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Classical Ruins, Wenceslaus Hollar Bohemian, Etching; second state of two
Classical Ruins
Etcher Wenceslaus Hollar
After Sebastiaen Vrancx
1673
An Architectural Capriccio, with Classical Ruins, Francesco Guardi Italian, Pen and brown ink, brown wash
An Architectural Capriccio, with Classical Ruins
Francesco Guardi
ca. 1780–85
Imaginary Landscape with Classical Ruins, Carlo Fantaccini Italian, Point of a brush and gray wash, over graphite; framing lines in pen and brown ink and bronze paint
Imaginary Landscape with Classical Ruins
Carlo Fantaccini
1700–50
Figures in Classical Ruins, Giovanni Paolo Panini Italian, Pen and brown ink, brush and brown and gray wash, over black chalk
Figures in Classical Ruins
Giovanni Paolo Panini
1691–1765
Classical Ruins: A Public Bath, Joseph Lemercier French, Pen and black and gray ink
Classical Ruins: A Public Bath
Joseph Lemercier
19th century
Imaginary Landscape with Classical Ruins; Fountain in Foreground, Carlo Fantaccini Italian, Point of a brush and gray wash, over graphite; framing lines in pen and brown ink and bronze paint
Imaginary Landscape with Classical Ruins; Fountain in Foreground
Carlo Fantaccini
1700–50
Fantastic River Landscape with Classical Ruins and an Atlantes, Monogrammist DB, Etching and engraving
Fantastic River Landscape with Classical Ruins and an Atlantes
Monogrammist DB
Monogrammist IH
ca. 1550
Figures in a Landscape with Classical Ruins (recto); Six Figure Studies (verso), Ercole Procaccini The Younger Italian, Pen and brown and black ink on cream laid paper (recto); pen and brown ink (verso); fragments of framing lines
Figures in a Landscape with Classical Ruins (recto); Six Figure Studies (verso)
Ercole Procaccini The Younger
17th century
Entellus and Dares fighting in front of classical ruins, Marco Dente Italian, Engraving
Entellus and Dares fighting in front of classical ruins
Marco Dente
After Raphael (Raffaello Sanzio or Santi)
1520–25
Two Mounted Soldiers in Classical Ruins, for a poem by Cremes, Franz von Hauslab the Younger Austrian, Watercolor, gouache, and pen and black ink. Pen and black ink framing line added when mounted.
Two Mounted Soldiers in Classical Ruins, for a poem by Cremes
Franz von Hauslab the Younger
1812–83
Classical Ruins, William Wegman American, Single-channel digital video, transferred from Sony CV 1/2-inch video tape, black-and-white, sound, 15 sec.
Classical Ruins
William Wegman
1970
Capriccio with a Seaport and Classical Ruins, Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over black chalk
Capriccio with a Seaport and Classical Ruins
Francesco Guardi
1712–93
Design for mural decoration surrounding a door: landscape with classical ruins, Jules-Edmond-Charles Lachaise French, black chalk, heightened with white on beige wove paper; mounted on blue wove paper
Design for mural decoration surrounding a door: landscape with classical ruins
Jules-Edmond-Charles Lachaise
Eugène-Pierre Gourdet
1830–97
Design for mural decoration surrounding a door: landscape with classical ruins, Jules-Edmond-Charles Lachaise French, black chalk heighted with white on beige wove paper; mounted on blue wove paper
Design for mural decoration surrounding a door: landscape with classical ruins
Jules-Edmond-Charles Lachaise
Eugène-Pierre Gourdet
1830–97
Classical Ruins with Equestrian Monument
Giovanni Domenico Ferretti
After Marco Ricci
1743
Classical Ruins with Equestrian Statue and Circular Temple
Marco Ricci
1723–30
Design for a Painted Wall Decoration, with Figures in a Landscape with Classical Ruins, Anonymous, Italian, 18th century Italian, Pen and brown ink, brush with brown wash, over black chalk on cream laid paper. Groundline stylus-incised
Design for a Painted Wall Decoration, with Figures in a Landscape with Classical Ruins
Anonymous, Italian, 18th century
18th century
Classical Landscape with Ruins (recto); Two men in Roman military dress (verso), Robert Adam British, Scottish, Pen and brown ink, brush and gray wash, over black chalk
Classical Landscape with Ruins (recto); Two men in Roman military dress (verso)
Robert Adam
1755–57
Plaque with classical landscape, Enamel on copper, British, probably Birmingham
Plaque with classical landscape
British, probably Birmingham
ca. 1755
Roman ruins (recto). Three figures in classical robes (verso) (Smaller Italian sketchbook, leaf 1), Joseph Wright (Wright of Derby) British, Recto: pen and ink, brush and gray wash, over graphite<br/>Verso: graphite
Roman ruins (recto). Three figures in classical robes (verso) (Smaller Italian sketchbook, leaf 1)
Joseph Wright (Wright of Derby)
1774–75
A three-arched portico with an open lantern hanging at center, a triumphal arch and ruins of a classical temple in the background, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; second state of three
A three-arched portico with an open lantern hanging at center, a triumphal arch and ruins of a classical temple in the background, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Dedicatee Joseph Smith
1735–46
Ruins of a classical building, in "Raccolta di Vedute della Citta di Dresda"
Bernardo Bellotto
1741–42
Title page with a large wall of a classical ruin, with a figure seated at right pointing to the dedication, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; second state of two
Title page with a large wall of a classical ruin, with a figure seated at right pointing to the dedication, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Dedicatee Joseph Smith
1735–46
Campo Vaccino (Foro Romano), Eugène Constant French, active Italy, Albumen print from glass negative
Campo Vaccino (Foro Romano)
Eugène Constant
1848–52
Ruins and Foreground, Acropolis, Athens (55. Athènes. 1842. Acropole. ruines et 1ers plans (pour tableau)), Joseph-Philibert Girault de Prangey French, Daguerreotype
Ruins and Foreground, Acropolis, Athens (55. Athènes. 1842. Acropole. ruines et 1ers plans (pour tableau))
Joseph-Philibert Girault de Prangey
1842
The Septizodium, Anonymous, Etching and engraving
The Septizodium
Anonymous
Publisher Antonio Lafreri
1556
Fantastic Landscape, Francesco Guardi Italian, Oil on canvas
Fantastic Landscape
Francesco Guardi
ca. 1765
Vertical Landscape with the Ruins of the Temple of Venus and Roma, from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles", Lambert Suavius Netherlandish, Etching
Vertical Landscape with the Ruins of the Temple of Venus and Roma, from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles"
Lambert Suavius
Publisher Gerard de Jode
1554
The Septizodium, from "Speculum Romanae Magnificentiae", Anonymous, Etching and engraving
The Septizodium, from "Speculum Romanae Magnificentiae"
Anonymous
1556
The Ruins of the Forum of Nerva, Rome, seen from the South-West, Matthijs Bril the Younger Netherlandish, Pen and brown ink
The Ruins of the Forum of Nerva, Rome, seen from the South-West
Matthijs Bril the Younger
ca. 1570–80
Ruins, with a Statue on the Left, Giovanni Paolo Panini Italian, Pen and brown ink, gray, brown, blue, green and yellow washes
Ruins, with a Statue on the Left
Giovanni Paolo Panini
ca. 1728
Veduta del Tempio di Giove Tonante, Giovanni Battista Piranesi Italian, Engraving
Veduta del Tempio di Giove Tonante
Giovanni Battista Piranesi
1740s–60s
View of Ancient Roman Ruins, an Arch and a Triangular-Pedimented Doorway, Filippo Mochi Italian, Pen and brown ink, brush and gray wash and leadpoint; framed outlines in black ink and blue wash
View of Ancient Roman Ruins, an Arch and a Triangular-Pedimented Doorway
Filippo Mochi
18th century
The Aegean Sea, Frederic Edwin Church American, Oil on canvas, American
The Aegean Sea
Frederic Edwin Church
ca. 1877
Engraving, Ink on paper
Engraving
18th century
Colonnade occidental du Temple de Jupiter, à Baâlbek (Héliopolis), Maxime Du Camp French, Salted paper print from paper negative
Colonnade occidental du Temple de Jupiter, à Baâlbek (Héliopolis)
Maxime Du Camp
September 15, 1850
Plate 7: Temple of Jupiter Tonans (Jupiter the Thunderer). 1. Temple of Concord. (Tempio di Giove Tonans. 1. Tempio della Concordia.), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori", Giovanni Battista Piranesi Italian, Etching
Plate 7: Temple of Jupiter Tonans (Jupiter the Thunderer). 1. Temple of Concord. (Tempio di Giove Tonans. 1. Tempio della Concordia.), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"
Giovanni Battista Piranesi
ca. 1748
Erechtheion, Athens (62. Athènes. 1842. T. de Minerve Poliade.), Joseph-Philibert Girault de Prangey French, Daguerreotype
Erechtheion, Athens (62. Athènes. 1842. T. de Minerve Poliade.)
Joseph-Philibert Girault de Prangey
1842
Façade and Ruins, Mauro Antonio Tesi Italian, Pen and brown ink, brush and gray wash
Façade and Ruins
Attributed to Mauro Antonio Tesi
1750–66
Capriccio with a Roman Triumphal Arch, Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink, brush and gray wash, over traces of leadpoint or graphite
Capriccio with a Roman Triumphal Arch
Canaletto (Giovanni Antonio Canal)
1720–30
Temple of Minerva (from Sketchbook), Mary Newbold Sargent American, Graphite on paper, American
Temple of Minerva (from Sketchbook)
Mary Newbold Sargent
1904
Frontispiece, with Statue of Minerva, from "Vedute di Roma", Giovanni Battista Piranesi Italian, Etching
Frontispiece, with Statue of Minerva, from "Vedute di Roma"
Giovanni Battista Piranesi
ca. 1748

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