Heilbrunn Timeline of Art History

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Index Classification: Material and Technique

Etching

Print, Etching

Works of Art (173)

Abraham and Isaac, Rembrandt (Rembrandt van Rijn) (Dutch), Etching and burin; only state (29.107.26)
Amorini Celebrate the Rape of Proserpina, 1805–12, Francesco Rosaspina (Italian), after an oil painting by Francesco Albani (Italian), Engraving and etching (45.78.123)
An Analysis of the Structure of the Mausoleum of Cecilia Metella: From Antichità Romane, 1756, Giovanni Battista Piranesi (Italian), Etching, plate 49 of Antichità Romane, vol. 3, first edition (41.71.1.3.49)
And There's Nothing to Be Done (Y no hai remedio), 1810–23, Francisco de Goya y Lucientes (Spanish), Etching, drypoint, burin, and burnisher (32.62.17)
Annibale Carracci Introduces Painting to Apollo and Minerva, Pietro Aquila (Italian), after a drawing by Carlo Maratta (Italian), Etching (51.501.2593)
Annie, from the "French Set" (Douze eaux-fortes d'après Nature), 1857–58, James McNeill Whistler (American, 1834–1903), Etching; fourth state of seven (Glasgow); printed in black ink on tan (darkened) chine mounted on white wove paper (chine-collé) (1970.121.78)
Apollo and Daphne, ca. 1538–40, Andrea Schiavone (Andrea Medulic or Meldolla) (Italian, Venetian), Etching (26.70.3[195])
Apollo, Pegasus, and the Hippocrene Spring, mid-16th century, Angiolo Falconetto (Italian), after Giulio Romano (Italian, Roman, ca. 1499–1546), Etching (49.95.286)
The Artist's Mother: Head and Bust, Three-Quarters Right, Rembrandt (Rembrandt van Rijn) (Dutch), Etching (18.72)
Auricular Cartouche with Figures within a Strapwork Frame, from Veederley Veranderinghe van grotissen ende Compertimenten. Libro Primo, Johannes van Doetecum the Elder (Netherlandish) and Lucas van Doetecum (Netherlandish), after Cornelis Floris II (Netherlandish), Etching (59.642.32)
Auricular Cartouche with the Painter Hans von Aachen, the Goldsmith Paulus van Vianen, and the Sculptor Adriaen de Vries, ca. 1653, Jacob Lutma (Netherlandish), after Johannes Lutma the Elder (Netherlandish), Etching (69.554.6)
Auricular Cartouche, from Festivitates Aurifabris, Jacob Lutma (Netherlandish), after Johannes Lutma the Elder (Netherlandish), Amsterdam: [Frederik de Wit] (63.101.10[7])
Bacchanal: The Satyr's Family, 1763, Jean Honoré Fragonard (French), Etching (1996.328.2)
Beggar Leaning on a Stick, Facing Left, Rembrandt (Rembrandt van Rijn) (Dutch), Etching (26.72.156)
Black Lion Wharf, from the "Thames Set" (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), 1859, James McNeill Whistler (American, 1834–1903), Etching; fourth state of four (Glasgow); black ink on medium-weight laid paper with fibers (67.630.59)
The Blind Guitarist (El ciego de la guitarra), 18th century, Francisco de Goya y Lucientes (Spanish), Etching; working proof (22.63.29)
The Boy with a Sword, 1862, Édouard Manet (French), Etching and aquatint, third state (1980.1077)
The British Architect; or, The Builder's Treasury of Staircases…, 1775, Written by Abraham Swan (British); etching by John Norman (American); published by Robert Bell, Philadelphia, American, Etching (43.26.1)
Cadmus Fighting the Dragon Who Had Killed His Men, Léon Davent (French), after Francesco Primaticcio (Italian, Bolognese), Etching; sheet, trimmed within platemark (49.97.570)
Chelsea Bridge and Church, from the "Thames Set" (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), 1870–71, James McNeill Whistler (American, 1834–1903), Etching and drypoint; fifth state of seven (Glasgow); printed in black ink on ivory laid paper (17.3.65)
A Child with a Bulldog, 1778, Marguerite Gérard (French) after Jean Honoré Fragonard (French), Etching, second state of three (2011.279)
The Chinese Masquerade, 1735, Jean-Baptiste Marie Pierre (French), Etching (53.600.4449)
Cinq Personnages, 1946, Stanley William Hayter (British), Engraving and soft-ground etching (1980.1117.1)
City and Country, ca. 1865, Jules-Ferdinand Jacquemart (French), Etching (2012.163.516)
Contest between Athena and Poseidon, ca. 1543, Antonio Fantuzzi (Italian, Bolognese), after Rosso Fiorentino (Italian, Florentine), Etching; sheet, trimmed to platemark (49.97.589)
The Cowherd, 1636, Claude Lorrain (Claude Gellée) (French), Etching; third state of six (Mannocci) (37.3.14)
Death Carrying a Child, ca. 1648, Stefano della Bella (Italian, Florentine), Etching (59.570.379.3)
A Design for a Chimney Piece in a Lower Story: Plate 51 of The British Architect; or, The Builder's Treasury of Staircases…, 1745, By Abraham Swan (British); engraving by Edward Rooker (British), British, Etching and engraving (41.100.30)
Design for a "Corinthian Hall" by G. Leoni: From The Architecture of A. Palladio in Four Books (vol. 1, book 2, plate XXVIII), 1715, Author: Andrea Palladio (Italian, 1508–1580), Engraver: Bernard Picart (French), Editor: James (Giacomo) Leoni; Translator: Nicholas Dubois, London: Printed by John Watts for the author Giacomo Leoni, 1715, (41.100.169.28)
Design for a fan, 18th century, Anonymous (Austrian), Etching (49.95.65)
The Doorway, from the "First Venice Set" (Venice, a Series of Twelve Etchings), 1879–80, James McNeill Whistler (American, 1834–1903), Etching, drypoint, and roulette; fourteenth state of twenty (Glasgow); printed in brownish black ink on ivory laid paper (17.3.90)
Dream and Lie of Franco, 1937, Pablo Picasso (Spanish), Etching and aquatint (1986.1224.1[2])
The Dream of Aeneas, ca. 1663–64), Salvator Rosa (Italian, Neapolitan), Etching with drypoint (17.50.17.85)
The Drunken Silenus, 1628, Jusepe de Ribera (called Lo Spagnoletto) (Spanish), Etching with drypoint, engraving, and burnishing (22.67.14)
Egyptian Fireplace: From the Diverse maniere …, 1769, Giovanni Battista Piranesi (Italian), Etching (1973.509.8)

Painted Decoration of the Caffé Inglese, Rome: From the Diverse maniere …, 1769, Giovanni Battista Piranesi (Italian), Etching (41.71.1.20.46)
The Embroidered Curtain, 1889, James McNeill Whistler (American, 1834–1903), Etching and drypoint; sixth state of ten (Glasgow); printed in dark brown ink on fine ivory laid paper (17.3.151)
The Entombment, ca. 1654, Rembrandt (Rembrandt van Rijn) (Dutch), Etching printed on Chinese paper; first state of four (20.46.17)
The Entombment, Rembrandt (Rembrandt van Rijn) (Dutch), Etching, drypoint, and engraving; second state of four (23.51.7)
Entrance Hall of the Regensburg Synagogue, 1519, Albrecht Altdorfer (German), Depicted: Regensburg, Germany, Etching (26.72.68)
Evening Wind, 1921, Edward Hopper (American), Etching (25.31.7)
Fall of the Giants, 1663, Salvator Rosa (Italian), Etching with drypoint (24.63.1829)
The Fish and the Fireworks, 1719, Claude Gillot (French), Etching (34.15)
The Fish Shop, Busy Chelsea (Fish Shop, Chelsea), 1885–86, James McNeill Whistler (American, 1834–1903), Etching; second state of two (Glasgow) (2012.136.961)
Fountain in Front of the Villa Aldobrandini (Villa Belvedere): From Le fontane di Roma, part 2, Le fontane delle ville di Frascati (plate 5), 1691, Artist: Giovanni Battista Falda (Italian), Rome: Giovanni Giacomo de' Rossi, 1691, Etching (1991.1073.145.5)
The Fountain of Mercury in the Garden of the Villa Medici: From Le fontane di Roma, part 3, Le fontane ne' palazzi e ne' giardini di Roma (plate 9), 1691, Artist: Giovanni Franceso Venturini (Italian), Rome: Giovanni Giacomo de' Rossi, 1691, Etching (1991.1073.145.9)
Frontispiece for an album of the Société des Aquafortistes, 1865, Félix Bracquemond (French), Etching; second and final state (63.625.11)
Galerie des Glaces at Versailles, 1684, Sébastien Le Clerc (French), Etching (53.600.2784)
The Garden of Venus, ca. 1631–37, Pietro Testa (Italian, Roman), Etching (26.70.3[44])
The Garrotted Man (El agarrotado), 1778–80, Francisco de Goya y Lucientes (Spanish), Etching printed in blue ink (20.22)
The Genius of Castiglione, ca. 1645–47, Giovanni Benedetto Castiglione (Il Grechetto) (Italian); published in 1648 by Giovanni Giacomo de' Rossi (Italian); dedicated to Matthys van de Merwede, lord of Clootwyck (Dutch), Italian Etching (17.50.17-36)
The Girandola at the Castel Sant'Angelo, ca. 1783, Francesco Piranesi (Italian) and Louis-Jean Desprez (French), Etching with hand-coloring (69.510)
Godfroy de Bouillon, ca. 1541, Colin Nouailher (French), after a woodcut by Jacob Cornelisz. van Oostsanen (Netherlandish), Enamel, painted and partly gilded on copper (1993.65.4)
The Good Samaritan, 1633, Rembrandt (Rembrandt van Rijn) (Dutch), Etching and drypoint; first state of four (41.1.53)
Headquarters of the Société des Aquafortistes, 1864, Adolphe-Martial Potément, called Martial (French), Etching (50.616.15)
Henry II Between France and Fame, ca. 1548, Jean Duvet (French), Etching (25.2.93)
Hesperides, sive, De Malorum Aureorum cultura et usu Libri Quatuor (opposite page 342), 1646, Written by Giovanni Battista Ferrari (Italian), Published by Sumptibus Hermanni Scheus, Designed by Guido Reni (Italian), Printed by Johann Friedrich Greuter (German, active Rome), Etching and engraving (67.828)
Hieronymus in Deserto (Saint Jerome in the Wilderness), ca. 1555–56, Jan and Lucas van Doetecum after Pieter Bruegel the Elder (Netherlandish), Etching and engraving; only state (26.72.13)
Hortus Palatinus (plate 32), bound with Les raisons des forces mouvants, 1620, Salomon de Caus (Flemish, active in Germany), Jan Norton, Frankfurt, Etching (49.122)
Imaginary View of Venice (undivided plate), 1741, Canaletto (Giovanni Antonio Canal) (Italian, Venetian), Italian, Etching (1973.634)
The Iron Forge between Dolgelli and Barmouth in Merioneth Shire: Plate 6 of XII Views in North Wales, 1776, Paul Sandby (British), London, Etching and aquatint printed in brown ink (36.8.30)
Jan Lutma, 1656, Rembrandt (Rembrandt van Rijn) (Dutch), Etching and drypoint printed on Japan paper; first state of three (20.46.18)
L'Académie des Sciences et des Beaux-Arts, 1698, Sébastien Le Clerc (French), Etching (62.598.300)
L'Autonne, ca. 1715–16, Faissar, after Antoine Watteau (French, Etching and engraving (28.113 (2), pl.52)
La Marchande de moutarde, from the "French Set" (Douze eaux-fortes d'après Nature), 1858, James McNeill Whistler (American, 1834–1903), Etching; third state of five (Glasgow); black ink on gray chine on white wove paper (chine-collé) (17.3.16)
La Petite Reposée, 1756, François Boucher (French), Etching (1998.524)
Landscape with a Double Spruce in the Foreground, ca. 1520–22, Albrecht Altdorfer (German), Etching printed from iron (1993.1097)
Las Meninas, after Velázquez, ca. 1778, Francisco de Goya y Lucientes (Spanish), Etching, drypoint, burin, roulette, and aquatint; working proof of the third state, Promised Gift of Derald H. and Janet Ruttenberg
Le Bassin d'Apollon (The Fountain of Apollo, Versailles): From the series Veues des plus Beaux Lieux de France et d'Italie . . ., 1680s, Adam Perelle (French), Nicolas Langlois, Paris, Etching (52.519.84.88)
The Lime-Burner (W. Jones, Lime-Burner, Thames Street), from the "Thames Set" (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), 1859, James McNeill Whistler (American, 1834–1903), Etching and drypoint; first state of two (Glasgow); warm black ink on ivory wove paper (17.3.39)
Little Venice, 1880

James McNeill Whistler (American), Etching (17.3.85)
Lovers, ca. 1525–30, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian), Etching, first state; sheet, trimmed to platemark (26.70.3 [102])
Madonna in the Clouds, ca. 1581 (no later than 1582), Federico Barocci (Italian), Etching and engraving; sheet (17.50.18.147)
Magdalena Poenitens (Penitent Magdalene), ca. 1555–56, Joannes and Lucas van Doetecum after Pieter Bruegel the Elder (Netherlandish), Etching with engraving; first state of two (26.72.14)
Manet Seated, Turned to the Left, ca. 1866–68, Edgar Degas (French), Etching, first state (one of four known impressions) (2003.329)
Marguerite Le Comte, 1764, Claude Henri Watelet (French) after Étienne de Lavallée-Poussin (French), Etching, second state of three (2012.384)
Mary Cassatt at the Louvre: The Etruscan Gallery, 1879–80, Edgar Degas (French), Softground etching, drypoint, aquatint, and etching, third state of nine (19.29.2)
A Masked Gentleman at a Coffee House: From Divers Portraits, 1775, Giovanni David (Italian), Etching and aquatint printed in brown ink (1979.525.1)
Maternal Caress, 1891, Mary Cassatt (American), Drypoint and soft-ground etching, third state, printed in color (16.2.5)
Milites Requiescentes (Soldiers at Rest), ca. 1555–56, Jan and Lucas van Doetecum after Pieter Bruegel the Elder (Netherlandish), Etching and engraving; only state (26.72.56)
Millbank, from the "Thames Set" (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), 1861, James McNeill Whistler (American, 1834–1903), Etching and drypoint; fifth state of five; printed in black ink on ivory laid Japan (17.3.55)
Minerva and the Muses, mid-16th century, Emilian (?) school, Etching and drypoint (27.78.2[99])
Mlle. Victorine in the Costume of an "Espada", 1862, Édouard Manet (French), Etching, aquatint, and bitten tone on laid paper; final state of three (69.550)
Modo col quale furono alzati i grossi Travertini, e gli altri Marmi nel fabbricare il gran Sepolcro di Cecilia Metella, oggi detto Capo di Bove (The means by which the large travertine blocks and other marbles were lifted in the construction of the Great Tomb of Cecilia Metella, today called Capo di Bove): From Antichità Romane, 1756, Giovanni Battista Piranesi (Italian), Etching, plate 53 of Antichità Romane, vol. 3, first edition (41.71.1.3.53)
Morphine Addicts, 1887, Paul-Albert Besnard (French), Etching (67.793.15)
The Muses on Mount Parnassus, 1542–43, Antonio Fantuzzi (Italian, Bolognese, active at Fontainebleau), Etching (49.97.585)
"Negress" Lying Down, 1658, Rembrandt (Rembrandt van Rijn) (Dutch), Etching, drypoint, engraving; 3 3/16 x 6 1/4 in. (8.1 x 15.8 cm) (29.107.28)
Newdigate Candelabrum: From Vasi, Candelabri, Cippi, Sarcofagi …, 1778, Giovanni Battista Piranesi (Italian), Etching (41.71.1.13.14)
Night Shadows, 1921, Edward Hopper (American), Etching (25.31.2)
Nocturne, from the "First Venice Set" (Venice, a Series of Twelve Etchings), 1879–80, James McNeill Whistler (American, 1834–1903), Etching and drypoint; sixth state of nine (Glasgow); printed in black ink on heavy cream Japan (17.3.86)
Nocturne: Dance House, 1889, James McNeill Whistler (American, 1834–1903), Etching and drypoint; fourth state of six; printed in dark brown ink on medium-weight ivory laid paper (17.3.150)
Nocturne: Palaces, from the "Second Venice Set" (A Set of Twenty-Six Etchings by James A. McN. Whistler), 1879–80, James McNeill Whistler (American, 1834–1903), Etching and drypoint; twelfth state of twelve (Glasgow); printed in dark brown ink on drum-mounted medium-weight ivory laid paper (40.63.8)
Nouveau theatre de la Grande Bretagne, ou, Description exacte des Palais de La Reine, et des Maisons les plus considerables . . . de la Grande Bretagne (plate 6), 1708, Leonard Knyff (Netherlandish), Johannes Kip (Netherlandish), David Mortier, London, Etching (52.519.69)
Nymph of Fontainebleau, ca. 1545–54, Pierre Milan (French), and René Boyvin (French), after Rosso Fiorentino (Italian, Florentine), Etching (32.105)
One Can't Look (No se puede mirar), 1863, Francisco de Goya y Lucientes (Spanish), Etching, burnished lavis, drypoint, and burin (22.60.25.26)
One Hunting for Teeth: Plate 12 of Los Caprichos, first edition, 1799, Francisco de Goya y Lucientes (Spanish), Etching, burnished aquatint, and burin (18.64.12)
Pan Reclining before a Large Vase, published 1648, Giovanni Benedetto Castiglione (Il Grechetto) (Italian), Etching (17.50.17[464])
Parlour Chair: Plate 9 of The Cabinet and Chair-Maker's Real Friend and Companion, 1765, By Robert Manwaring (British); engraved by Robert Pranker (British); published by Henry Webley, London, 1765, British, Etching and engraving (32.9.6)
Parte di ampio magnifico Porto all'uso degli antichi Romani (Part of a spacious magnificent harbor in the manner of the ancient Romans), ca. 1749–50, Giovanni Battista Piranesi (Italian), Etching, first state before caption plate (37.45.3.41)
Perseus Saving Andromeda, ca. 1775, Giovanni David (Italian), Etching (2001.741)
Piazza del Popolo, ca. 1750, Giovanni Battista Piranesi (Italian), Etching (37.45.3.49)
Pierrot, 1889, James McNeill Whistler (American, 1834–1903), Etching and drypoint; sixth state of eight (Glasgow); printed in dark brown ink on medium-weight ivory laid paper (17.3.149)
Plate 13 of Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi...Parte prima, Theodor van Kessel (Dutch), after Adam van Vianen I (Dutch), Utrecht: [Christiaen van Vianen], Etching (27.23.43)
Plate 2 of Verscheyde Constige Vindigen om in Gout, Silver, Hout en Steen te wercken, Michiel Mosyn (Dutch), after Adam van Vianen I (Dutch) and Gerbrand van den Eeckhout (Dutch), Amsterdam: [Cornelis Danckerts I], Etching and engraving (56.500.10[2])
Plate 27 of Modelli Artificiosi...Parte seconda, Theodor van Kessel (Dutch), after Adam van Vianen I (Dutch), Etching (27.23.57)
Plate 4 of Festivitates Aurifabris.../Verscheide Snakeryen dienstich voor Goutsmits, Beelthouwers, Steenhouwers, en alle die de const beminnen, Jacob Lutma (Netherlandish), after Johannes Lutma the Elder (Netherlandish), Amsterdam: [Frederik de Wit], Etching and engraving (63.101.10[4])
Plate 8 of Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi...Parte prima, Theodor van Kessel (Dutch), after Adam van Vianen I (Dutch), Utrecht: [Christiaen van Vianen], Etching (27.23.38)
Plate 9 of Verscheyde Constige Vindigen om in Gout, Silver, Hout en Steen te wercken, Michiel Mosyn (Dutch), after Johannes Lutma the Elder (Netherlandish) and Gerbrand van den Eeckhout (Dutch), Amsterdam: [Cornelis Danckerts I], Etching and engraving (56.500.10[10])
Plates from Treatise on Etching, 1866, Maxime-François-Antoine Lalanne (French), Etchings (59.500.789, .790)
The Poet, Jusepe de Ribera (called Lo Spagnoletto) (Spanish), Etching, only state (30.54.69)
The Portico of Octavia: From Vedute di Roma (Views of Rome), 1760, Giovanni Battista Piranesi (Italian), Etching (64.521.2)
Portrait of Adam van Vianen, Theodor van Kessel (Dutch), after Johan Smith, Etching (27.23.48)
Portrait of Charles Meryon, in profile, 1854, Félix Bracquemond (French), Etching on thin wove paper; second of three states (17.78.60)
Portrait of Godert Dircksz. Kerckrinck, late 17th century, Jan Thopas (Dutch), Black lead, gray and black wash, on two sheets of vellum (2013.560)
Portrait of Huysmans, from L'Estampe originale, Album VI, 1894, Eugène Delâtre (French), Etching and aquatint, in three colors (22.82.1-51)
Portrait of Meryon, 1853, Félix Bracquemond (French), Etching on laid paper; first state (40.63.13)
Priapus and Lotis, third quarter of 16th century, Unidentified Sixteenth-Century Etcher (possibly Jacopo Bertoia, Italian, Parma), after Francesco Parmigianino (?) (Italian, Parma), Etching (27.78.1[26])
Psiche Curieuse, mid-1770s, Giovanni David (Italian), Etching and aquatint (1976.629)
The Public Promenade, 1792, Louis Philibert Debucourt (French), Etching, engraving, and aquatint printed in color (61.531)
Rabbit Hunt, 1560, Pieter Bruegel the Elder (Netherlandish), Etching (25.2.11)
The Rape of Proserpina, ca. 1760–95, Gaetano Gandolfi (Italian, Bolognese), Etching (60.611.66)
Recruits Going to Join the Regiment, 1715–16, Antoine Watteau (French), Etching, first state of three (2006.43)
The Riva, No. 1 (The Riva), from the "First Venice Set" (Venice, a Series of Twelve Etchings), 1879–80, James McNeill Whistler (American, 1834–1903), Etching and drypoint; fourth state of four (Glasgow); printed in black ink on medium-weight ivory laid paper (17.3.93)
The "Room of the Winds" with Mount Parnassus: From Le fontane di Roma, part 2, Le fontane delle ville di Frascati (plate 7), 1691, Artist: Giovanni Battista Falda (Italian), Rome: Giovanni Giacomo de' Rossi, 1691, Etching (1991.1073.145.7)
The Round Tower: Plate 3 of Carceri, ca. 1749–60, Giovanni Battista Piranesi (Italian), Italian, Etching, engraving, sulphur tint or open bite, burnishing (37.45.3(27))
The Russian Dance, 1769, Jean-Baptiste Le Prince (French), Etching and aquatint printed in brown ink (22.64.1)
The Sacrifice of Iphigenia, ca. 1640–42, Pietro Testa (Italian, Roman), Etching with drypoint (26.70.3[43])
Saint Jerome Hearing the Trumpet of the Last Judgment, Jusepe de Ribera (called Lo Spagnoletto) (Spanish), Etching with drypoint and engraving, only state (53.512.5)
Saint Jerome in the Wilderness, ca. 1591, Annibale Carracci (Italian, Bolognese), Etching and engraving, third state of four6 (26.70.4.20)
Saint William of Maleval, 1661, Salvator Rosa (Italian, Neapolitan), Etching and drypoint (17.50.17.90)
Satire on Popery, 1555, German, Etching (53.677.5)
A Satyr Family: From the series Scherzi di Fantasia, ca. 1743–57, Giovanni Battista Tiepolo (Italian, Venetian), Etching (1976.537[19])
The Seasons (Summer), 1987, Jasper Johns (American), Etching with aquatint (1999.407b)
Secondo prospetto per fianco del palazzo con diversa veduta del giardino del Bel respiro . . . Pamphilio (View of the side facade of the Palazzo Pamphilj and its garden): Plate 20 of Li Giardini di Roma, 1670 and 1683, Giovanni Battista Falda (Italian), Giovanni Giacomo de' Rossi (Italian), Etching (61.532.26.20)
Self-Portrait, ca. 1630, Anthony van Dyck (Flemish), Etching (50.583.4)
Self-Study Book of Drawing, Painting, and Embroidery for Ladies, 1798, Designed by Johann Friedrich Netto, Published by Voss und Compagnie, Leipzig, Etching, silk and metal thread embroidery on silk, on one page (32.121.3)
The Semicircular Water Theater of the Villa Mondragone: From Le fontane di Roma, part 2, Le fontane delle ville di Frascati (plate 18), 1691, Artist: Giovanni Battista Falda (Italian), Rome: Giovanni Giacomo de' Rossi, 1691, Etching; (1991.1073.145.18)
Sheet with Two Studies: A Tree and the Upper Part of a Head of Rembrandt Wearing a Velvet Cap, Rembrandt (Rembrandt van Rijn) (Dutch), Etching; only state (1970.705)
The Skeletons: From the Grotteschi, ca. 1748, Giovanni Battista Piranesi (Italian), Etching with engraving, drypoint, and burnishing, second state (37.45.3.38)
Sketches on the Coast Survey Plate, 1854–55, James McNeill Whistler (American, 1834–1903), Etching; only state (Glasgow); printed in black ink on a complete sheet of linen-textured ivory laid paper with MBM watermark appearing twice (17.3.1)
The Sleep of Reason Produces Monsters: Plate 43 of The Caprices (Los Caprichos), 1799, Francisco de Goya y Lucientes (Spanish), Etching, aquatint, drypoint, and burin (18.64)
Street at Saverne, from the "French Set" (Douze eaux-fortes d'après Nature), 1858, James McNeill Whistler (American, 1834–1903), Etching and open bite or sandpaper ground; third state of four (Glasgow); blue chine on off-white wove paper (chine-collé) (17.3.12)
Study of Thirteen Heads, ca. 1770, Jean Jacques de Boissieu (French, 1736–1810), Etching, second state of three (67.793.25)
The Three Trees, Rembrandt (Rembrandt van Rijn) (Dutch), 1643, Etching with drypoint and engraving (29.107.31)
Title page (in Dutch) of Veelderhande Niewe Compartimente, Michiel Mosyn (Dutch), after Gerbrand van den Eeckhout, Amsterdam: [Clement de Jonghe], Etching and engraving (32.123.32[1])
Title page (in Latin) of Veelderhande Niewe Compartimente, Michiel Mosyn (Dutch), after Gerbrand van den Eeckhout, Amsterdam: [Clement de Jonghe], Etching and engraving (32.123.32[2])
Title page from the "French Set" (Douze eaux-fortes d'après nature), 1858, James McNeill Whistler (American, 1834–1903), Etching; only state (Glasgow); black ink on tan chine on off-white wove paper (chine-collé) (1970.121.69)
Title page to Eaux-fortes par Bracquemond, 1854, Félix Bracquemond (French), Etching (26.28.73)
Title page to the suite Eaux-fortes sur Paris, 1852, Charles Meryon (French), Etching on brown wove paper; first state (63.606.11)
Tomb with Death Seated, ca. 1779–84, Louis Jean Desprez (French, 1743–1804), Etching and aquatint printed in brown ink, second state of two (2012.189)
Traité du jardinage selon les raisons de la nature et de l'art (plate following page 87), 1638, Jacques Boyceau de la Baraudière (French), Michel van Lochom, Paris, Etching (26.104.2)
Ulysses at the Table of Circe: Plate 16 of The Odyssey of Homer Engraved from the Compositions of John Flaxman R.A., 1805, John Flaxman (British), Printmaker: James Parker (British), London, England, Etching (1977.595.53)
Untitled: From 15 etchings portfolio, 1996, Anish Kapoor (British, born India), Etching (1999.305d)
The Vampire, 1853, Charles Meryon (French), Etching in brown ink on green laid paper; fifth state of ten (29.107.108)
Vari disegni di Merletti, Bartolomeo Danieli (Italian), Published by Agostino Parisini and Giovanni Battista Negroponte, Bologna, 1639, Etching (37.47.2)
Veduta del Mausoleo d'Elio Adraiano, ora chiamato Castello S. Angelo (View of the Mausoleum of Hadrian, now called the Castel S. Angelo): From Vedute di Roma (Views of Rome), ca. 1756, Giovanni Battista Piranesi (Italian), Etching, undescribed first state with address of Bouchard (55.567.6)
Veduta dell'Anfiteatro Flavio detto il Colosseo (View of the Flavian Amphitheater known as the Colosseum): From Vedute di Roma (Views of Rome), 1776, Giovanni Battista Piranesi (Italian), Etching, first state (59.570.426)
Venus Entrusting an Infant to Time, ca. 1758, Giovanni Domenico Tiepolo (Italian, Venetian), after Giovanni Battista Tiepolo (Italian, Venetian), Etching (57.619.5)
Veue du chasteau de Versailles (View of Versailles, garden facade): From the series Veues des plus Beaux Lieux de France et d'Italie . . ., 1680s, Adam Perelle (French), Israel Silvestre (French), Nicolas Langlois, Paris, Etching (20.41.126)
View of Paris from Notre Dame to the Tournelle Bridge (Autre vue Particuliere de Paris depuis Notre Dame jusques au Pont de la Tournelle), 1720–54, Jacques Rigaud (French), Etching (53.600.1175)
View of the City of Prague, 1606, Johannes Wechter (German), after Philip van den Bossche (Netherlandish, Published by Aegieius Sadeler, Antwerp, Etching (53.601.10[72–83])
View of the Grand Facade of the Louvre (Vue de la Grande Façade du Vieux Louvre), 1752, Jacques Rigaud (French), Etching (53.600.1191)
View of the Palazzo Mancini, Rome, 1752, Giovanni Battista Piranesi (Italian), Etching (41.71.1.16.29)
View of the Villa La Petraia: From Vedute delle ville, e d'altri luoghi della Toscana (plate 33), 1744, Artist: Filippo Morghen (Italian), after a drawing by Giuseppe Zocchi (Italian), Florence: Giuseppe Allegrini, 1744, Etching (36.31.10.33)
Villa Borghese: From Li giardini di Roma (plate 15), after 1677, Artist: Simone Felice (Italian), Rome: Giovanni Giacomo de' Rossi, after 1677, Etching (61.532.26[15])
Villa d'Este, Tivoli, View of the Palace from the Lower Level Garden: From Le fontane di Roma, part 4, Le fontane del giardino Estense in Tivoli (plate 3 [foldout]), 1691, Artist: Giovanni Franceso Venturini (Italian), Rome: Giovanni Giacomo de' Rossi, 1691, Etching (1991.1073.145.3)
Villa Medici: From Li giardini di Roma (plate 7), after 1677, Artist: Giovanni Battista Falda (Italian), Rome: Giovanni Giacomo de' Rossi, after 1677, Etching (61.532.26[7])
Villa Rotonda: From The Architecture of A. Palladio in Four Books (vol. 1, book 2, plate XV), 1715, Author: Andrea Palladio (Italian, 1508–1580), Engraver: Bernard Picart (French), Editor: James (Giacomo) Leoni; Translator: Nicholas Dubois, London: Printed by John Watts for the author Giacomo Leoni, 1715, Engraving (41.100.169.15)
The Visit to the Gobelins by Colbert de Villacerf, ca. 1691–99, Sébastien Leclerc I (French), Etching (53.600.2612)
Wilton Garden (plate 1), ca. 1640, Written and designed by Isaac de Caus (French), Peter Stent (British), Thomas Rowlett, London, Etching (27.66.2)
The Windmill, 1641, Rembrandt (Rembrandt van Rijn) (Dutch), Etching (41.1.12)
Woman Watering a Plant, ca. 1784, Jean Jacques Lagrenée (French), Etching and aquatint, printed in brown and orange inks (1999.2[13])
Wooded Landscape at L'Hermitage, Pontoise, 1879, Camille Pissarro (French), Softground etching, drypoint, and aquatint on china paper, sixth state (21.46.1)
Young Man, Seated, in a Velvet Beret, after Rembrandt, 1857, Edgar Degas (French) after Rembrandt (Rembrandt van Rijn) (Dutch), Etching; only state (1977.500)