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The Censer, Martin Schongauer German, Engraving
The Censer
Martin Schongauer
After/with Georg Schongauer
1470–1491
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, Marcantonio Raimondi Italian, Engraving
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1510–20
Lucretia, Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)
Lucretia
Raphael (Raffaello Sanzio or Santi)
1508–10
Sharecropper, Elizabeth Catlett American and Mexican, Linocut printed in green and black
Sharecropper
Elizabeth Catlett
1952 (published 1968–70)
Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912, Léon Bakst Russian, born present day Belarus, Watercolor and gold and silver paints over graphite
Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912
Léon Bakst
1922
Adam and Eve, Albrecht Dürer German, Engraving
Adam and Eve
Albrecht Dürer
1504
Melencolia I, Albrecht Dürer German, Engraving
Melencolia I
Albrecht Dürer
1514
The Entrance Hall of the Regensburg Synagogue, Albrecht Altdorfer German, Etching
The Entrance Hall of the Regensburg Synagogue
Albrecht Altdorfer
1519
Music-Making Angels, Albrecht Dürer German, Pen and brown ink
Music-Making Angels
Albrecht Dürer
1521
Bacchanal, Nicolas Poussin French, Pen and brown ink, brush and brown wash, over faint black chalk
Bacchanal
Nicolas Poussin
ca. 1635–36
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; undivided plate, only state
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Dedicatee Joseph Smith
1741
The Genius of Castiglione, Giovanni Benedetto Castiglione (Il Grechetto) Italian, Etching
The Genius of Castiglione
Giovanni Benedetto Castiglione (Il Grechetto)
Publisher Giovanni Giacomo De Rossi
Dedicatee Matthys van de Merwede, Lord of Clootwyck
ca. 1645–47 (published 1648)
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters, Eugène Delacroix French, Watercolor over graphite on wove paper
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters
Eugène Delacroix
1832
Christ Carrying the Cross, Martin Schongauer German, Engraving
Christ Carrying the Cross
Martin Schongauer
ca. 1475–80
Landscape with a Double Spruce, Albrecht Altdorfer German, Etching
Landscape with a Double Spruce
Albrecht Altdorfer
ca. 1521–22
The Raising of Lazarus, Jacques Bellange French, Pen and brown ink, brown wash
The Raising of Lazarus
Jacques Bellange
ca. 1606–8
Corridor in the Asylum, Vincent van Gogh Dutch, Brush and oils over black chalk on pink laid paper
Corridor in the Asylum
Vincent van Gogh
September 1889
The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine), Jean Auguste Dominique Ingres French, Graphite
The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine)
Jean Auguste Dominique Ingres
Patron Prince Wenzel von Kaunitz-Rietberg
1818
Youth Playing a Pipe for a Satyr, Giovanni Benedetto Castiglione (Il Grechetto) Italian, Brush with colored oil paint; paper partly saturated with oil; lined
Youth Playing a Pipe for a Satyr
Giovanni Benedetto Castiglione (Il Grechetto)
1645–50
The Bearer of the Banner of the Canton Glarus, Urs Graf Swiss, Pen and brown ink
The Bearer of the Banner of the Canton Glarus
Urs Graf
1521
Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff, Niccolò della Casa French, Engraving; first state of two
Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff
Niccolò della Casa
After Baccio Bandinelli
1544
The Connoisseur, Honoré Daumier French, Pen and ink, wash, watercolor, lithographic crayon, and gouache over black chalk on wove paper
The Connoisseur
Honoré Daumier
ca. 1860–65
Moulin Rouge: La Goulue, Henri de Toulouse-Lautrec French, Lithograph printed in four colors; three sheets of wove paper
Moulin Rouge: La Goulue
Henri de Toulouse-Lautrec
Printer Affiches Américaines, Charles Lévy
1891
Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink
Self-Portrait
Draftsman Goya (Francisco de Goya y Lucientes)
Sitter Goya (Francisco de Goya y Lucientes)
ca. 1796
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20
The Entombment, Sir Edward Burne-Jones British, Green, blue, brown and touches of reddish bodycolor, heightened with white gouache (bodycolor)
The Entombment
Sir Edward Burne-Jones
1879
Phaeton, from "The Four Disgracers", Hendrick Goltzius Netherlandish, Engraving
Phaeton, from "The Four Disgracers"
Hendrick Goltzius
After Cornelis Cornelisz van Haarlem
1588
Germain-Augustin and Rose de Saint-Aubin, Drawn by Their Uncle, Gabriel de Saint-Aubin French, Brush and gray wash, over black chalk and graphite
Germain-Augustin and Rose de Saint-Aubin, Drawn by Their Uncle
Gabriel de Saint-Aubin
1766
Aman-Jean (Portrait of Edmond François Aman-Jean), Georges Seurat French, Conté crayon on Michallet paper
Aman-Jean (Portrait of Edmond François Aman-Jean)
Georges Seurat
Sitter Edmond-François Aman-Jean
1882–83
Reading the News at the Weavers' Cottage, Adriaen van Ostade Dutch, Pen and brown ink, watercolor, white heightening, over traces of graphite; framing lines by the artist (?) in pen and brown ink and gold
Reading the News at the Weavers' Cottage
Adriaen van Ostade
1673
Hercules chasing Avarice from the Temple of the Muses, Ugo da Carpi Italian, Chiaroscuro woodcut from two blocks in green
Hercules chasing Avarice from the Temple of the Muses
Ugo da Carpi
After Baldassarre Tommaso Peruzzi
ca. 1520–27
Nocturne (Nocturne: The Thames at Battersea), James McNeill Whistler American, Lithotint with scraping on a prepared half-tint ground, printed in soft gray-black ink on pale blue laid chine mounted on ivory wove plate paper; second state of two (Chicago)
Nocturne (Nocturne: The Thames at Battersea)
James McNeill Whistler
1878
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
Portrait of Nicolas Trigault in Chinese Costume, Peter Paul Rubens Flemish, Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper
Portrait of Nicolas Trigault in Chinese Costume
Peter Paul Rubens
1617
A Woman Seated at a Bench on the Avenue du Bois, Berthe Morisot French, Watercolor over traces of graphite
A Woman Seated at a Bench on the Avenue du Bois
Berthe Morisot
1885
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1435–38
Two Draft Horses with a Sleeping Driver, Théodore Géricault French, Brush and brown and gray wash, over graphite
Two Draft Horses with a Sleeping Driver
Théodore Géricault
1820–22
Dune Landscape with Oak Tree, Jacob van Ruisdael Dutch, Black chalk, brush and gray wash, and gouache; framing lines in pen and brown ink
Dune Landscape with Oak Tree
Jacob van Ruisdael
1650–55
Lady Lilith, Dante Gabriel Rossetti British, Watercolor and gouache (bodycolor)
Lady Lilith
Dante Gabriel Rossetti
Henry Treffry Dunn
1867
Amya Petitioning Faustus for the Custody of Saint Mamas, Jean Cousin the Elder French, Pen and brown ink, brush and gray wash, with white gouache, over black chalk
Amya Petitioning Faustus for the Custody of Saint Mamas
Jean Cousin the Elder
ca. 1543