Research Assistant Carol Santoleri introduces readers to a George Stubbs portrait of a prized racehorse currently on view in Paintings by George Stubbs from the Yale Center for British Art.

Associate for Administration Helen D. Goldenberg reflects on the ideas presented during a recent lecture by Deccan Heritage Foundation Cofounder George Michell.

This overdue investigation of George Grosz’s (1893–1959) most compelling paintings, drawings, prints, and collages offers a reassessment of the celebrated German Expressionist during his years in Berlin—from his earliest artistic endeavors to the trenchant satirical images and searing depictions of moral decay between the World Wars for which he is known today. Menacing street scenes, rowdy cabarets, corrupt politicians, wounded soldiers, greedy war profiteers, and other symbols of Berlin’s interwar decline all met with the artist’s relentless gaze, which exposed the core social issues that eventually led to Germany’s extreme nationalist politics. Featuring masterpieces as well as rarely published works, this book provides further insight into the artist’s creative pinnacle, reached during this critical and ominous period in German history.

Research Assistant Carol Santoleri explores George Stubbs's groundbreaking 1766 treatise.

Marina George, MuSe Intern for Access and School Programs, invites visitors with learning and developmental disabilities and those on the autism spectrum, together with family and friends, to attend Discoveries.

Former High School Intern Maddy explores the relationship between music and visual art, focusing on themes of government, routine, and conformity.