Stefano Carboni
Department of Islamic Art, The Metropolitan Museum of Art
Qamar Adamjee
Department of Islamic Art, The Metropolitan Museum of Art
October 2002
The invention of glassblowing in the first century B.C. in the Syro-Palestinian region created a remarkable change in the use and availability of glass objects. Previously, from the third millennium B.C., glass objects had been made using other techniques, such as casting in a mold or forming glass around a removable core. These methods were slow and labor-intensive; consequently, glass was made in relatively small quantities and was not widely available. Glassblowing—in which molten glass is gathered on the end of a blowpipe and a vessel is formed by inflation and manipulation with tools—enabled craftsmen to create vessels quickly and in a wide range of shapes, making glassware affordable and available (The Corning Museum of Glass: 54.1.73, 54.1.129, 50.1.38).
The surface of most utilitarian objects was not decorated; as glass objects were principally designed for everyday use, the majority of ancient glass preserved today, in complete or fragmentary form, is plain. This type of glass is often regarded as “study” material by collectors, who favor more artistically accomplished objects. Undecorated objects, however, represent a continuity of traditions through their shapes and forms or because their practical functions deserve closer examination. When a plain glass vessel is placed in the proper context and systematically analyzed, its shape, color, and technical details can be as revealing as those of any elaborately decorated object and may provide links otherwise difficult to understand.
Citation
Carboni, Stefano, and Qamar Adamjee. “Blown Glass from Islamic Lands.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/blow/hd_blow.htm (October 2002)
Further Reading
Carboni, Stefano "Undecorated Glass." In Glass from Islamic Lands: The al-Sabah Collection, pp. 139–61. New York: Thames & Hudson, 2001.
Carboni, Stefano, and David Whitehouse. Glass of the Sultans. New York: Metropolitan Museum of Art, 2002. See on MetPublications
Additional Essays by Stefano Carboni
- Carboni, Stefano. “Venice and the Islamic World: Commercial Exchange, Diplomacy, and Religious Difference.” (March 2007)
- Carboni, Stefano. “Islamic Art and Culture: The Venetian Perspective.” (March 2007)
- Carboni, Stefano. “Venice and the Islamic World, 828–1797.” (March 2007)
- Carboni, Stefano. “Venice’s Principal Muslim Trading Partners: The Mamluks, the Ottomans, and the Safavids.” (March 2007)
- Carboni, Stefano. “A New Visual Language Transmitted Across Asia.” (October 2003)
- Carboni, Stefano. “Courtly Art of the Ilkhanids.” (October 2003)
- Carboni, Stefano. “Folios from the Great Mongol Shahnama (Book of Kings).” (October 2003)
- Carboni, Stefano. “Folios from the Jami‘ al-tavarikh (Compendium of Chronicles).” (October 2003)
- Carboni, Stefano. “Takht-i Sulaiman and Tilework in the Ilkhanid Period.” (October 2003)
- Carboni, Stefano. “The Art of the Book in the Ilkhanid Period.” (October 2003)
- Carboni, Stefano. “Cut and Engraved Glass from Islamic Lands.” (October 2002)
- Carboni, Stefano. “The Legacy of Genghis Khan.” (October 2003)
- Carboni, Stefano. “The Mongolian Tent in the Ilkhanid Period.” (October 2003)
- Carboni, Stefano. “The Religious Arts under the Ilkhanids.” (October 2003)
- Carboni, Stefano. “Enameled and Gilded Glass from Islamic Lands.” (October 2002)
- Carboni, Stefano. “Glass from Islamic Lands.” (October 2002)
- Carboni, Stefano. “Glass with Mold-Blown Decoration from Islamic Lands.” (October 2002)
- Carboni, Stefano. “Hot-worked Glass from Islamic Lands.” (October 2002)
- Carboni, Stefano. “Mosaic Glass from Islamic Lands.” (October 2002)
- Carboni, Stefano. “Stained (Luster-Painted) Glass from Islamic Lands.” (October 2002)
Additional Essays by Qamar Adamjee
- Adamjee, Qamar. “A New Visual Language Transmitted Across Asia.” (October 2003)
- Adamjee, Qamar. “Courtly Art of the Ilkhanids.” (October 2003)
- Adamjee, Qamar. “Folios from the Great Mongol Shahnama (Book of Kings).” (October 2003)
- Adamjee, Qamar. “Folios from the Jami‘ al-tavarikh (Compendium of Chronicles).” (October 2003)
- Adamjee, Qamar. “Takht-i Sulaiman and Tilework in the Ilkhanid Period.” (October 2003)
- Adamjee, Qamar. “The Art of the Book in the Ilkhanid Period.” (October 2003)
- Adamjee, Qamar. “Cut and Engraved Glass from Islamic Lands.” (October 2002)
- Adamjee, Qamar. “The Legacy of Genghis Khan.” (October 2003)
- Adamjee, Qamar. “The Mongolian Tent in the Ilkhanid Period.” (October 2003)
- Adamjee, Qamar. “Enameled and Gilded Glass from Islamic Lands.” (October 2002)
- Adamjee, Qamar. “Glass from Islamic Lands.” (October 2002)
- Adamjee, Qamar. “The Religious Arts under the Ilkhanids.” (October 2003)
- Adamjee, Qamar. “Glass with Mold-Blown Decoration from Islamic Lands.” (October 2002)
- Adamjee, Qamar. “Hot-worked Glass from Islamic Lands.” (October 2002)
- Adamjee, Qamar. “Mosaic Glass from Islamic Lands.” (October 2002)
- Adamjee, Qamar. “Stained (Luster-Painted) Glass from Islamic Lands.” (October 2002)
Related Essays
- Cut and Engraved Glass from Islamic Lands
- Glass from Islamic Lands
- Glass with Mold-Blown Decoration from Islamic Lands
- Mosaic Glass from Islamic Lands
- Stained (Luster-Painted) Glass from Islamic Lands
- Enameled and Gilded Glass from Islamic Lands
- Glass Ornaments in Late Antiquity and Early Islam (ca. 500–1000)
- Hot-worked Glass from Islamic Lands
- Roman Luxury Glass
- Roman Mold-Blown Glass
- Trade and Commercial Activity in the Byzantine and Early Islamic Middle East