This elegant elongated figure originally stood atop a tall column that supported rods for curtains that shielded the sacred area of the altar. The angel originally was painted in rich colors and gilded, and probably once held either a candlestick or an object associated with the suffering of Jesus. Large wings once graced the figure.
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[ Georges B. Brauer, Florence] ; Octave Homberg 1844–1907, Paris ; by descent, Joseph Homberg, Paris (sold 1952)
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Chicago. Art Institute of Chicago. "The Middle Ages: Treasures from The Cloisters and The Metropolitan Museum of Art," May 16, 1970–July 5, 1970.
Galeries nationales du Grand Palais. "L'art en France au temps de Philippe le Bel," March 17–June 30, 1998.
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Ciseri, Ilaria, ed. Gli avori del Museo nazionale del Bargello. Milan: Museo Nazionale del Bargello, 2018. p. 211.
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