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Design for Baptismal Font, Madison Avenue Second Reformed Church, Albany, New York, Louis C. Tiffany American, Transparent and opaque watercolor, ink, and graphite on paper mounted on paperboard with window mat, American
Design for Baptismal Font, Madison Avenue Second Reformed Church, Albany, New York
Louis C. Tiffany
Designer Jacob Holzer
Tiffany Glass and Decorating Company
1894
"Baptismal Font, St. Paul's Church, Paterson, NJ", Louis C. Tiffany American, Transparent and opaque watercolor, ink, and graphite on paper, American
"Baptismal Font, St. Paul's Church, Paterson, NJ"
Louis C. Tiffany
Designer Unidentified
Tiffany Studios
ca. 1912
Font, stone, iron, French
Font
French
late 11th century
Design for baptismal font, Louis C. Tiffany American, Graphite on paper mounted on board in original mat, American
Design for baptismal font
Louis C. Tiffany
Tiffany Studios
1902-32
Romanesque Style Font and Plan (recto); One Font (verso), Anonymous, British, 19th century British, Pen and ink, brush and wash, over graphite, on pale blue paper
Romanesque Style Font and Plan (recto); One Font (verso)
Anonymous, British, 19th century
mid-19th century
Elevation of a Baptismal Font and Its Plan, Jörg Syrlin the Younger, Engraving
On loan to The Met
Elevation of a Baptismal Font and Its Plan
Jörg Syrlin the Younger
After Matthaus Böblinger
ca. 1477–90
Photograph of Baptismal Font, Second Presbyterian Church, St. Louis, Missouri, Louis C. Tiffany American, Photograph, American
Photograph of Baptismal Font, Second Presbyterian Church, St. Louis, Missouri
Louis C. Tiffany
Tiffany Studios
1902-32
Font, Marble (Preconnesian marble from island of Marmara, Turkey), North Italian
Font
North Italian
12th century
"Suggestion of Baptismal Font for Rev. E.E. Rogers, D.D, Bowling Green, Ohio", Louis C. Tiffany American, Transparent and opaque watercolor, ink, and graphite on paper mounted on paper board., American
"Suggestion of Baptismal Font for Rev. E.E. Rogers, D.D, Bowling Green, Ohio"
Louis C. Tiffany
Designer Unidentified
Tiffany Studios
1916
Design for Baptismal Font, Louis C. Tiffany American, Transparent and opaque watercolor, metallic paint, and graphite on paper mounted on paperboard with window mat, American
Design for Baptismal Font
Louis C. Tiffany
Designer Unidentified
Tiffany Studios
1902–32
Romanesque Style Font and Plan, Anonymous, British, 19th century British, Pen and ink, brush and wash, over graphite, on pale blue paper
Romanesque Style Font and Plan
Anonymous, British, 19th century
mid-19th century
Baptismal Font, Dark calciferous limestone, South Netherlandish
Baptismal Font
South Netherlandish
ca. 1155–70
Romanesque Font, Arcade, and Lion on a Pillar, in a French Church, Ernest Flagg American, Graphite
Romanesque Font, Arcade, and Lion on a Pillar, in a French Church
Ernest Flagg
ca. 1890
Design for Baptismal Font, Second Presbyterian Church, St. Louis, Missouri, Louis C. Tiffany American, Transparent and opaque watercolor, and graphite on paper mounted on paperboard, American
Design for Baptismal Font, Second Presbyterian Church, St. Louis, Missouri
Louis C. Tiffany
Designer Unidentified
Tiffany Glass and Decorating Company
ca. 1900
"Baptismal Font With Cover, for Presbyterian Church, Kingston, Pennsylvania", Louis C. Tiffany American, Transparent and opaque watercolor, and graphite on paper mounted on paperboard, American
"Baptismal Font With Cover, for Presbyterian Church, Kingston, Pennsylvania"
Louis C. Tiffany
Designer Unidentified
Tiffany Studios
1902-32
Romanesque Style Font, Anonymous, British, 19th century British, Pen and ink, brush and wash, over graphite, on pale blue paper
Romanesque Style Font
Anonymous, British, 19th century
mid-19th century
Initial letter F with putto, Heinrich Vogtherr the Elder German, Woodcut
Initial letter F with putto
Heinrich Vogtherr the Elder
ca. 1538
Design for Baptismal font, Louis C. Tiffany American, Watercolor, pen and ink, and graphite on off-white wove paper or artist board in original warm grey window mat, American
Design for Baptismal font
Louis C. Tiffany
Tiffany Studios
1902–32
Plate, from "Walls V", Burhan Doğançay American, born Turkey, Lithograph
Plate, from "Walls V"
Burhan Doğançay
Publisher Tamarind Lithography Workshop
1969
Marble and glass mosaic font for Miss. G.C. Marson, Buffalo, New York, Louis C. Tiffany American, Watercolor, gouache, and graphite on off-white wove paper, original mat removed, American
Marble and glass mosaic font for Miss. G.C. Marson, Buffalo, New York
Louis C. Tiffany
Tiffany Studios
1902–15
Bénetier, Real Fabrica de Buen Retiro Spanish, Soft-paste porcelain, Spanish, Madrid (Buen Retiro)
Bénetier
Factory Real Fabrica de Buen Retiro
ca. 1770
Phone, for Life Magazine, Anonymous, Screenprint
Phone, for Life Magazine
Anonymous
1965
Baptismal font with cover, Elkington & Co. British, Electroformed copper, silver plated and gilt, British, Birmingham, after British, London original
Baptismal font with cover
Manufacturer Elkington & Co.
19th century, after ca. 1660 original
Baptismal Font, Marble (Pentelic marble), South Italian
Baptismal Font
South Italian
1137
[Detail of Sign Lettering: "RT"], Walker Evans American, Instant internal dye diffusion transfer print (Polaroid SX-70)
[Detail of Sign Lettering: "RT"]
Walker Evans
August 12, 1974
Holy-water font (one of a pair), Silver, Italian, Venice
Holy-water font (one of a pair)
Italian, Venice
17th–18th century
Joan Miró, calling card, Anonymous, Engraving
Joan Miró, calling card
Anonymous
Subject Joan Miró
before 1953
Invitation to a Futurist Happening (recto); Landscape (verso), Mikhail Tarkhanov Russian, Pen and ink (recto); red ink or watercolor (verso)
Invitation to a Futurist Happening (recto); Landscape (verso)
Mikhail Tarkhanov
Author Issued by Vkhutemas (Vysshiye Khudozhestvenno–Tekhnicheskiye Masterskiye "Higher Art and Technical Studios")
March 5, 1921
Spanish Fountain, John Singer Sargent American, Watercolor and graphite on white wove paper, American
Spanish Fountain
John Singer Sargent
1912
Mississippi, William Eggleston American, Dye transfer print
On loan to The Met
Mississippi
William Eggleston
ca. 1971–74
Small or hanging bénitier, Pewter, French or Flemish
Small or hanging bénitier
French or Flemish
17th century
View of the Fountainhead of the Acqua Paola on Monte Aureo, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi Italian, Etching
View of the Fountainhead of the Acqua Paola on Monte Aureo, from Vedute di Roma (Roman Views)
Giovanni Battista Piranesi
Publisher Bouchard & Gravier
ca. 1751
Allegory of a Cardinal, Matthaeus Greuter German, Engraving
Allegory of a Cardinal
Matthaeus Greuter
mid 16th–mid 17th century
Holy-water font (one of a pair), Silver, Italian, Venice
Holy-water font (one of a pair)
Italian, Venice
17th–18th century
Rekord ni︠e︡zhnosti : zhitīe ilʹi zdanevicha, Igorʹ Terentʹev
Rekord ni︠e︡zhnosti : zhitīe ilʹi zdanevicha
Author Igorʹ Terentʹev
Publisher 41º (Firm)
Illustrator Kirill Zdanevich
1919
Guerrilla Girls’ Definition of a Hypocrite, Guerrilla Girls American, Offset lithograph
Guerrilla Girls’ Definition of a Hypocrite
Guerrilla Girls
1990
I slept with Martin Kippenberger, Cary Leibowitz American, Offset lithographs
I slept with Martin Kippenberger
Cary Leibowitz
n.d.
Line Involvements, Anni Albers American, born Germany, Lithograph
Line Involvements
Anni Albers
Printer Tamarind Lithography Workshop
1964
[Detail of Sign Lettering], Walker Evans American, Instant internal dye diffusion transfer print (Polaroid SX-70)
[Detail of Sign Lettering]
Walker Evans
August 12, 1974
Font for Mr. H.S. Brown. / 12 Hastings Ave / East Cleveland, Ohio, Louis C. Tiffany American, Transparent and opaque watercolor, pen, and graphite on paper mounted on paperboard, American
Font for Mr. H.S. Brown. / 12 Hastings Ave / East Cleveland, Ohio
Louis C. Tiffany
Tiffany Studios
1902-1932
Bénitier (holy water font), Glass, French
Bénitier (holy water font)
French
18th century
Plate, from "Walls V", Burhan Doğançay American, born Turkey, Lithograph
Plate, from "Walls V"
Burhan Doğançay
Publisher Tamarind Lithography Workshop
1969

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