Tickets
English
DonateMembership
Tickets

Search for Art

Search Tips
1-42 of 378 results for islamic-art-in-the-later-period
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Artist / culture
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
Interior View of the Prayer Hall, Djamaa el Kebir, Olivier Bro de Comères French, Watercolor and pen and ink over graphite
Interior View of the Prayer Hall, Djamaa el Kebir
Olivier Bro de Comères
1833–40
Futuh al-Haramayn (Description of the Holy Cities), Muhi al-Din Lari Iranian or Indian, Ink, opaque watercolor, gold on paper
Futuh al-Haramayn (Description of the Holy Cities)
Author Muhi al-Din Lari
16th century
Composition Depicting Portal of the Shrine of Massumeh, Paint on glass
Composition Depicting Portal of the Shrine of Massumeh
first half of 20th century
Design for Summer Palace of Khedive of Egypt, Owen Jones British, Pen and watercolor on paper
On loan to The Met
Design for Summer Palace of Khedive of Egypt
Owen Jones
1861
"Laila and Majnun at School", Folio from a Khamsa (Quintet) of Nizami of Ganja, Ja'far Baisunghuri Iranian, Ink, opaque watercolor, and gold on paper
"Laila and Majnun at School", Folio from a Khamsa (Quintet) of Nizami of Ganja
Calligrapher Ja'far Baisunghuri
Author Nizami
835 AH/1431–32 CE
Garden of the Süleymaniye Mosque, Constantinople, Sir Frank William Brangwyn British, born Belgium, Color woodcut
Garden of the Süleymaniye Mosque, Constantinople
Sir Frank William Brangwyn
1921
Dish with Floral Design, Stonepaste; polychrome painted under transparent glaze
Dish with Floral Design
second half 16th century
Mosque Lamp, Stonepaste; polychrome painted under transparent glaze
Mosque Lamp
17th century
38. Minaret, Mosquée Mohammed el Naçer, au Kaire (partie infér. et partie supér.), Joseph-Philibert Girault de Prangey French, Lithograph
38. Minaret, Mosquée Mohammed el Naçer, au Kaire (partie infér. et partie supér.)
Joseph-Philibert Girault de Prangey
1843
80. Mosquée et Tombeau d’el Ghoûry, au Kaire, Joseph-Philibert Girault de Prangey French, Lithograph
80. Mosquée et Tombeau d’el Ghoûry, au Kaire
Joseph-Philibert Girault de Prangey
1843
Calligraphic Composition, Paint on glass
Calligraphic Composition
first half 20th century
[Mosque of Nasser-eddin Shah, Teheran, Iran], Luigi Pesce Italian
[Mosque of Nasser-eddin Shah, Teheran, Iran]
Luigi Pesce
1840s–60s
"Shaikh San'an beneath the Window of the Christian Maiden", Folio18r from a Mantiq al-Tayr (Language of the Birds), Farid al-Din `Attar Iranian, Opaque watercolor, silver, and gold on paper
"Shaikh San'an beneath the Window of the Christian Maiden", Folio18r from a Mantiq al-Tayr (Language of the Birds)
Author Farid al-Din `Attar
Calligrapher Sultan 'Ali al-Mashhadi
ca. 1600
Mirror-Image Calligraphic Composition, Paint on glass
Mirror-Image Calligraphic Composition
first half 20th century
22. Cour de la Mosquée el Ahzar, au Kaire, Joseph-Philibert Girault de Prangey French, Lithograph
22. Cour de la Mosquée el Ahzar, au Kaire
Joseph-Philibert Girault de Prangey
1843
70. Mosquée Naçeriyeh, au Kaire; M. el Bordéni, Joseph-Philibert Girault de Prangey French, Lithograph
70. Mosquée Naçeriyeh, au Kaire; M. el Bordéni
Joseph-Philibert Girault de Prangey
1843
Architectural Tile with Partial Inscription, Stonepaste; carved and glazed
Architectural Tile with Partial Inscription
second half 14th century
Ka'ba Tile, Osman Ibn Mehmed Turkish, Stonepaste; polychrome painted under transparent glaze
Ka'ba Tile
Osman Ibn Mehmed
Patron `Abdullah Mehmed
ca. 1720–30
"Mihrab Vents His Anger Upon Sindukht", Folio 83v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper
"Mihrab Vents His Anger Upon Sindukht", Folio 83v from the Shahnama (Book of Kings) of Shah Tahmasp
Author Abu'l Qasim Firdausi
Painting attributed to Qadimi
Painting attributed to 'Abd al-Vahhab
ca. 1525–30
At the Mosque Door, Osman Hamdi Bey Turkish, Oil on canvas
At the Mosque Door
Osman Hamdi Bey
dated 1879
Détails, mosquée d’Amrou, au Kaire, Joseph-Philibert Girault de Prangey French, Lithograph
Détails, mosquée d’Amrou, au Kaire
Joseph-Philibert Girault de Prangey
1843
[Tomb?], Unknown, Albumen silver print
[Tomb?]
Unknown
1850s
Tile with Niche Design and Inscription, Stonepaste; inglaze painted in blue, luster-painted on opaque white glaze, modeled decoration
Tile with Niche Design and Inscription
early 14th century
12. Intérieur, Mosquée d’Ibn Toûloûn, Joseph-Philibert Girault de Prangey French, Lithograph
12. Intérieur, Mosquée d’Ibn Toûloûn
Joseph-Philibert Girault de Prangey
1843
Mosquée, au Kaire, Joseph-Philibert Girault de Prangey French, Lithograph
Mosquée, au Kaire
Joseph-Philibert Girault de Prangey
1843
Oriental Scene, David Roberts British, Scottish, Watercolor over traces of graphite on cardboard
Oriental Scene
David Roberts
1838
Panel from a Mosque Frieze Bearing the Name of a Sultan , Terracotta; carved, painted

Panel from a Mosque Frieze Bearing the Name of a Sultan

11th century
"Bahram Gur in the Dark Palace on Saturday", Folio 207 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper
"Bahram Gur in the Dark Palace on Saturday", Folio 207 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE
"Siyavush and Jarira Wedded", Folio 183v from the Shahnama (Book of Kings) of Abu'l Qasim Firdausi, commissioned by Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper
"Siyavush and Jarira Wedded", Folio 183v from the Shahnama (Book of Kings) of Abu'l Qasim Firdausi, commissioned by Shah Tahmasp
Author Abu'l Qasim Firdausi
Workshop director Mir Musavvir
Painting attributed to 'Abd al-Vahhab
ca. 1525–30
Star-Shaped Tile, Stonepaste; luster-painted on opaque white glaze under transparent glaze
Star-Shaped Tile
13th century
[Hall of Justice, Alhambra, Granada], Unknown, Albumen silver print from glass negative
[Hall of Justice, Alhambra, Granada]
Unknown
1880s–90s
Panel with Geometric Pattern and Benedictory Inscriptions, Limestone; carved
Panel with Geometric Pattern and Benedictory Inscriptions
late 13th–mid-14th century
Panel of al-Khatun (the lady) Fatima bint Zahir al-Din, Marble; carved in relief
Panel of al-Khatun (the lady) Fatima bint Zahir al-Din
11th–12th century
Tile Panel, Stonepaste; underglaze painted
Tile Panel
18th century
Painting of Alamgir Mosque, Unknown, Ink on ivory
Painting of Alamgir Mosque
Unknown
19th century
Moti Masjid: Pearl Mosque in Interior of Fort Agra, Unknown, Albumen silver print from glass negative
Moti Masjid: Pearl Mosque in Interior of Fort Agra
Unknown
1860s–70s
"A Ruffian Spares the Life of a Poor Man", Folio 4v from a Mantiq al-Tayr (Language of the Birds), Farid al-Din `Attar Iranian, Ink, opaque watercolor, silver, and gold on paper
"A Ruffian Spares the Life of a Poor Man", Folio 4v from a Mantiq al-Tayr (Language of the Birds)
Author Farid al-Din `Attar
ca. 1600
Cross-Shaped Tile, Stonepaste; inglaze painted in blue and turquoise and luster-painted on opaque white glaze
Cross-Shaped Tile
13th century
Tile Panel in the form of an Architectural Niche, Hasan ibn `Ali ibn Ahmad Babavaih Iranian, Stonepaste; inglaze painted in blue, luster-painted on opaque white glaze, modeled
Tile Panel in the form of an Architectural Niche
Hasan ibn `Ali ibn Ahmad Babavaih
first half 14th century
Handle, Gold, niello, and silver
Handle
20th century
Mosque lamp, Glass, colorless with brownish tinge; free blown; enameled with red, blue, white, yellow, and green; gilded; six loops for suspension and foot attached.
Mosque lamp
14th century
Design for an Oval Ceiling, Anonymous, British, 19th century British, Watercolor, heightened with gold
Design for an Oval Ceiling
Anonymous, British, 19th century
19th century

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.
How are these search results?