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25 results for safavid-art
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Carpet with Palm Trees, Ibexes, and Birds, Cotton (warp and weft), wool (pile); asymmetrically knotted pile
late 16th–early 17th century
Silk Kashan Carpet, Silk (warp, weft and pile); asymmetrically knotted pile
16th century
Elephant-Shaped Kendi, Stonepaste; painted in shades of blue under transparent glaze
second quarter 17th century
Cuirass (<i>Char-aina</i>), Steel, iron, gold, leather, textile (wool), Persian, Safavid
Persian, Safavid
17th–early 18th century
A Princely Hunt, Ink, gold, and watercolor on paper
late 16th century
The Seley Carpet, Silk (warp), cotton (weft), wool (weft and pile); asymmetrically knotted pile
late 16th century
Bound Manuscript with Prayers in Praise of Imam 'Ali, Hasan 'Ali  Iranian, Manuscript: Ink, opaque watercolor and gold on paper<br/>Binding: Leather and gold
Calligrapher Hasan 'Ali
dated 970 AH/1562–63 CE
Engraved Lamp Stand with a Cylindrical Body, Brass; cast, engraved, and inlaid with black compound
probably late 16th or early 17th century
The House of Bijapur, Kamal Muhammad, Ink, opaque watercolor, gold, and silver on paper
Painting by Kamal Muhammad
Painting by Chand Muhammad
ca. 1680
Carpet with a Compartment Design, Silk (warp and weft), wool (pile); asymmetrically knotted pile
first half 16th century
Floral Brocade, Silk, metal wrapped thread; lampas
late 17th–early 18th century
Miniature Qur'an and Qur'an Case, Muhammad Al-Qari, Qur'an: Ink, opaque watercolor, and gold on paper<br/>Qur'an case: Silver
Calligrapher Muhammad Al-Qari
dated 963 AH/1555 CE
Cope, Silk, metal-wrapped thread, and linen; woven
mid- to late 17th century
Bound Manuscript of Hadith with Persian Translations by Jami, Shah Mahmud Nishapuri  Iranian, Manuscript: Ink, opaque watercolor, and gold on paper<br/>Binding: Leather, opaque watercolor, and gold
Calligrapher Shah Mahmud Nishapuri
Manuscript dated 935 AH/1528 CE; binding ca. 1575–1600
Hanging, Wool; plain weave, joined, embroidered
19th century
Broken II, Burçak Bingöl  Turkish, Stonepaste; drawn, painted, glazed and glued
Burçak Bingöl
2013
Sash, Leo Madjarski, Compound plain weave, silk and metal-wrapped thread with metallic fringe, Polish, Sluck
Manufactory Leo Madjarski
1767–80
Shawl, Nadezhda Merlina Manufactory  Russian, Tapestry and twill weave, goat fiber, Russian, probably Nizhny Novgorod province
Manufactory Nadezhda Merlina Manufactory
early 19th century