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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 446 results
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Garroted Man
Goya (Francisco de Goya y Lucientes)
ca. 1775–78
'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (private printing ca.1854)
Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)
Goya (Francisco de Goya y Lucientes)
ca. 1815 (published 1867)
Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 60 from "The Disasters of War" (Los Desastres de la Guerra): 'There is no one to help them' (No hay quien los socorra)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)
Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
Plate 69 from "The Disasters of War" (Los Desastres de la Guerra): Nothing. The event will tell (Nada. Ello dirá)
Goya (Francisco de Goya y Lucientes)
1810–20, published 1863
Plate 47 from "Los Caprichos": A gift for the master (Obsequio á el maestro)
Goya (Francisco de Goya y Lucientes)
1799
Plate 45 from "The Disasters of War" (Los Desastres de la Guerra): 'And this too' (Y esto tambien)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 36 from 'Los Caprichos: A bad night (Mala noche.)
Goya (Francisco de Goya y Lucientes)
1799
Two women helping a confessor to climb through a window; folio 78 (verso) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1796–98
Prisoners in irons; page 80 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20
'Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women Album (D)
Goya (Francisco de Goya y Lucientes)
ca. 1819–23
Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a Hard Step!' (Duro es el paso!)
Goya (Francisco de Goya y Lucientes)
ca. 1810
Plate 21: Preparatory drawing for the Death of the Mayor Torrejon, from the Tauromaquia
Goya (Francisco de Goya y Lucientes)
1816
Plate 70 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not know the way' (No saben el camino)
Goya (Francisco de Goya y Lucientes)
1814–15 (published 1863)
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804
Plate 41 from "Los Caprichos": Neither more nor less (Ni mas ni menos)
Goya (Francisco de Goya y Lucientes)
1799
Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): 'Cruel tale of woe!' (Cruel Lástima!)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)
Plate 72 from "The Disasters of War" (Los Desastres de la Guerra): 'The Consequences' (Las resultas)
Goya (Francisco de Goya y Lucientes)
1814–15 (published 1863)
Plate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse
Goya (Francisco de Goya y Lucientes)
1816
Plate 59 from "Los Caprichos": And still they don't go! (Y aun no se van!)
Goya (Francisco de Goya y Lucientes)
1799
Self-Portrait; Plate 1 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799
Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of war' (Estragos de la guerra)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls
Goya (Francisco de Goya y Lucientes)
1816
Plate 62 from "The Disasters of War" (Los Desastres de la Guerra): 'The beds of death' (Las camas de la muerte)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)
'Animal Folly' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published before 1877)
Plate 31 from "The Disasters of War" (Los Desastres de la Guerra): 'That's tough!' (Fuerte cosa es!)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)
Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid
Goya (Francisco de Goya y Lucientes)
1816
Plate 80 from "Los Caprichos": It is time (Ya es hora)
Goya (Francisco de Goya y Lucientes)
1799
Plate 40 from "Los Caprichos": Of what ill will he die? (De que mal morira?)
Goya (Francisco de Goya y Lucientes)
1799
Women and children near a cross; folio 78 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20
May their joy last (Album C)
Goya (Francisco de Goya y Lucientes)
1812–14
A man and a woman riding a mule; page 36 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20
Masquerading asses being whipped; folio 93 (recto) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1796–98
Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)
Don Quichotte
Félix Bracquemond
1860
The Disasters of War
Goya (Francisco de Goya y Lucientes)
1937
Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)
Goya (Francisco de Goya y Lucientes)
1799