C.: Spyros and Eurydice Costopoulos Gallery
The Metropolitan Museum of Art's extensive collection of ancient Greek art — preeminent in the Western Hemisphere and among the finest in the world — returns to view on April 20, 1999, in a dramatic new presentation in seven large galleries refurbished to their original neoclassical grandeur.