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Mwanangana (lord of the land) playing a sanza, Chokwe artist, Wood (uapaca), cloth, plant fiber, beads, dye, resinous coating, Chokwe peoples
Mwanangana (lord of the land) playing a sanza
Chokwe artist
19th century (before 1869)
The Promised Land, Franklin Simmons American, Marble, American
The Promised Land
Franklin Simmons
1873–74; carved 1874
Vase with scenes of storm on land, Dihl et Guérhard (Manufacture de Monsieur Le Duc d’Angoulême, until 1789) French, Hard-paste porcelain decorated in polychrome enamels, gold, French, Paris
Vase with scenes of storm on land
Dihl et Guérhard
Jean-Baptiste Coste
ca. 1797–98
Bark Painting, Bark, paint, Anindilyakwa
Bark Painting
Anindilyakwa
1940s–1950s
Sick Art, Anselm Kiefer German, Watercolor and gouache on paper
Sick Art
Anselm Kiefer
1974
Midsummer Night #10, Marcos Grigorian Iranian, Straw compound on canvas
Midsummer Night #10
Marcos Grigorian
1991
Installation Diagram for: Untitled Performance, Dennis Oppenheim American, Red line print
Installation Diagram for: Untitled Performance
Dennis Oppenheim
1971
Mt. Cotopaxi Transplant, Dennis Oppenheim American, a. Pasted found prints and white opaque matte paint with graphite on black board in artist's frame; b.cocoa mat; c. painted wood
Mt. Cotopaxi Transplant
Dennis Oppenheim
1968
Nkisi (power figure), Kongo artist and nganga (ritual specialist), Wood, pigment, resin, iron, brass, tin, cloth, plant fiber cord, beads, cowrie shells, bone or ivory, arrows, leather, seeds, animal horn, Kongo peoples
Nkisi (power figure)
Kongo artist and nganga (ritual specialist)
19th–first half of 20th century
Utah Copper Mine Panorama, Bingham Canyon, Utah
Cliff Bray Photos
Carpenter Paper Company of Utah
1930
Garak I, Gulumbu Yunupingu Australian, Eucalyptus bark, natural earth pigments
Garak I
Gulumbu Yunupingu
2009
Ganyu (Stars), Gulumbu Yunupingu Australian, Eucalyptus bark, natural earth pigments
Ganyu (Stars)
Gulumbu Yunupingu
2010
Brooklyn (Spiral Jetty After Smithson), Vik Muniz Brazilian, Gelatin silver print
Brooklyn (Spiral Jetty After Smithson)
Vik Muniz
1997
[Studies of Colonial Architectural Fragments and Stepped Circle, Baja California, Mexico; and 2 Views from train en route from New York to Marfa, Texas], Donald Judd American, Chromogenic prints
[Studies of Colonial Architectural Fragments and Stepped Circle, Baja California, Mexico; and 2 Views from train en route from New York to Marfa, Texas]
Donald Judd
1965–67
Icon of the Lamentation, Elephant ivory, Byzantine
Icon of the Lamentation
Byzantine
12th–13th century
Bingham Copper Mining Pit—Utah / Reclamation Project, Robert Smithson American, Photostat and plastic overlay with wax pencil
Bingham Copper Mining Pit—Utah / Reclamation Project
Robert Smithson
1973
Tray with women and boys on a garden terrace , Carved red lacquer, China

Tray with women and boys on a garden terrace

China
14th century
Vase with seaweed, François-Emile Décorchemont French, Glazed stoneware, French, Paris
Vase with seaweed
François-Emile Décorchemont
1901–02
La Jibarita IV, Jan Henle American, Silver dye bleach print
La Jibarita IV
Jan Henle
1991–94
Lotiform Chalice, Faience
Lotiform Chalice
ca. 945–664 B.C.
Bark Painting, Bark, paint, Anindilyakwa
Bark Painting
Anindilyakwa
mid-20th century
Canoe Prow, Wood, cowrie shells, Iatmul people
Canoe Prow
Iatmul people
19th–early 20th century
Archaistic tripod censer (ding), Parcel-gilt copper alloy, China
Archaistic tripod censer (ding)
China
17th century
California, Hiram Powers American, Marble, American
California
Hiram Powers
1850–55, carved 1858
Saint Bernard of Clairvaux, Workshop of Fra Filippo Lippi Italian, Tempera and gold on wood
Saint Bernard of Clairvaux
Workshop of Fra Filippo Lippi
ca. 1447–1469
Delightful Land, Paul Gauguin French, Woodcut printed in color on thin wove paper
Delightful Land
Paul Gauguin
1893–94
Delightful Land, Paul Gauguin French, Woodcut printed in color on wove paper, lined in silk
Delightful Land
Paul Gauguin
1893–94
Scene from the Legend of the True Cross, Stone, Northern French or Netherlandish
Scene from the Legend of the True Cross
Northern French or Netherlandish
second half 14th century
Sharecropper, Elizabeth Catlett American and Mexican, Linocut printed in green and black
Sharecropper
Elizabeth Catlett
1952 (published 1968–70)
Hat, Spruce root, shell, ermine, glass beads, pigment, cotton cloth, and tanned leather, Tlingit
Hat
Tlingit
ca. 1830
Hampstead Heath with Bathers, John Constable British, Oil on canvas
Hampstead Heath with Bathers
John Constable
ca. 1821–22
Priest with raised arms, Dogon blacksmith, Wood, applied organic materials, Dogon peoples
Priest with raised arms
Dogon blacksmith
14th–17th century
Igodo dance crest, Ijebu-Yoruba artist, Wood, pigment, Yoruba peoples, Ijebu group
Igodo dance crest
Ijebu-Yoruba artist
19th–20th century
The Departure of Saint Paula and Saint Eustochium for the Holy Land, Giuseppe Bottani Italian, Red chalk; squared in black chalk
The Departure of Saint Paula and Saint Eustochium for the Holy Land
Giuseppe Bottani
1740
Fan, mother-of-pearl, paper, metal, European
Fan
European
1855–65
Closed Geometry, María Berrío Colombian, Cut and pasted dyed Japanese papers, watercolor, plant matter, gouache, and graphite on canvas
Closed Geometry
María Berrío
2022
Puteal (wellhead) with Narcissus and Echo, and Hylas and the Nymphs, Marble, Roman
Puteal (wellhead) with Narcissus and Echo, and Hylas and the Nymphs
Roman
2nd century
Head of a Clay Figure (Dogū), Earthenware, Japan
Head of a Clay Figure (Dogū)
Japan
Hills III, Avner Moriah Israeli, Oil on canvas
Hills III
Avner Moriah
1986
mistikôsiwak (Wooden Boat People): Welcoming the Newcomers, Kent Monkman Canadian, Acrylic on canvas
mistikôsiwak (Wooden Boat People): Welcoming the Newcomers
Kent Monkman
2019
The Arts, Uzo Egonu Nigerian, Oil on canvas
The Arts
Uzo Egonu
1973/76
Vase, Grand Feu Pottery, Stoneware, American
Vase
Grand Feu Pottery
ca. 1912–16