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1-42 of 145 results for islamic-art-in-the-medieval-period
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Futuh al-Haramayn (Description of the Holy Cities), Muhi al-Din Lari Iranian or Indian, Ink, opaque watercolor, gold on paper
Futuh al-Haramayn (Description of the Holy Cities)
Author Muhi al-Din Lari
16th century
Dala'il Al-Khayrat, Khalil Rushdi Turkish, Ink, watercolor, and gold on paper
Dala'il Al-Khayrat
Calligrapher Khalil Rushdi
dated 1265 AH/1848 CE
Composition Depicting Portal of the Shrine of Massumeh, Paint on glass
Composition Depicting Portal of the Shrine of Massumeh
first half of 20th century
Interior View of the Prayer Hall, Djamaa el Kebir, Olivier Bro de Comères French, Watercolor and pen and ink over graphite
Interior View of the Prayer Hall, Djamaa el Kebir
Olivier Bro de Comères
1833–40
Ewer Inscribed with "al-'izz" ("Glory") in Floriated Kufic on its Neck, Stonepaste; painted in luster and blue on opaque white glaze under transparent glaze
Ewer Inscribed with "al-'izz" ("Glory") in Floriated Kufic on its Neck
first half 13th century
"Laila and Majnun at School", Folio from a Khamsa (Quintet) of Nizami of Ganja, Ja'far Baisunghuri Iranian, Ink, opaque watercolor, and gold on paper
"Laila and Majnun at School", Folio from a Khamsa (Quintet) of Nizami of Ganja
Calligrapher Ja'far Baisunghuri
Author Nizami
835 AH/1431–32 CE
Illuminated Frontispiece of a Manuscript of the Mantiq al-Tayr (Language of the Birds), Sultan 'Ali al-Mashhadi Iranian, Ink, opaque watercolor, silver, and gold on paper
Illuminated Frontispiece of a Manuscript of the Mantiq al-Tayr (Language of the Birds)
Calligrapher Sultan 'Ali al-Mashhadi
Illuminator Zain al-'Abidin al-Tabrizi
Author Farid al-Din `Attar
text: dated 892 AH/1487 CE; illumination: ca. 1600
Scroll, Ink, watercolor, and gold on paper with wooden dowels
Scroll
ca. 20th century
Section from a Qur'an Manuscript, Ink, gold, and opaque watercolor on parchment
Section from a Qur'an Manuscript
ca. 1300
"Bahram Gur in the Dark Palace on Saturday", Folio 207 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper
"Bahram Gur in the Dark Palace on Saturday", Folio 207 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE
Calligraphic Composition, Paint on glass
Calligraphic Composition
first half 20th century
Cross-Shaped Tile, Stonepaste; inglaze painted in blue and turquoise and luster-painted on opaque white glaze
Cross-Shaped Tile
13th century
22. Cour de la Mosquée el Ahzar, au Kaire, Joseph-Philibert Girault de Prangey French, Lithograph
22. Cour de la Mosquée el Ahzar, au Kaire
Joseph-Philibert Girault de Prangey
1843
Design for Summer Palace of Khedive of Egypt, Owen Jones British, Pen and watercolor on paper
On loan to The Met
Design for Summer Palace of Khedive of Egypt
Owen Jones
1861
"The Wedding of Siyavush and Farangis", Folio 185v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper
"The Wedding of Siyavush and Farangis", Folio 185v from the Shahnama (Book of Kings) of Shah Tahmasp
Author Abu'l Qasim Firdausi
Painting attributed to Qasim ibn 'Ali
Workshop director Mir Musavvir
ca. 1525–30
Mosque Lamp of Amir Sayf al-Din Shaykhu, Glass, colorless with green tinge; blown, folded foot, applied handles, enameled and gilded
Mosque Lamp of Amir Sayf al-Din Shaykhu
ca. 1349–55
Calligraphic Dish, Copper alloy; cast
Calligraphic Dish
ca. 1600
Star-Shaped Tile, Stonepaste; luster-painted on opaque white glaze under transparent glaze
Star-Shaped Tile
1260–70
Tile Panel, Stonepaste; painted and glazed
Tile Panel
18th century
Shield, Steel, gold, textile (velvet), leather, iron, Persian
Shield
Persian
Second half 19th century
Mosque Lamp, Glass; enameled
Mosque Lamp
second half 14th century
Bowl with Arabic Inscription, "Blessing, Prosperity, Well-being, Happiness", Earthenware; white slip with polychrome slip decoration under transparent glaze
Bowl with Arabic Inscription, "Blessing, Prosperity, Well-being, Happiness"
late 10th–11th century
Ceramic Fragment, Stonepaste; painted under transparent glaze
Ceramic Fragment
14th century
Garden of the Süleymaniye Mosque, Constantinople, Sir Frank William Brangwyn British, born Belgium, Color woodcut
Garden of the Süleymaniye Mosque, Constantinople
Sir Frank William Brangwyn
1921
Architectural Tile with Partial Inscription, Stonepaste; carved and glazed
Architectural Tile with Partial Inscription
second half 14th century
Mirror-Image Calligraphic Composition, Paint on glass
Mirror-Image Calligraphic Composition
first half 20th century
Qur'an Manuscript, Ink, gold, and lapis on paper; leather binding
Qur'an Manuscript
late 18th–early 19th century
Ka'ba Tile, Osman Ibn Mehmed Turkish, Stonepaste; polychrome painted under transparent glaze
Ka'ba Tile
Osman Ibn Mehmed
Patron `Abdullah Mehmed
ca. 1720–30
Star-Shaped Tile, Stonepaste; luster-painted with touches of cobalt on opaque white glaze
Star-Shaped Tile
13th century
"A Ruffian Spares the Life of a Poor Man", Folio 4v from a Mantiq al-Tayr (Language of the Birds), Farid al-Din `Attar Iranian, Ink, opaque watercolor, silver, and gold on paper
"A Ruffian Spares the Life of a Poor Man", Folio 4v from a Mantiq al-Tayr (Language of the Birds)
Author Farid al-Din `Attar
ca. 1600
"Siyavush and Jarira Wedded", Folio 183v from the Shahnama (Book of Kings) of Abu'l Qasim Firdausi, commissioned by Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper
"Siyavush and Jarira Wedded", Folio 183v from the Shahnama (Book of Kings) of Abu'l Qasim Firdausi, commissioned by Shah Tahmasp
Author Abu'l Qasim Firdausi
Workshop director Mir Musavvir
Painting attributed to 'Abd al-Vahhab
ca. 1525–30
Panel with Geometric Pattern and Benedictory Inscriptions, Limestone; carved
Panel with Geometric Pattern and Benedictory Inscriptions
late 13th–mid-14th century
Dish, Tin-glazed and luster-painted earthenware, Spanish, Valencia
Dish
Spanish, Valencia
16th century
Tiraz, Linen; plain weave, painted
Tiraz
12th century
At the Mosque Door, Osman Hamdi Bey Turkish, Oil on canvas
At the Mosque Door
Osman Hamdi Bey
dated 1879
[Tomb?], Unknown, Albumen silver print
[Tomb?]
Unknown
1850s
"Preparing Medicine from Honey", from a Dispersed Manuscript of an Arabic Translation of De Materia Medica of Dioscorides, 'Abdullah ibn al-Fadl , Baghdad, Ink, opaque watercolor, and gold on paper
"Preparing Medicine from Honey", from a Dispersed Manuscript of an Arabic Translation of De Materia Medica of Dioscorides
'Abdullah ibn al-Fadl
dated 621 AH/1224 CE
Tile with Niche Design and Inscription, Stonepaste; inglaze painted in blue, luster-painted on opaque white glaze, modeled decoration
Tile with Niche Design and Inscription
early 14th century
Cross-Shaped Tile, Stonepaste; inglaze painted in blue and turquoise and luster-painted on opaque white glaze
Cross-Shaped Tile
13th century
Copy of The Relief of Vienna, September 12, 1683, Johan Ignaz Bendl, American
Copy of The Relief of Vienna, September 12, 1683
After an original by Johan Ignaz Bendl
19th century
Shield (Dhál), Steel, gold, silk-velvet, Indian
Shield (Dhál)
Indian
19th century
[Hall of Justice, Alhambra, Granada], Unknown, Albumen silver print from glass negative
[Hall of Justice, Alhambra, Granada]
Unknown
1880s–90s

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