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1-42 of 459 results for edo-art
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Architectural element with three figures, Wood, pigment, Ishan-Edo peoples (?)
Architectural element with three figures
Ishan-Edo peoples (?)
19th–mid-20th century
The Art of Conversation, Suzuki Harunobu Japanese, Woodblock print; ink and color on paper, Japan
The Art of Conversation
Suzuki Harunobu
Blue Glass Sake Bottle (Tokkuri), Indigo-blue glass, Japan
Blue Glass Sake Bottle (Tokkuri)
Japan
late 18th–first half 19th century
Stemmed Blue Glass Cup for Sake, Glass in deep blue, Japan
Stemmed Blue Glass Cup for Sake
Japan
late 18th–first half 19th century
Stemmed Glass Cup for Sake, Translucent glass, Japan
Stemmed Glass Cup for Sake
Japan
late 18th–first half 19th century
Encyclopedia of Western Art (Kōmō zatsuwa) 紅毛雑話, Morishima Chūryō 森島中 Japanese, Ink on paper, Japan
Encyclopedia of Western Art (Kōmō zatsuwa) 紅毛雑話
Morishima Chūryō 森島中
Ōtsuki Gentaku 大槻玄沢
1787
Small Dish (Kozara) with Three Jars, Porcelain with cobalt blue under transparent glaze and polychrome enamels over the glaze (Hizen ware, Nabeshima type), Japan
Small Dish (Kozara) with Three Jars
Japan
1680–90s
Chalcedony Glass Sake Cup, Marbled glass, Japan
Chalcedony Glass Sake Cup
Japan
second half 19th century
Bottle with Peony and Rock, Porcelain with underglaze blue (Hizen ware), Japan
Bottle with Peony and Rock
Japan
18th century
Incense Burner in the Shape of a Rooster, Copper alloy with enamels, gilding, and silvering, Japan
Incense Burner in the Shape of a Rooster
Japan
18th century
Insects and Grasses, Yamamoto Baiitsu Japanese, Handscroll; ink and color on silk, Japan
Insects and Grasses
Yamamoto Baiitsu
dated 1847
Ewer with Floral and Striped Design, Stoneware with underglaze iron brown (Mino ware, Shino-Oribe type), Japan
Ewer with Floral and Striped Design
Japan
early 17th century
Drunken Asaina, Katsushika Hokusai Japanese, Fan mounted as hanging scroll; ink and color on paper, Japan
Drunken Asaina
Katsushika Hokusai
ca. 1810
Ten Oxherding Songs, Karasumaru Mitsuhiro Japanese, Handscroll; ink on dyed paper with stenciled decoration in gold and silver, Japan
Ten Oxherding Songs
Karasumaru Mitsuhiro
ca. 1634
Tiger, Meisō Japanese, Hanging scroll; ink and color on paper, Japan
Tiger
Meisō
early 18th century
Activities of Twelve Months of the Year (Tsukinami-e), Album of twelve paintings; ink, color, and gold on paper, Japan
Activities of Twelve Months of the Year (Tsukinami-e)
Japan
late 17th century
Birds and Flowers of the Four Seasons, Kano Sanboku, Pair of six-panel folding screens; ink, color, and gold on paper, Japan
Birds and Flowers of the Four Seasons
Kano Sanboku
late 17th century
Octagonal food box with Chinese immortals and floral design, Lacquered wood; mother-of-pearl inlay, gold leaf application on black ground and gilded metal net inserts, Japan (Ryūkyū Islands, now Okinawa Prefecture)
Octagonal food box with Chinese immortals and floral design
Japan (Ryūkyū Islands, now Okinawa Prefecture)
18th century
Wine Bottle, Translucent glass, Japan
Wine Bottle
Japan
19th century
The Legendary Empress Jingū, Kōsai Hokushin 蛟斎北岑 Japanese, Hanging scroll; ink, color, and gold on silk, Japan
The Legendary Empress Jingū
Kōsai Hokushin 蛟斎北岑
mid-19th century
Beauty of the Yoshiwara with Apprentice in Moonlight, Teisai Hokuba Japanese, Hanging scroll; ink, color, and gold on silk, Japan
Beauty of the Yoshiwara with Apprentice in Moonlight
Teisai Hokuba
19th century
Book of Painted Kosode Patterns, One of a set of two hand-painted albums; ink, color, gold, and silver on paper, Japan
Book of Painted Kosode Patterns
Japan
second half 17th century
Book of Painted Kosode Patterns, One of a set of two hand-painted albums; ink, color, gold, and silver on paper, Japan
Book of Painted Kosode Patterns
Japan
second half 17th century
Fudō Myōō (Achala Vidyaraja), The Immovable Wisdom King, Mokujiki Shōnin Japanese, Chisel-carved (natabori) wood, Japan
Fudō Myōō (Achala Vidyaraja), The Immovable Wisdom King
Mokujiki Shōnin
1805
Flask, Glass, Japan
Flask
Japan
19th century
Landscape, Watanabe Shikō 渡辺始興 Japanese, Two-panel folding screen; ink on paper, Japan
Landscape
Watanabe Shikō 渡辺始興
first half of the 18th century
Hand-towel Rack (Tenugui kake) with Chrysanthemums and Meandering Stream, Gold and silver maki-e on lacquered wood, Japan
Hand-towel Rack (Tenugui kake) with Chrysanthemums and Meandering Stream
Japan
18th century
Plum Blossoms in the Forrest of Ikuta, from the series Bravery-Beauty of the four seasons (Buyū setsugekka no uchi-Ikuta no mori, Ebira no ume), Tsukioka Yoshitoshi Japanese, Triptych of woodblock prints; ink and color on paper, Japan
Plum Blossoms in the Forrest of Ikuta, from the series Bravery-Beauty of the four seasons (Buyū setsugekka no uchi-Ikuta no mori, Ebira no ume)
Tsukioka Yoshitoshi
1867
Masakiyo’s Challenging Battle, from Taiheiki (Chronicle of great peace), Tsukioka Yoshitoshi Japanese, Triptych of woodblock prints (nishiki-e); ink and color on paper, Japan
Masakiyo’s Challenging Battle, from Taiheiki (Chronicle of great peace)
Tsukioka Yoshitoshi
10th month of 1866
Bodhidharma Crossing the Yangzi River on a Reed, Kano Genshun 狩野元俊 Japanese, Hanging scroll; ink on paper, Japan
Bodhidharma Crossing the Yangzi River on a Reed
Kano Genshun 狩野元俊
Inscription by Gyokushitsu Sōhaku
before 1641
"Maple Bridge Night Mooring", Ike no Taiga Japanese, Two-panel folding screen; ink on paper, Japan
"Maple Bridge Night Mooring"
Ike no Taiga
ca. 1770
Outer Robe (Uchikake) with Peonies, Plum Blossoms, and Butterflies, Silk damask embroidered with silk and metallic thread, Japan
Outer Robe (Uchikake) with Peonies, Plum Blossoms, and Butterflies
Japan
late 18th–early 19th century
Portrait of Iwai Kumesaburō II, Utagawa Kunisada Japanese, Hanging scroll: ink and color on silk, Japan
Portrait of Iwai Kumesaburō II
Utagawa Kunisada
ca. 1827–29 (Kansei 10–12)
Heart Sutra (Hannya Shingyō) and Landscape, Ike no Taiga Japanese, Hanging scroll; ink on paper, Japan
Heart Sutra (Hannya Shingyō) and Landscape
Ike no Taiga
White-Robed Kannon, Sakai Hōitsu Japanese, Hanging scroll; ink, color, and gold on silk, Japan
White-Robed Kannon
Sakai Hōitsu
1823
Painting Album of Sublime Talent, Various artists, Album of twelve leaves; ink and color on silk, Japan
Painting Album of Sublime Talent
Various artists
Calligraphy by Kamo no Suetaka
ca. 1815
Cosmetic Box (Mayudzukuri-bako) with Pine, Bamboo, and Cherry Blossoms from a Wedding Set, Lacquered wood with gold, silver takamaki-e, hiramaki-e, cut-out gold and silver foil application on nashiji (“pear-skin”) ground, Japan
Cosmetic Box (Mayudzukuri-bako) with Pine, Bamboo, and Cherry Blossoms from a Wedding Set
Japan
early 19th century
Summer Robe (Katabira) with Seasonal Landscapes and Scenes from The Tale of Genji, Plain-weave ramie with paste resist-dyeing, silk-thread embroidery, and gold-thread couching, Japan
Summer Robe (Katabira) with Seasonal Landscapes and Scenes from The Tale of Genji
Japan
second half of the18th century
Shellfish and Apparitions of the Yoshiwara Pleasure Quarter, Chōbunsai Eishi Japanese, Triptych of hanging scrolls with inscribed mountings; painting: ink and color on silk; calligraphy: ink on silk mounting fabric, Japan
Shellfish and Apparitions of the Yoshiwara Pleasure Quarter
Chōbunsai Eishi
Calligrapher Shokusanjin (Ōta Nanpo)
ca. 1811
The Courtesan Kotozuru of the Tsuruya Brothel as an Asazuma Boat Prostitute (Tsuruya Kotozuru-dayū Asazuma-bune), from the series Costume Parade of the Shinmachi Quarter in Osaka (Ōsaka Shinmachi nerimono), Yanagawa Shigenobu 柳川重信 Japanese, Woodblock print (nishiki-e); ink and color on paper; vertical ōban, Japan
The Courtesan Kotozuru of the Tsuruya Brothel as an Asazuma Boat Prostitute (Tsuruya Kotozuru-dayū Asazuma-bune), from the series Costume Parade of the Shinmachi Quarter in Osaka (Ōsaka Shinmachi nerimono)
Yanagawa Shigenobu 柳川重信
1822
The Actor Arashi Tokusaburō as the Female Gallant (Onnadate) Ohashi, Utagawa Sadamasu (Kunimasu) 初代歌貞升 Japanese, Woodblock print (nishiki-e); ink and color on paper; vertical ōban, Japan
The Actor Arashi Tokusaburō as the Female Gallant (Onnadate) Ohashi
Utagawa Sadamasu (Kunimasu) 初代歌貞升
1838
The Actor Arashi Koroku IV in the Final Farewell Performance of His Career (Shōgai onagori kyōgen) as the Female Bandit Hotei Oichi, Shunkōsai Hokushū 春好斎北洲 Japanese, Woodblock print (nishiki-e); ink and color on paper; vertical ōban, Japan
The Actor Arashi Koroku IV in the Final Farewell Performance of His Career (Shōgai onagori kyōgen) as the Female Bandit Hotei Oichi
Shunkōsai Hokushū 春好斎北洲
1826

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