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Linga with Face of Shiva (Ekamukhalinga), White marble, Afghanistan
Afghanistan
9th century
"Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
Multiple artists/makers
dated 931 AH/1524–25 CE
Dragon-Handled Jug with Inscription, Brass; cast and turned, engraved, and inlaid with silver, gold, and black organic compound
early 16th century
Afghanistan (Spine Numbered "IV Afghanistan"), Albumen silver prints in album
late 19th–early 20th century
Niche with the Seated Bodhisattva Shakyamuni Flanked by Devotees and an Elephant, Stucco, Afghanistan (Hadda)
Afghanistan (Hadda)
ca. 4th–5th century
Head of Buddha, Stucco with traces of paint, Afghanistan (probably Hadda)
Afghanistan (probably Hadda)
5th–6th century
Standing Bodhisattva, Gypsum, Afghanistan
Afghanistan
ca. 5th century
Goddess, Possibly Nana, Seated on a Lion
, Stucco, Afghanistan
Afghanistan
5th–6th century
Bodhisattva, Stucco, Afghanistan
Afghanistan
4th–5th century
Female Head, Marble, Afghanistan
Afghanistan
ca. 5th century
Seated Male Figure, Terracotta, Afghanistan
Afghanistan
10th century
Circular Tray (Pata) with Vegetative Scrolling, Marble, Afghanistan
Afghanistan
ca. 6th–7th century
Head of a Male Figure, Stucco, Afghanistan
Afghanistan
2nd–4th century
Upper Half of a Deity or King, Bronze, Afghanistan
Afghanistan
5th century
Seated Figure, Bronze, Afghanistan
Afghanistan
10th century
Standing Male Deity (Perhaps Vishnu) Holding a Conch, Bronze, Afghanistan
Afghanistan
6th century or earlier
Ritual Basin, Bronze, Afghanistan or Central Asia
Afghanistan or Central Asia
6th–8th century
Seated Bodhisattva Maitreya (Buddha of the Future), Schist, Afghanistan (found near Kabul)
Afghanistan (found near Kabul)
7th–8th century
Panel with the god Zeus/Serapis/Ohrmazd and worshiper, Terracotta, gouache, Kushan
Kushan
ca. 3rd century CE
Fragment of an Ivory Comb, Ivory, Afghanistan, possibly of West Indian manufacture
Afghanistan, possibly of West Indian manufacture
1st–3rd century
Rubab, Wood and various materials, Afghan
Afghan
early 20th century
Dutār, mulberry, bone, brass, silver, carnelian, turquoise, Afghan (Turkmen)
Afghan (Turkmen)
ca. 1860
Waj, Wood, hide,  animal hair, nylon, cloth, Afghan (Nuristan)
Afghan (Nuristan)
mid-20th century
"Dancing Dervishes", Folio from a Divan of Hafiz, Hafiz  Iranian, Opaque watercolor and gold on paper
Poet Hafiz
Painting attributed to Bihzad
ca. 1480
A Stallion, Habiballah of Sava  Iranian, Ink, opaque watercolor, and gold on paper
Painting by Habiballah of Sava
ca. 1601–6
"The Eavesdropper", Folio 47r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja, Maulana Azhar, Ink, opaque watercolor, silver, and gold on paper
Calligrapher Maulana Azhar
Poet Nizami
Painting by Unknown
ca. 1430
Square Tile, Stonepaste; molded and monochrome glazed
early 13th century
Square Tile, Stonepaste; molded and monochrome glazed
early 13th century
Hexagonal Tile, Stonepaste; molded and monochrome glazed
early 13th century
High-Tin Bronze Bowl, Abu Nasr al-Naqqash, High-tin bronze; cast, chased, punched, engraved
Abu Nasr al-Naqqash
11th century
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, Sa'di  Iranian, Ink, opaque watercolor, silver, and gold on paper
Author Sa'di
Author Hafiz
Calligrapher Sultan 'Ali al-Mashhadi
late 15th century
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, Sa'di  Iranian, Ink, opaque watercolor, silver, and gold on paper
Author Sa'di
Author Hafiz
Calligrapher Sultan 'Ali al-Mashhadi
late 15th century
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz



, Sa'di  Iranian, Ink, opaque watercolor, silver, and gold on paper
Author Sa'di
Author Hafiz
Calligrapher Sultan 'Ali al-Mashhadi
late 15th century
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, Sa'di  Iranian, Ink, opaque watercolor, silver, and gold on paper
Author Sa'di
Author Hafiz
Calligrapher Sultan 'Ali al-Mashhadi
late 15th century
"Marriage of Khusrau and Shirin", Folio 104 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
Multiple artists/makers
dated 931 AH/1524–25 CE
"Laila and Majnun in School", Folio 129 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
Multiple artists/makers
dated 931 AH/1524–25 CE
"Bahram Gur in the Green Palace on Monday", Folio 224 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper
Author Nizami
dated 931 AH/1524–25 CE
Portrait of a Lady Holding a Flower, Muhammadi of Herat  Iranian, Opaque watercolor, ink, and gold on paper
Painted by Muhammadi of Herat
1565–75
"Bahman Taking Revenge on the Sistanians"  Folio from the Majma' al-Tavarikh (Compendium of Histories) of Hafiz-i Abru, Hafiz-i Abru  Iranian, Ink, opaque watercolor, and gold on paper
Author Hafiz-i Abru
ca. 1425
"Muhammad's Call to Prophecy and the First Revelation", Folio from a Majma' al-Tavarikh (Compendium of Histories), Hafiz-i Abru  Iranian, Opaque watercolor, silver, and gold on paper
Author Hafiz-i Abru
ca. 1425
Divan of Sultan Husayn Baiqara, Sultan 'Ali al-Mashhadi  Iranian, Ink, opaque watercolor, and gold on paper; lacquer binding
Calligrapher Sultan 'Ali al-Mashhadi
dated 905 AH/1500 CE
Illuminated Opening Page Titled Laila and Majnun from a Khamsa (Quintet) of Nizami of Ganja, Ja'far Baisunghuri  Iranian, Ink, opaque watercolor, and gold on paper
Calligrapher Ja'far Baisunghuri
Author Nizami
dated 835 AH/1431–32 CE

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