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Harpoon counterweight, Walrus ivory, Old Bering Sea III, Native American
Harpoon counterweight
Old Bering Sea III, Native American
300–500 CE
Harpoon Head, Ivory (walrus), Old Bering Sea
Harpoon Head
Old Bering Sea
4th–5th century
Standing Figure, Ivory (walrus), Old Bering Sea
Standing Figure
Old Bering Sea
2nd century BCE–1st century CE
Head, Ivory (walrus), Old Bering Sea
Head
Old Bering Sea
2nd–4th century
Female Figure, Ivory (walrus), Old Bering Sea
Female Figure
Old Bering Sea
2nd century BCE–1st century CE
Winged Object, Ivory (walrus), Old Bering Sea
Winged Object
Old Bering Sea
2nd–3rd century
Ornament, Ivory (walrus), Old Bering Sea
Ornament
Old Bering Sea
4th century (?)
Figure, Ivory (walrus), Old Bering Sea
Figure
Old Bering Sea
150 BCE–100 CE
Transformational figure, Walrus ivory, Okvik, Native American
Transformational figure
Okvik, Native American
ca. 200 BCE–100 CE
Handle fragment (?), Walrus ivory, Old Bering Sea II, Native American
Handle fragment (?)
Old Bering Sea II, Native American
100–300 CE
Harpoon Head, Ivory (walrus), baleen lashing, Old Bering Sea
Harpoon Head
Old Bering Sea
4th–6th century
Harpoon Head, Ivory (walrus), Old Bering Sea
Harpoon Head
Old Bering Sea
4th century
Harpoon Head, Ivory (walrus), Old Bering Sea (?)
Harpoon Head
Old Bering Sea (?)
3rd–4th century
Harpoon Head, Ivory (walrus), Old Bering Sea
Harpoon Head
Old Bering Sea
2nd–3rd century
Button, Ivory (walrus), Old Bering Sea
Button
Old Bering Sea
3rd–4th century
Harpoon Head, Ivory (walrus), Old Bering Sea
Harpoon Head
Old Bering Sea
3rd–4th century (?)
Game Piece with a Scene from the Life of Apollonius of Tyre, Walrus ivory, German
Game Piece with a Scene from the Life of Apollonius of Tyre
German
ca. 1170
Toggle, Walrus ivory, Okvik, Native American
Toggle
Okvik, Native American
100 BCE–200 CE
Sea Flower (Actinia Senilis), from the Flowers series for Old Judge Cigarettes, Goodwin & Company, Commercial color lithograph
Sea Flower (Actinia Senilis), from the Flowers series for Old Judge Cigarettes
Publisher Issued by Goodwin & Company
Printer George S. Harris & Sons
1890
Face of Half a Double Saddle Bag (Khorjin), Wool (warp, ground weft, and sumak weft); sumak extra-weft wrapping with twining in alternating colors
Face of Half a Double Saddle Bag (Khorjin)
19th century
Face of Half a Double Saddle Bag (Khorjin) , Wool (warp, ground weft, and supplementary weft) and goat(?) hair (sumak weft); knotted extra-weft wrapping and weft-faced plain weave (front); weft-faced plain weave (back)
Face of Half a Double Saddle Bag (Khorjin)
ca. 1875
Double Saddle Bag (Khorjin), Wool (warp, ground weft, and sumak weft) and goat(?) hair (black braided loop); sumak extra-weft wrapping and slit tapestry (kilim) weave (front); weft-faced plain weave with pattern in supplementary continuous weft and braided loop closures (back)
Double Saddle Bag (Khorjin)
ca. 1800–25
Face of Half a Double Saddle Bag (Khorjin), Wool (warp, ground weft, and sumak weft); sumak extra-weft wrapping and border pattern in complementary weft weave
Face of Half a Double Saddle Bag (Khorjin)
19th century
Face of half a Double Saddle Bag (Khorjin), Wool (warp, ground weft, and sumak weft); sumak extra-weft wrapping (front); weft-faced plain weave (back)
Face of half a Double Saddle Bag (Khorjin)
ca. 1850
Face of Half a Double Saddle Bag (Khorjin), Wool (warp, sumak weft, and tapestry weft); sumak simple weft wrapping (no ground weft) and tapestry (kilim) with slits for closure
Face of Half a Double Saddle Bag (Khorjin)
mid-19th century
Face of Half a Double Saddle Bag (Khorjin), Wool (warp, ground weft, and sumak weft); sumak extra-weft wrapping (front); weft-faced plain weave (back)
Face of Half a Double Saddle Bag (Khorjin)
ca. 1850
Double Saddlebag (Khorjin), Wool (warp and sumak weft), cotton (ground weft), and goat(?) hair (sumak weft); sumak extra-weft wrapping and slit tapestry (kilim) closure (front); weft-faced plain weave with pattern in supplementary brocaded weft (back)
Double Saddlebag (Khorjin)
ca. 1900
Double Saddle Bag (Khorjin), Wool (warp, weft, and sumak weft) and goat(?) hair (sumak weft); sumak extra-weft wrapping, weft-faced plain weave, and slit tapestry (kilim) closure (front); weft-faced plain weave and braided loop closures (back)
Double Saddle Bag (Khorjin)
ca. 1875
Bird ornament, Maya artist(s), Shell, Maya
Bird ornament
Maya artist(s)
600–800 CE
Scabbard chape, Copper alloy, Achaemenid
Scabbard chape
Achaemenid
ca. 6th century BCE
The Scapegoat, Charles Henry Mottram British, Various engraving techniques on chine collé
The Scapegoat
Engraver Charles Henry Mottram
After William Holman Hunt
Publisher Henry Graves & Co.
1861
Timba, Wood, polychrome, Baga people
Timba
Baga people
late 19th or early 20th century
Ming Smith, N.Y.C., Anthony Barboza American, Gelatin silver print
Ming Smith, N.Y.C.
Anthony Barboza
Person in Photograph Person in photograph Ming Smith
1974
Jonah and The Whale, Paint on glass
Jonah and The Whale
first half of 20th century
A-ndëf, Wood, hide, Baga people
A-ndëf
Baga people
late 19th century
On the Shore, from "Picture Poesies", John William North British, Wood engraving
On the Shore, from "Picture Poesies"
After John William North
Engraver Dalziel Brothers
Publisher George Routledge & Sons, London
first published 1867, reissued 1874
Etchings for the Art-Union of London
Multiple artists/makers
1857
Plate 1 from "Prismes: 40 Planches de Dessins et Coloris Nouveaux"
Designer Emile-Allain Séguy
Publisher Editions d'Art Charles Moreau
ca. 1930
Plate 2, Papier peint, "Les Iles", édité par René Gabriel, from "Papiers Peints et Tentures Modernes"
Multiple artists/makers
1929
Plate 23, from "Nouvelles Compositions Décoratives, 1re Série"
Designer Serge Gladky
Author Georges Rémon
Publisher Editions d'Art Charles Moreau
ca. 1930
Soup plate ("Clam-Bake and Chowder")
Decorator Theodore Russell Davis
Manufacturer Haviland & Co.
ca. 1879–80
Illustrated London Almanack
Multiple artists/makers
1876–80