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Cadavre Exquis, André Breton French, Colored pencil on black paper
Cadavre Exquis
André Breton
Valentine Hugo
Paul Eluard
1932
Cadavre exquis (Exquisite Corpse), André Breton French, Colored pencil on black paper
Cadavre exquis (Exquisite Corpse)
André Breton
Valentine Hugo
1932
Cadavre Exquis (Exquisite Corpse), Robert Desnos French, Colored pencil on paper
Cadavre Exquis (Exquisite Corpse)
Robert Desnos
Max Morise
André Breton
1927
Amor, Tod und Jenseits, from the series Intermezzi, Max Klinger German, Etching and aquatint on chine collé
Amor, Tod und Jenseits, from the series Intermezzi
Max Klinger
n.d.
The Band Played On, from "Femfolio", May Stevens American, Digital print with hand lithography and gold dusting
The Band Played On, from "Femfolio"
May Stevens
Publisher Brodsky Center for Innovative Editions
Printer John C. Erickson
2007
Vision, Joseph Vogel American, Lithograph
Vision
Joseph Vogel
Publisher WPA
1939
Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): Ravages of war (Estragos de la guerra), Goya (Francisco de Goya y Lucientes) Spanish, Etching, drypoint, burin, burnisher
Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): Ravages of war (Estragos de la guerra)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)
Terms Adopted by the Author, Stephen Rueckert American, Graphite with selectively applied fixative on card
Terms Adopted by the Author
Stephen Rueckert
1982
Natural Being I, Keun-Joong Kim Korean, Painted plaster with metal, glue, straw, and ink on burlap
Natural Being I
Keun-Joong Kim
1993
Plate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas), Goya (Francisco de Goya y Lucientes) Spanish, Etching, lavis, burin
Plate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Mobile, Lodewijk Karel Bruckman Dutch, Oil on canvas
Mobile
Lodewijk Karel Bruckman
1955
Plate 69 from "The Disasters of War" (Los Desastres de la Guerra): Nothing. The event will tell (Nada. Ello dirá), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, lavis, drypoint and burin
Plate 69 from "The Disasters of War" (Los Desastres de la Guerra): Nothing. The event will tell (Nada. Ello dirá)
Goya (Francisco de Goya y Lucientes)
1810–20, published 1863
Meanwhile they keep on insisting that she has never been better!, from 'News of the day,' published in Le Charivari, September 24, 1872, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
Meanwhile they keep on insisting that she has never been better!, from 'News of the day,' published in Le Charivari, September 24, 1872
Honoré Daumier
September 24, 1872
On Joue sa Robe (They gamble for His robe), plate 10 from "Chemin de Croix" (Stations of the Cross), Jean Charlot French, Woodcut
On Joue sa Robe (They gamble for His robe), plate 10 from "Chemin de Croix" (Stations of the Cross)
Jean Charlot
Printer Lynton R. Kistler
1918–20 (re-printed 1977)
La Poupée, Hans Bellmer German, born Poland, Gelatin silver print
La Poupée
Hans Bellmer
1933–36
The Monumental Tablet, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint, scratching; second state of four (Robison)
The Monumental Tablet, from "Grotteschi" (Grotesques)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1748
Windstorm, Sue Coe British, Gouache, graphite, and brush and black ink on paper
Windstorm
Sue Coe
1984
Publisher's proof for the cover of Maurice Sandoz, 'La Limite' (Paris 1951), Salvador Dalí Spanish, Chromolithograph (?)
Publisher's proof for the cover of Maurice Sandoz, 'La Limite' (Paris 1951)
Salvador Dalí
1950
Dance of Death, from "Femfolio", Eleanor Antin American, Digital print
Dance of Death, from "Femfolio"
Eleanor Antin
Publisher Brodsky Center for Innovative Editions
Printer John C. Erickson
2007
Advice to amateurs, from 'News of the day,' published in "Le Charivari", Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
Advice to amateurs, from 'News of the day,' published in "Le Charivari"
Honoré Daumier
November 22, 1871
Dance of Death, leaf from "The Nuremberg Chronicle", Michael Wolgemut German, Woodcut and letterpress text
Dance of Death, leaf from "The Nuremberg Chronicle"
Michael Wolgemut
1493
Judith passing the head of Holofernes to her maidservant, the decapitated Holofernes inside the tent at left, Giulio Bonasone Italian, Engraving
Judith passing the head of Holofernes to her maidservant, the decapitated Holofernes inside the tent at left
Giulio Bonasone
After Michelangelo Buonarroti
Publisher Antonio Lafreri
1531–76
The Skeletons, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi Italian, Etching with engraving, drypoint, and burnishing; second state of five (Robison)
The Skeletons, from "Grotteschi" (Grotesques)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1748
Judith giving the head of Holofernes on a platter, which is about to be covered with a cloth, to her servant, with the foreshortened, naked body of Holofernes at right, Enea Vico Italian, Engraving
Judith giving the head of Holofernes on a platter, which is about to be covered with a cloth, to her servant, with the foreshortened, naked body of Holofernes at right
Enea Vico
After Michelangelo Buonarroti
1546
Plate 18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished lavis, drypoint, burin
Plate 18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Untitled, Max Ernst French, born Germany, Cut and pasted printed papers on paper
Untitled
Max Ernst
1921
Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan), Goya (Francisco de Goya y Lucientes) Spanish, Etching, drypoint (proof impression)
Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan)
Goya (Francisco de Goya y Lucientes)
1810
The Smelling Committee, John Cameron American, born Scotland, Lithograph
The Smelling Committee
Multiple artists/makers
1868
Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes), Goya (Francisco de Goya y Lucientes) Spanish, Etching, drypoint, lavis, burin
Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
The Virgin, Saint John the Baptist, and Mary Magdalen weeping over Christ's dead body , Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and drypoint (counterproof)

The Virgin, Saint John the Baptist, and Mary Magdalen weeping over Christ's dead body

Formerly attributed to Jusepe de Ribera (called Lo Spagnoletto)
1624
Reflections from the World Fair [Self-Portrait], Mohammad Omer Khalil, Etching, aquatint, scraping
Reflections from the World Fair [Self-Portrait]
Mohammad Omer Khalil
1965
Collision between a trolley and a hearse, José Guadalupe Posada Mexican, Zincograph
Collision between a trolley and a hearse
José Guadalupe Posada
ca. 1880–1910
Plate18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar), Goya (Francisco de Goya y Lucientes) Spanish, Etching, drypoint, burin (working proof)
Plate18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)
Goya (Francisco de Goya y Lucientes)
1810
Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of war' (Estragos de la guerra), Goya (Francisco de Goya y Lucientes) Spanish, Etching, drypoint, burin, burnisher
Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of war' (Estragos de la guerra)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Photograph of Victor Grippo's work related to an exhibition the group gave in Zagreb in 1973, Victor Grippo Argentine
Photograph of Victor Grippo's work related to an exhibition the group gave in Zagreb in 1973
Victor Grippo
Publisher Centro de Arte y Comunicación
1973
Van Gogh, Bert L. Long, Jr. American, Acrylic on canvas, wood, modeling paste, glass, candleholders, bread, preserved brain, stone organizer with brush, silk rose, money, and keys
Van Gogh
Bert L. Long, Jr.
1987
[Scene of Murder and Decapitation], Unknown, Photocollage of albumen silver prints and paper with applied media
[Scene of Murder and Decapitation]
Unknown
ca. 1870
Death as Juggler, Christian Rohlfs German, Woodcut monotype
Death as Juggler
Christian Rohlfs
ca. 1918–19
A quarter of an hour after his death, he was still living, from 'News of the day,' published in Le Charivari, February 20, 1866, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
A quarter of an hour after his death, he was still living, from 'News of the day,' published in Le Charivari, February 20, 1866
Honoré Daumier
Printer Destouches
Publisher Arnaud de Vresse
February 20, 1866
The legislative arena or the ruins of the Chamber of Deputies in the year 2870, from 'News of the day,' published in Le Charivari, June 27, 1870, Honoré Daumier French, Lithograph on wove paper
The legislative arena or the ruins of the Chamber of Deputies in the year 2870, from 'News of the day,' published in Le Charivari, June 27, 1870
Honoré Daumier
Printer Walter Frères
Publisher Arnaud de Vresse
June 27, 1870
The Craft in Danger, John Kay British, Scottish, Etching and aquatint
The Craft in Danger
Multiple artists/makers
1817
The Sacrifice, from "The Satanic Ones", Félicien Rops Belgian, Soft-ground etching, reproduced in heliogravure
The Sacrifice, from "The Satanic Ones"
Félicien Rops
ca. 1882

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