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1-42 of 140 results for old-bering-sea-art
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Object type / material
Geographic location
Department
Winged Object, Ivory (walrus), Old Bering Sea
Winged Object
Old Bering Sea
2nd–3rd century
Female Figure, Ivory (walrus), Old Bering Sea
Female Figure
Old Bering Sea
2nd century BCE–1st century CE
Figure, Ivory (walrus), Old Bering Sea
Figure
Old Bering Sea
150 BCE–100 CE
Harpoon counterweight, Walrus ivory, Old Bering Sea III, Native American
Harpoon counterweight
Old Bering Sea III, Native American
300–500 CE
Ornament, Ivory (walrus), Old Bering Sea
Ornament
Old Bering Sea
4th century (?)
Harpoon Head, Ivory (walrus), Old Bering Sea
Harpoon Head
Old Bering Sea
4th–5th century
Standing Figure, Ivory (walrus), Old Bering Sea
Standing Figure
Old Bering Sea
2nd century BCE–1st century CE
Head, Ivory (walrus), Old Bering Sea
Head
Old Bering Sea
2nd–4th century
Transformational figure, Walrus ivory, Okvik, Native American
Transformational figure
Okvik, Native American
ca. 200 BCE–100 CE
Harpoon Head, Ivory (walrus), Old Bering Sea
Harpoon Head
Old Bering Sea
4th century
Button, Ivory (walrus), Old Bering Sea
Button
Old Bering Sea
3rd–4th century
Harpoon Head, Ivory (walrus), Old Bering Sea (?)
Harpoon Head
Old Bering Sea (?)
3rd–4th century
Harpoon Head, Ivory (walrus), Old Bering Sea
Harpoon Head
Old Bering Sea
2nd–3rd century
Harpoon Head, Ivory (walrus), Old Bering Sea
Harpoon Head
Old Bering Sea
3rd–4th century (?)
Harpoon Head, Ivory (walrus), baleen lashing, Old Bering Sea
Harpoon Head
Old Bering Sea
4th–6th century
Handle fragment (?), Walrus ivory, Old Bering Sea II, Native American
Handle fragment (?)
Old Bering Sea II, Native American
100–300 CE
Game Piece with a Scene from the Life of Apollonius of Tyre, Walrus ivory, German
Game Piece with a Scene from the Life of Apollonius of Tyre
German
ca. 1170
Sea Flower (Actinia Senilis), from the Flowers series for Old Judge Cigarettes, Goodwin & Company, Commercial color lithograph
Sea Flower (Actinia Senilis), from the Flowers series for Old Judge Cigarettes
Goodwin & Company
George S. Harris & Sons
1890
Face of Half a Double Saddle Bag (Khorjin) , Wool (warp, ground weft, and supplementary weft) and goat(?) hair (sumak weft); knotted extra-weft wrapping and weft-faced plain weave (front); weft-faced plain weave (back)
Face of Half a Double Saddle Bag (Khorjin)
ca. 1875
Double Saddle Bag (Khorjin), Wool (warp, ground weft, and sumak weft) and goat(?) hair (black braided loop); sumak extra-weft wrapping and slit tapestry (kilim) weave (front); weft-faced plain weave with pattern in supplementary continuous weft and braided loop closures (back)
Double Saddle Bag (Khorjin)
ca. 1800–25
Face of Half a Double Saddle Bag (Khorjin), Wool (warp, ground weft, and sumak weft); sumak extra-weft wrapping with twining in alternating colors
Face of Half a Double Saddle Bag (Khorjin)
19th century
Face of Half a Double Saddle Bag (Khorjin), Wool (warp, ground weft, and sumak weft); sumak extra-weft wrapping and border pattern in complementary weft weave
Face of Half a Double Saddle Bag (Khorjin)
19th century
Face of Half a Double Saddle Bag (Khorjin), Wool (warp, sumak weft, and tapestry weft); sumak simple weft wrapping (no ground weft) and tapestry (kilim) with slits for closure
Face of Half a Double Saddle Bag (Khorjin)
mid-19th century
Face of half a Double Saddle Bag (Khorjin), Wool (warp, ground weft, and sumak weft); sumak extra-weft wrapping (front); weft-faced plain weave (back)
Face of half a Double Saddle Bag (Khorjin)
ca. 1850
Face of Half a Double Saddle Bag (Khorjin), Wool (warp, ground weft, and sumak weft); sumak extra-weft wrapping (front); weft-faced plain weave (back)
Face of Half a Double Saddle Bag (Khorjin)
ca. 1850
Double Saddlebag (Khorjin), Wool (warp and sumak weft), cotton (ground weft), and goat(?) hair (sumak weft); sumak extra-weft wrapping and slit tapestry (kilim) closure (front); weft-faced plain weave with pattern in supplementary brocaded weft (back)
Double Saddlebag (Khorjin)
ca. 1900
Double Saddle Bag (Khorjin), Wool (warp, weft, and sumak weft) and goat(?) hair (sumak weft); sumak extra-weft wrapping, weft-faced plain weave, and slit tapestry (kilim) closure (front); weft-faced plain weave and braided loop closures (back)
Double Saddle Bag (Khorjin)
ca. 1875
Bird ornament, Maya artist(s), Shell, Maya
Bird ornament
Maya artist(s)
600–800 CE
Scabbard chape, Copper alloy, Achaemenid
Scabbard chape
Achaemenid
ca. 6th century BCE
The Scapegoat, Charles Henry Mottram British, Various engraving techniques on chine collé
The Scapegoat
Multiple artists/makers
1861
Timba, Wood, polychrome, Baga people
Timba
Baga people
late 19th or early 20th century
Ming Smith, N.Y.C., Anthony Barboza American, Gelatin silver print
Ming Smith, N.Y.C.
Anthony Barboza
Ming Smith
1974
Etchings for the Art-Union of London
Multiple artists/makers
1857
Plate 1 from "Prismes: 40 Planches de Dessins et Coloris Nouveaux"
Emile-Allain Séguy
Editions d'Art Charles Moreau
ca. 1930
Plate 2, Papier peint, "Les Iles", édité par René Gabriel, from "Papiers Peints et Tentures Modernes"
Multiple artists/makers
1929
Plate 23, from "Nouvelles Compositions Décoratives, 1re Série"
Multiple artists/makers
ca. 1930
A-ndëf, Wood, hide, Baga people
A-ndëf
Baga people
late 19th century
Soup plate ("Clam-Bake and Chowder")
Theodore Russell Davis
Haviland & Co.
ca. 1879–80
Clock watch with astronomical dial and sundial, Jan Jansen Bockeltz Dutch, Case: gilded brass; Dial: gilded brass, silver, and copper; Movement: gilded brass, partly blued steel, and silver, Dutch, Haarlem
Clock watch with astronomical dial and sundial
Jan Jansen Bockeltz
ca. 1605–10
Illustrated London Almanack
Multiple artists/makers
1876–80
Watch, W.A., Case and dial: gilded brass; Movement: gilded brass and polished steel, Flemish, Antwerp or possibly Ghent
Watch
W.A.
1571
Illustrated London Almanack
Multiple artists/makers
1871–75