This print is the most successful of Manet's several efforts to reproduce the painting of the same title that has been in the Metropolitan Museum's collection since 1889 (89.21.2). Converting brushstrokes into lines never came easily to the artist, but he wisely studied the prints of Goya, where he learned how to tone etchings with aquatint and pack together scribbled lines. Thus, when it came to etching a copy of his painting inspired by one of a court page by Velázquez, he could employ the same methods Goya had used when etching copies of Velázquez's portraits.
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Artwork Details
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Title:Boy with a Sword, Turned Left
Artist:Edouard Manet (French, Paris 1832–1883 Paris)
Jean C. Harris Edouard Manet: Graphic Works, A Definitive Catalogue Raisonné. New York, 1970, cat. no. 24.
Jean Leymarie, Michel Melot Les Gravures des impressionnistes: Manet, Pissarro, Renoir, Cézanne, Sisley. Paris, 1971, cat. no. 21.
Juliet Wilson Bareau Edouard Manet: Das Graphische Werk, Meisterwerke aus der Bibliothèque Nationale und weiterer Sammlungen Exh. cat.,. Ingelheim am Rhein, 1977, cat. no. 20.
Françoise Cachin, Charles S. Moffett, Michel Melot Manet 1832-1883. Exh. cat., Galeries nationales du Grand Palais, Paris and Metropolitan Museum of Art, New York. New York, 1983, cat. no. 18.
Gary Tinterow, Geneviève Lacambre Manet/Velàzquez: The French Taste for Spanish Painting. Exh. cat., Musée d'Orsay, Paris, September 16, 2002-January 12, 2003; Metropolitan Museum of Art, New York, March 4-June 8, 2003. New Haven, CT, 2002, cat. no. 174, ill.
Patrick J. McGrady, Nancy Locke Manet and Friends: An Exhibition of Prints Organized in Memory of George Mauner. Exh. cat., Palmer Museum of Art, University Park, PA. University Park, PA, 2008, cat. no. 5, ill.
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The Met's collection of drawings and prints—one of the most comprehensive and distinguished of its kind in the world—began with a gift of 670 works from Cornelius Vanderbilt, a Museum trustee, in 1880.