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The American Landscape, No. 1, Engraved from Nature Expressly for This Work, and from Well Authenticated Pictures, With Historical and Topographical Illustrations, William Cullen Bryant American, Illustrations: engraving
The American Landscape, No. 1, Engraved from Nature Expressly for This Work, and from Well Authenticated Pictures, With Historical and Topographical Illustrations
Multiple artists/makers
1830
View of the Basilica of Constantine from the Palatine, Rome, Charles Rémond French, Oil on paper, laid down on canvas
View of the Basilica of Constantine from the Palatine, Rome
Charles Rémond
ca. 1822–25
L'Histoire de Henri IV, Cotton and linen, French
L'Histoire de Henri IV
French
ca. 1820
Landscapes after historical painters, Yun Xiang Chinese, Album of ten leaves; ink and color on paper, China
Landscapes after historical painters
Yun Xiang
datable to 1638 or 1650
A Section of the Claudian Aqueduct, Rome, André Giroux French, Oil on paper, laid down on canvas
A Section of the Claudian Aqueduct, Rome
André Giroux
ca. 1826–29
Beech Tree, Achille-Etna Michallon French, Oil on canvas
Beech Tree
Achille-Etna Michallon
by 1817
Landscape with Figures and Fortifications, Guercino (Giovanni Francesco Barbieri) Italian, Pen and dark brown ink, brush and black brown ink, over red chalk for the two figures at the left first plan
Landscape with Figures and Fortifications
18th Century Imitator of Guercino (Giovanni Francesco Barbieri)
1750–80
Vue de l'Odon, Edmond Bacot French, Salted paper print from glass negative
Vue de l'Odon
Edmond Bacot
1852–54
View of Provins, Camille Corot French, Graphite on white wove paper
View of Provins
Camille Corot
1842 or earlier
Amerapoora: South Ditch of the City Wall, Linnaeus Tripe British
On loan to The Met
Amerapoora: South Ditch of the City Wall
Linnaeus Tripe
September 1–October 21, 1855
The Roman Theater, Taormina, Joséphine Sarazin de Belmont French, Oil on paper, laid down on board
The Roman Theater, Taormina
Joséphine Sarazin de Belmont
1825
[View of Simla], Unknown, Albumen silver print
[View of Simla]
Unknown
1850s
Delphi, Lower Level Looking Southwest, Elma Loines American, Chromogenic print
Delphi, Lower Level Looking Southwest
Elma Loines
1958
Planting Trees, Anonymous, Flemish, 18th century ? Flemish, Gouache
Planting Trees
Anonymous, Flemish, 18th century
Former Attribution Formerly attributed to Anonymous, Netherlandish, 16th century
18th century
Pictorial print, Henry Roberts British, Linen and cotton, British
Pictorial print
Engraver Engraved by Henry Roberts
John Collins
1765
[Gettysburg, Pennsylvania from Seminary Ridge], Timothy H. O'Sullivan American, born Ireland, Albumen silver print from glass negative
[Gettysburg, Pennsylvania from Seminary Ridge]
Attributed to Timothy H. O'Sullivan
Former Attribution Formerly attributed to Mathew B. Brady
1863
German Lineages of Salvation, Anselm Kiefer German, Watercolor, gouache, and ballpoint pen on paper
German Lineages of Salvation
Anselm Kiefer
1975
An Extensive Landscape with Farm Buildings and Church Ruin, Thomas Girtin British, Watercolor with touches of gum
An Extensive Landscape with Farm Buildings and Church Ruin
Thomas Girtin
ca. 1800
High Point: Shandaken Mountains, Asher Brown Durand American, Oil on canvas, American
High Point: Shandaken Mountains
Asher Brown Durand
1853
View on the Aventine Hill, Rome, Romain-Étienne-Gabriel Prieur French, Oil on paper, laid down on canvas
View on the Aventine Hill, Rome
Romain-Étienne-Gabriel Prieur
"La Maison Brulante", Petitpierre et Cie French, Cotton, French, Nantes
"La Maison Brulante"
Manufactory Petitpierre et Cie
ca. 1785
Vue d'ensemble des carrières. Amorce du nouveau marché de la rue de Mexico (View of the Quarries, Start of the New Market of the rue de Mexico) (twentieth arrondissement), Charles Marville French, Albumen silver print from glass negative
On loan to The Met
Vue d'ensemble des carrières. Amorce du nouveau marché de la rue de Mexico (View of the Quarries, Start of the New Market of the rue de Mexico) (twentieth arrondissement)
Charles Marville
before 1877
House of Pompey at Albano, Richard Wilson British, Welsh, Black chalk touched with white chalk on gray paper
House of Pompey at Albano
Richard Wilson
1753–56
Eglise St. André, Chartres, Charles Fournier des Ormes French, Brush and brown wash over graphite
Eglise St. André, Chartres
Charles Fournier des Ormes
n.d.
[Dome of the Rock, Jerusalem], Felice Beato and British, born Italy, Albumen silver print
[Dome of the Rock, Jerusalem]
Felice Beato
James Robertson
1856–57
Beekinpully: Permaul's swing at Mariammah Covil, Linnaeus Tripe British
On loan to The Met
Beekinpully: Permaul's swing at Mariammah Covil
Linnaeus Tripe
December 1857–January 1858
View over Amoy from Pe-Le-Jong, John Thomson British, Scottish, Albumen silver print from glass negative
View over Amoy from Pe-Le-Jong
Attributed to John Thomson
ca. 1869
Wallpaper Panel, Paper, painted by hand and mounted on linen
Wallpaper Panel
1700–1730
View on Rak-Chui opposite Swatow, John Thomson British, Scottish, Albumen silver print from glass negative
View on Rak-Chui opposite Swatow
Attributed to John Thomson
ca. 1869
[View of Santa Maria Rosario (?), Cuba], Walker Evans American, Film negative
[View of Santa Maria Rosario (?), Cuba]
Walker Evans
1933
[Wooden Building and Fields on Estate of Suzette Morton Hamill, Lake Forest, Illinois], Walker Evans American, Film negative
[Wooden Building and Fields on Estate of Suzette Morton Hamill, Lake Forest, Illinois]
Walker Evans
August 1946
Royacottah: View Overlooking the Country, South-Southeast from inside the Fort Gate, Linnaeus Tripe British
On loan to The Met
Royacottah: View Overlooking the Country, South-Southeast from inside the Fort Gate
Linnaeus Tripe
December 1857–January 1858
East Gate, Winchelsea, Sussex, part XIV, plate 67 from "Liber Studiorum", Joseph Mallord William Turner British, Etching and mezzotint; second state of four
East Gate, Winchelsea, Sussex, part XIV, plate 67 from "Liber Studiorum"
Designed and etched by Joseph Mallord William Turner
Engraver Samuel William Reynolds, the elder
Publisher Joseph Mallord William Turner
January 1, 1819
The Belgian Wagon (Plaustrum Belgicum), from "The Large Landscapes", Johannes van Doetecum I Netherlandish, Etching and engraving; second state of two
The Belgian Wagon (Plaustrum Belgicum), from "The Large Landscapes"
Multiple artists/makers
ca. 1555–56
General Washington's Tomb at Mount Vernon (Copy after Engraving in The Port Folio Magazine, 1810), Pavel Petrovich Svinin Russian, Watercolor on white laid paper, American
General Washington's Tomb at Mount Vernon (Copy after Engraving in The Port Folio Magazine, 1810)
Pavel Petrovich Svinin
1811–ca.1813
Tinian, Bromley Hall Printworks, Cotton, British
Tinian
Manufacturer Bromley Hall Printworks
1785–90
Ruins in the Roman Campagna, André Giroux French, Oil on paper, laid down on cardboard
Ruins in the Roman Campagna
André Giroux
late 1820s
Beekinpully: Veerabuddradroog, Linnaeus Tripe British
On loan to The Met
Beekinpully: Veerabuddradroog
Linnaeus Tripe
December 1857–January 1858
Bowling Alley and Raquet Court at Foochow, John Thomson British, Scottish, Albumen silver print from glass negative
Bowling Alley and Raquet Court at Foochow
Attributed to John Thomson
ca. 1869
Bethel, Francis Frith British, Albumen silver print from glass negative
Bethel
Francis Frith
ca. 1857
[White picket fence with buildings in background]. Brady album, p. 123, Unknown (American), Albumen silver print from glass negative
[White picket fence with buildings in background]. Brady album, p. 123
Unknown
Former Attribution Formerly attributed to Mathew B. Brady
1861–65
Ancient Walls, 1904 (from Sketchbook), Mary Newbold Sargent American, Graphite on paper, American
Ancient Walls, 1904 (from Sketchbook)
Mary Newbold Sargent
1904

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