Heilbrunn Timeline of Art History

Artist (A–Z) | All Artists

Show only Artist Names

Subject (A–Z)

Index Classification: Art Movement/Style

American Art in the Nineteenth Century

American Art, Nineteenth Century

Works of Art (61)

Aladdin Vase, 1880–83, Decorator: Maria Longworth Nichols (American, 1849–1932); Manufacturer: Rookwood Pottery (1880–1967), Earthenware (1981.443)
Annie, from the "French Set" (Douze eaux-fortes d'après Nature), 1857–58, James McNeill Whistler (American, 1834–1903), Etching; fourth state of seven (Glasgow); printed in black ink on tan (darkened) chine mounted on white wove paper (chine-collé) (1970.121.78)
Architectural elements from North Family Dwelling, New Lebanon, New York, ca. 1830–40, American, Wood (1972.187.1)
Bedstead, 1830–60, American; New Lebanon, New York, Maple and pine (1981.226)
Bench, 1825–50, American; Hancock, Massachusetts, Pine (66.10.2)
Black Lion Wharf, from the "Thames Set" (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), 1859, James McNeill Whistler (American, 1834–1903), Etching; fourth state of four (Glasgow); black ink on medium-weight laid paper with fibers (67.630.59)
Blanket chest, 1835–75, American, Pine(66.10.15)
Bowl, 1917, Adelaide Alsop Robineau (American, 1865–1929), Porcelain (23.145)
Bowl, ca. 1897, Manufacturer: Ceramic Art Company (Trenton, New Jersey, 1889–96), Porcelain, overglaze enamel decoration (1987.26)
Candle stand, 1800–1840, American; New Lebanon, New York, Cherry (66.10.21)
Chelsea Bridge and Church, from the "Thames Set" (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), 1870–71, James McNeill Whistler (American, 1834–1903), Etching and drypoint; fifth state of seven (Glasgow); printed in black ink on ivory laid paper (17.3.65)
Cupboard, 1800–1850, American; New Lebanon, New York, Pine (66.10.13)
Cupboard, 1800–1900, American; New Lebanon, New York, Pine (66.10.11)
Delaware Water Gap, 1861, George Inness (American), Oil on canvas (32.151)
Dining table, 1800–1825, American; Hancock, Massachusetts, Pine, maple, and basswood (66.10.1)
The Doorway, from the "First Venice Set" (Venice, a Series of Twelve Etchings), 1879–80, James McNeill Whistler (American, 1834–1903), Etching, drypoint, and roulette; fourteenth state of twenty (Glasgow); printed in brownish black ink on ivory laid paper (17.3.90)
Double counter, ca. 1825, American; New Lebanon, New York, Pine, applewood and pearwood (66.10.14)
Eagle, 1809–11, William Rush (American, 1756–1833), Carved wood (probably Eastern white pine), gessoed and gilded, and cast iron, painted (2002.21.1)
The Embroidered Curtain, 1889, James McNeill Whistler (American, 1834–1903), Etching and drypoint; sixth state of ten (Glasgow); printed in dark brown ink on fine ivory laid paper (17.3.151)
Embroidered sampler, 1844, Mariah Boil (American), Silk and cotton thread on linen/cotton, embroidered(2008.453)
Figure of an eagle, 1800–1830, Philadelphia Pine (59.89)
Fireplace surround, 1878, Decorator: Winslow Homer (American, 1836–1910), Glazed earthenware, overglaze enamel decoration (2003.140)
The Fish Shop, Busy Chelsea (Fish Shop, Chelsea), 1885–86, James McNeill Whistler (American, 1834–1903), Etching; second state of two (Glasgow) (2012.136.961)
George Washington quilt, ca. 1876, American, Printed cotton (1985.347)
Girandole, 1817, New York City and Albany, New York, Gilded, gesso, mirror glass with white pine (1974.363.1)
Harem Scene, ca. 1884–1900, Henry Siddons Mowbray (American) Oil on canvas (26.158.3)
La Marchande de moutarde, from the "French Set" (Douze eaux-fortes d'après Nature), 1858, James McNeill Whistler (American, 1834–1903), Etching; third state of five (Glasgow); black ink on gray chine on white wove paper (chine-collé) (17.3.16)
The Lime-Burner (W. Jones, Lime-Burner, Thames Street), from the "Thames Set" (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), 1859, James McNeill Whistler (American, 1834–1903), Etching and drypoint; first state of two (Glasgow); warm black ink on ivory wove paper (17.3.39)
Millbank, from the "Thames Set" (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), 1861, James McNeill Whistler (American, 1834–1903), Etching and drypoint; fifth state of five; printed in black ink on ivory laid Japan (17.3.55)
Nocturne, from the "First Venice Set" (Venice, a Series of Twelve Etchings), 1879–80, James McNeill Whistler (American, 1834–1903), Etching and drypoint; sixth state of nine (Glasgow); printed in black ink on heavy cream Japan (17.3.86)
Nocturne: Dance House, 1889, James McNeill Whistler (American, 1834–1903), Etching and drypoint; fourth state of six; printed in dark brown ink on medium-weight ivory laid paper (17.3.150)
Nocturne: Palaces, from the "Second Venice Set" (A Set of Twenty-Six Etchings by James A. McN. Whistler), 1879–80, James McNeill Whistler (American, 1834–1903), Etching and drypoint; twelfth state of twelve (Glasgow); printed in dark brown ink on drum-mounted medium-weight ivory laid paper (40.63.8)
Oval box, 1800–1900, American, Maple and pine (66.10.36a,b)
Pierrot, 1889, James McNeill Whistler (American, 1834–1903), Etching and drypoint; sixth state of eight (Glasgow); printed in dark brown ink on medium-weight ivory laid paper (17.3.149)
Pitcher, 1868–86, Manufacturer: Greenwood Pottery Company (Trenton, New Jersey, 1861–1933), Porcelain, overglaze enamel decoration, and gilding (1989.219)
Pitcher, ca. 1853–60, Decorator: Haughwout & Daily (New York, 1852–54), Porcelain, overglaze enamel decoration, and gilding (1996.560)
Pitcher, ca. 1865, Decorator: Boston China Decorating Works (1860–ca. 1925), Porcelain, overglaze enamel decoration, and gilding (1986.110)
Plaque, 1880, Decorator: Cecilia Beaux (American, 1855–1942), Porcelain (2002.214)
Plaque, ca. 1878–85, Decorator: Rosina Emmet (American, 1854–1948); Manufacturer: Josiah Wedgwood and Sons (1759–present), Earthenware(1991.25)
Plate, 1886, Decorator: Lizzie M. Fairchild (American, dates unknown), Porcelain, overglaze enamel decoration (1991.370.4)
Plate, 1908, Decorator: Marie B. Bohmann (American, dates unknown); Manufacturer: R. Delinieres and Company (1879–present), Porcelain, overglaze enamel decoration (1987.227)
Plateau, ca. 1825, John W. Forbes (American), Silver, glass, walnut (1993.167)
Quilt center, ca. 1790, John Hewson (American, born England), Philadelphia, Pennsylvania, Cotton (2005.284)
Quilt with eagle pattern, 1837–50, American, New England, Cotton (1974.32)
Revolving chair, 1840–70, American, Maple, white oak, pine, and birch (66.10.26)
The Riva, No. 1 (The Riva), from the "First Venice Set" (Venice, a Series of Twelve Etchings), 1879–80, James McNeill Whistler (American, 1834–1903), Etching and drypoint; fourth state of four (Glasgow); printed in black ink on medium-weight ivory laid paper (17.3.93)
Rocking chair, 1820–50, American, Maple and birch (66.10.23)
Seed stand, 1800–1825, American; New Lebanon, New York, Pine and maple (66.10.19)
Sewing or work table, 1820–50, American; New Lebanon, New York, Walnut, cherry, butternut, pine, basswood(66.10.17)
Sewing table, 1843, Made by James X. Smith (American), New Lebanon, New York, Cherry, butternut, pine, basswood, sycamore, maple (66.10.18)
Side chair, 1840–60, American; Watervliet, New York, and New Lebanon, New York, Maple (66.10.5)
Sketches on the Coast Survey Plate, 1854–55, James McNeill Whistler (American, 1834–1903), Etching; only state (Glasgow); printed in black ink on a complete sheet of linen-textured ivory laid paper with MBM watermark appearing twice (17.3.1)
Soup bowl, ca. 1885–90, Decorator: Mary Louise McLaughlin (American, 1847–1939), Porcelain, overglaze enamel decoration, and gilding (1986.307.3)
Street at Saverne, from the "French Set" (Douze eaux-fortes d'après Nature), 1858, James McNeill Whistler (American, 1834–1903), Etching and open bite or sandpaper ground; third state of four (Glasgow); blue chine on off-white wove paper (chine-collé) (17.3.12)
Title page from the "French Set" (Douze eaux-fortes d'après nature), 1858, James McNeill Whistler (American, 1834–1903), Etching; only state (Glasgow); black ink on tan chine on off-white wove paper (chine-collé) (1970.121.69)
Vase, 1879, John Bennett (American, born England, 1840–1907), Painted and glazed earthenware(1985.168)
Vase, 1880, Decorator: Mary Louise McLaughlin (American, 1847–1939), Painted and glazed earthenware (L.1987.11)
Vase, 1888, Decorator: Celia Laighton Thaxter (American, 1835–1894); Manufacturer: Boston China Decorating Works (1860–ca. 1925), Glazed and painted earthenware (1997.337)
Vase, ca. 1905, Adelaide Alsop Robineau (American, 1865–1929), Porcelain (2004.464)
Weary, 1863, James McNeill Whistler (American, 1834–1903), Drypoint; fourth state of six (Glasgow); printed in black ink on tissue-weight ivory Japan (83.1.28)
The Writing Master, 1882, Thomas Eakins (American), Oil on canvas (17.173)