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1-42 of 423 results for goya-francisco-de-goya-y-lucientes
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Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88
Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Francisco de Goya y Lucientes)
1804
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820
José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
José Costa y Bonells (died l870), Called Pepito
Goya (Francisco de Goya y Lucientes)
ca. 1810
Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Narcisa Barañano Gayoso de Goicoechea
Goya (Francisco de Goya y Lucientes)
ca. 1805
Majas on a Balcony, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Majas on a Balcony
Attributed to Goya (Francisco de Goya y Lucientes)
ca. 1800–1810
Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Bullfight in a Divided Ring
Attributed to Goya (Francisco de Goya y Lucientes)
ca. 1810
Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink
Self-Portrait
Draftsman Goya (Francisco de Goya y Lucientes)
Sitter Goya (Francisco de Goya y Lucientes)
ca. 1796
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20
Fan with leaves imitative of Goya and Watteau, Goya (Francisco de Goya y Lucientes) Spanish, Gouache on parchment; gilt metal, silver (?), paste (?), possibly French
Fan with leaves imitative of Goya and Watteau
Imitator of Goya (Francisco de Goya y Lucientes)
Imitator of Antoine Watteau
late 19th century
Unholy Union, Goya (Francisco de Goya y Lucientes) Spanish, Brush with Indian ink and wash and traces of pen and ink on laid paper
Unholy Union
Goya (Francisco de Goya y Lucientes)
ca. 1801–3 or ca. 1813–19
Self-Portrait in a Cocked Hat, Goya (Francisco de Goya y Lucientes) Spanish, Pen and brown (iron gall?) ink on paper
Self-Portrait in a Cocked Hat
Goya (Francisco de Goya y Lucientes)
ca. 1790
The Disasters of War
Author Goya (Francisco de Goya y Lucientes)
1937
Isabel de Bourbon on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching and drypoint
Isabel de Bourbon on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
A False Bacchus Crowning Drunkards, Goya (Francisco de Goya y Lucientes) Spanish, Etching
A False Bacchus Crowning Drunkards
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Philip IV on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching
Philip IV on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Portrait of the court dwarf known as el Primo, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching
Portrait of the court dwarf known as el Primo, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching
Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Aesop, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching
Aesop, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Menippus, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching
Menippus, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Portrait of the court dwarf El Primo, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching
Portrait of the court dwarf El Primo, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Don Baltasar Carlos on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching, drypoint
Don Baltasar Carlos on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
Sitter Baltazar Carlos
1778
Baltasar Carlos on horseback, Goya (Francisco de Goya y Lucientes) Spanish, Etching and drypoint printed in black ink
Baltasar Carlos on horseback
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
Sitter Balthasar Carlos, Prince of Asturias
1778
Margaret of Austria on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching and drypoint
Margaret of Austria on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
Sitter Margaret of Austria, Queen of Spain
1778
Philip III, King of Spain on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching and drypoint
Philip III, King of Spain on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
Sitter Philip III (Felipe III), King of Spain
1778
Title page to "The Disasters of War" (Los Desastres de la Guerra) and two pages of letterpress description of the series, Goya (Francisco de Goya y Lucientes) Spanish, Offset lithograph, letterpress
Title page to "The Disasters of War" (Los Desastres de la Guerra) and two pages of letterpress description of the series
Goya (Francisco de Goya y Lucientes)
Publisher Real Academia de Nobles Artes de San Fernando
1863
'Flying Folly' from the 'Disparates' (Follies / Irrationalities), Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint
'Flying Folly' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)
'Poor Folly' from the 'Disparates' (Follies / Irrationalities), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
'Poor Folly' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)
'Dancing Giant' from the 'Disparates' (Follies / Irrationalities), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (private printing ca.1854)
'Clear Folly' from the 'Disparates' (Follies / Irrationalities), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
'Clear Folly' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)
General Folly, from "The Disparates" (Follies / Irrationalities), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
General Folly, from "The Disparates" (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)
Funereal Folly, from "The Disparates" (Follies / Irrationalities), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
Funereal Folly, from "The Disparates" (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)
Plate 3 from " La Tauromaquia": The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate 3 from " La Tauromaquia": The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open
Goya (Francisco de Goya y Lucientes)
1816
Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint
Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country
Goya (Francisco de Goya y Lucientes)
1816
Plate 2 from "La Tauromaquia": Another way of hunting on foot, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate 2 from "La Tauromaquia": Another way of hunting on foot
Goya (Francisco de Goya y Lucientes)
1816
Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure
Goya (Francisco de Goya y Lucientes)
1816
Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas
Goya (Francisco de Goya y Lucientes)
1816
Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring
Goya (Francisco de Goya y Lucientes)
1816