Heilbrunn Timeline of Art History

Artist (A–Z) | All Artists

Show only Artist Names

Subject (A–Z)

Index Classification: Art Movement/Style

Colonial Art

American Art, Colonial Art

Works of Art (36)

Armchair, ca. 1768, Attributed to Thomas Affleck (American, born Scotland), Philadelphia, Mahogany and white oak with modern yellow silk upholstery (2007.302a–c)
Banister-back chair, 1715–35, Northeastern coastal Massachusetts or Portsmouth, New Hampshire, Poplar, maple, ash (52.195.8)
Box, 1660–85, Attributed to John Thurston (American), Dedham or Medfield, Massachusetts, White oak, red oak, southern yellow pine (10.125.680)
Card table, 1760–85, Newport, Rhode Island, Mahogany, maple, chestnut, white pine (67.114.1)
Card table, 1760–90, New York, Mahogany, white oak, tulip poplar, white pine (47.35)
Chest of drawers, 1755–90, Philadelphia, Mahogany, tulip poplar, yellow pine (18.110.6)
Chest of drawers, ca. 1747, Boston, Maple, white pine (10.125.58)
Chest with drawers, 1675–1700, Wethersfield, Connecticut, Oak, pine, cedar (66.190.1)
Chest-on-chest, 1760–90, New York, Mahogany, yellow pine, tulip poplar (64.249.3)
Chest, 1663–80, Attributed to William Searle (American) or Thomas Dennis (American), Ipswich, Massachusetts, White oak (10.125.685)
Chest, 1770–80, New England, Mahogany, white pine (2001.644)
Coach painter's sign, 1800–1810, Made by J. Mason (American), Painted wood (1970.190)
Cupboard, 1670–1700, Plymouth or Barnstable County, Massachusetts, Red oak, eastern white pine, Atlantic white cedar, eastern red cedar, black walnut, maple (50.20.3)
Desk and bookcase, 1760–90, Newport, Rhode Island, Mahogany, chestnut, white pine, yellow pine, tulip poplar (15.21.2)
Desk and bookcase, ca. 1779, Workshop of Nathaniel Gould (American), Salem, Massachusetts, Mahogany, white pine (10.125.81a)
Desk, 1700–1730, Boston, Massachusetts, Eastern white pine, poplar, black walnut, ash (10.125.75)
Dressing table, 1740–50, Newport, Rhode Island, Mahogany (1994.449)
Easy chair, 1715–30, Boston, Massachusetts, Maple, oak, black tupelo (50.228.1)
Embroidered Sampler, 1807, Julia Ann Fitch (American), Silk on linen (2010.466)
High chest of drawers, 1700–1730, Boston, Massachusetts, Black walnut, poplar, maple, hickory, eastern white pine (52.195.2a,b)
High chest of drawers, 1730–50, Boston, Walnut, walnut veneer, white pine (10.125.62)
Joined armchair, 1650–1700, Essex County, Massachusetts, Oak (1995.98)
Kast, 1650–1700, American; New York City or vicinity, Painted white oak, red oak (1988.21)
Liberty, 1800, China; made for the American market, Verre églomisé (46.67.85)
Mederic-Louis-Elie Moreau de Saint-Méry, 1798, James Sharples (American), Pastel and black chalk (or black pastel) on toned (now oxidized) wove paper (24.109.89)
Oval table with falling leaves, 1715–40, Rhode Island, Maple, eastern white pine (10.125.133)
Pair of canns, 1783, Paul Revere, Jr. (American), Silver (58.3.5-.6)
Pierre Bacot, ca. 1708–10, Henrietta Johnston (American), Pastel, red and black chalk on off-white laid paper (47.103.24)
Room and staircase from the John Wentworth House, 1695–1700, Portsmouth, New Hampshire (26.290)
Room from the Hart House, 1680, Ipswich, Massachusetts (36.127)
Side chair, 1730–90, New England, Walnut, cherry (46.192.2)
Side chair, 1740–60, Philadelphia, Walnut, yellow pine (62.171.21)
Side chair, 1765–75, New York, Mahogany, sweet gum (57.158.1)
Small cabinet, 1679, Attributed to the Symonds shop tradition, Salem, Massachusetts, Red oak, white pine, black walnut, red cedar, maple (10.125.168)
Spindle-back armchair, 1640–80, Boston or Charlestown, Massachusetts, Ash (51.12.2)
Tea table, 1765–75, Philadelphia, Mahogany (25.115.31)