Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for sienese-school

Sort by:

Cassetta frame, Poplar(?). Gilt; red-orange bole., Sienese — Cassetta frame
Sienese
ca. 1450

Diptych with tabernacle frames, Poplar. Carved, gilt; red-orange bole., Sienese — Diptych with tabernacle frames
Sienese
ca. 1400–1410

Panel from a polyptych, Wood, Sienese — Panel from a polyptych
Sienese
14th century

Engaged arched cassetta frame, Poplar. Mitered; arch two pieces of wood. Gilt; deep orange bole., Sienese — Engaged arched cassetta frame
Sienese
1460–70

Engaged molding, Poplar. Gilt; deep red-brown bole., Sienese — Engaged molding
Sienese
ca. 1446

Engaged cassetta frame, Poplar. Gilt; red-orange bole. Sight edge: linen extended over moldings., Sienese — Engaged cassetta frame
Sienese
ca. 1380–90

Integral tondo molding, Single piece of poplar. Carved, gilt; brown-red bole, blue in dentil., Sienese — Integral tondo molding
Sienese
mid-15th century

Panel from a polyptych, Wood, Sienese — Panel from a polyptych
Sienese
14th century

Engaged molding on a polyptych panel, Poplar. Carved, gilt: deep red bole., Sienese — Engaged molding on a polyptych panel
Sienese
ca. 1435–40

Engaged cassetta frame on a polyptych panel, Siena Siena, Poplar. Mitered. Gilt; brown-orange bole., Sienese — Engaged cassetta frame on a polyptych panel
Siena
ca. 1380

Engaged arched cassetta frame and arched tabernacle frame, Poplar. Carved, gilt; orange-red bole, blue and white color, all over greenish tone., Sienese — Engaged arched cassetta frame and arched tabernacle frame
Sienese
ca. 1465 and 1490 (?)

Book Cover, Italian (Sienese) Painter Italian, Tempera on wood — Book Cover
Italian (Sienese) Painter

Old Colored School, Beverly Buchanan American, Wood and paint — Old Colored School
Beverly Buchanan
2010

Saint John, Bronze, partially oil-gilt, on a later stone base, Italian, Siena — Saint John
Italian, Siena
late 15th century

The Virgin Mary, Neroccio de' Landi Italian, Bronze, partially fire-gilt, Italian, Siena — The Virgin Mary
Neroccio de' Landi
late 15th century

Saint John, Neroccio de' Landi Italian, Bronze, partially fire-gilt, Italian, Siena — Saint John
Neroccio de' Landi
late 15th century

Madonna and Child, Benvenuto di Giovanni Italian, Tempera on wood, gold ground — Madonna and Child
Benvenuto di Giovanni
ca. 1470

The American School, Matthew Pratt American, Oil on canvas, American — The American School
Matthew Pratt
1765

Sword Guard (Tsuba), Hirata School Japanese, Copper-gold alloy (shakudō), gold, enameled cloisonné (shippō), copper, Japanese — Sword Guard (Tsuba)
Hirata School
ca. 1615–1868

Sword Guard (Tsuba), Kyōsukashi School Japanese, Iron, copper, Japanese — Sword Guard (Tsuba)
Kyōsukashi School
late 16th century

The Labors of Hercules, Italian (Florentine or Sienese) Painter Italian, Tempera on wood, embossed and gilt ornament — The Labors of Hercules
Italian (Florentine or Sienese) Painter

Madonna and Child, Sano di Pietro (Ansano di Pietro di Mencio) Italian, Tempera on wood, gold ground — Madonna and Child
Sano di Pietro (Ansano di Pietro di Mencio)
about 1450

Madonna and Child, Sano di Pietro (Ansano di Pietro di Mencio) Italian, Tempera on wood, gold ground — Madonna and Child
Sano di Pietro (Ansano di Pietro di Mencio)
ca. 1448–60

Red School House (Country Scene), George Henry Durrie American, Oil on canvas, American — Red School House (Country Scene)
George Henry Durrie
1858

Saint Anthony the Abbot in the Wilderness, Osservanza Master Italian, Tempera and gold on wood — Saint Anthony the Abbot in the Wilderness
Osservanza Master
ca. 1435

The Betrayal of Christ, School of Nottingham British, Alabaster with paint and gilding, British — The Betrayal of Christ
School of Nottingham
15th century

The Entombment, School of Nottingham British, Alabaster, British — The Entombment
School of Nottingham
15th century

Sword Guard (<i>Tsuba</i>), Mino school Japanese, Copper-gold alloy (probably <i>shakudō</i>), gold, Japanese — Sword Guard (Tsuba)
Mino school
late 17th–early 18th century

Saint Peter, Follower of Lippo Memmi (Italian, Sienese, active mid-14th century) Italian, Tempera on wood, gold ground, Italian, Siena — Saint Peter
Follower of Lippo Memmi (Italian, Sienese, active mid-14th century)
Follower of Barna da Siena
mid-14th century

Scenes and Calligraphic Excerpts from The Tale of Genji, Tosa School Japanese, Shikishi (poetry cards) mounted in an orihon album; calligraphies: ink on decorated paper; paintings: ink, color, and gold on paper, Japan — Scenes and Calligraphic Excerpts from The Tale of Genji
Tosa School
Ono no Ozū (Ono no Tsū)
early 17th century

Seated Female Figure Holding a Book and a Scroll (?), Veronese School, Pen and dark brown ink, over black chalk, Italian, Verona — Seated Female Figure Holding a Book and a Scroll (?)
Veronese School
mid-15th century

Scenes from The Tale of Genji, Tosa School Japanese, Pair of albums (accordion fold) with
54 illustrations; ink, color and gold on paper, Japan — Scenes from The Tale of Genji
Tosa School
early 17th century

Scenes and Calligraphic Excerpts from The Tale of Genji, Tosa School Japanese, Pair of six-panel folding screens; ink, color, and gold on decorated-paper shikishi (poetry cards), Japan — Scenes and Calligraphic Excerpts from The Tale of Genji
Tosa School
early 17th century

The Tale of Genji, Iwasa school, Pair of six-panel screens: ink and color on paper, Japan — The Tale of Genji
Iwasa school
late 17th–early 18th century

The Last Supper, Ugolino da Siena (Ugolino di Nerio) Italian, Tempera and gold on wood — The Last Supper
Ugolino da Siena (Ugolino di Nerio)
ca. 1325–30

The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60

Amusements at Higashiyama in Kyoto, Kano School Japanese, Pair of six-panel folding screens; ink, color, gold, mica, and gold leaf on paper, Japan — Amusements at Higashiyama in Kyoto
Kano School
ca. 1620s

School Scene, Unidentified artist, Fan mounted as an album leaf; ink and color on silk, China — School Scene
Unidentified artist

The School, Giovanni Domenico Tiepolo Italian, Pen and brown ink, gray wash, over black chalk — The School
Giovanni Domenico Tiepolo
1791

Tondo mirror frame, Italian, Siena, Poplar; carved, gilt; deep red-brown bole., Italian, Siena — Tondo mirror frame
Italian, Siena
ca. 1490–1500