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The American Wing

About Us

Visitors to the American Wing will experience in more than 75 galleries on three floors varied art, design, and culture from the mid-seventeenth to the mid-twentieth century, with some contemporary expressions, by a diverse array of artists from across North America. Since our founding in 1924, this curatorial department has evolved its collecting to include some 20,000 artworks in many mediums by African American, Asian American, Euro-American, Latin American, and Native American makers, affirming ever more inclusive definitions of American art and identity. These dynamic holdings include painting, sculpture, drawing, furniture, textiles, regalia, ceramics, basketry, glass, silver, metalwork, jewelry, as well as historic interiors and architectural fragments, produced by highly trained and self-taught artists, both identified and unrecorded. Monumental sculpture, stained glass, and architectural elements are installed in the Charles Engelhard Court; silver, gold, glass, and ceramics on the courtyard balconies. Narratives of American domestic architecture and furnishings are explored in twenty historical interiors, or period rooms. Changing rotations of painting, sculpture, works on paper, and textiles appear throughout the Wing.

Since its establishment in 1870, The Met has acquired significant examples of American art. A separate American Wing to display Euro-American domestic arts of the seventeenth to early nineteenth centuries opened in 1924; painting and sculpture galleries and a skylit courtyard were added in 1980. A major renovation and reinstallation of the Wing’s space and collection occurred between 2002 and 2012, and, in 2024, the department marked its 100th anniversary with a new reinstallation highlighting its history and ongoing evolution.

The Metropolitan Museum of Art is situated in Lenapehoking, homeland of the Lenape diaspora, and historically a gathering and trading place for many diverse Native Peoples, who continue to live and work on this island. We respectfully acknowledge and honor all Indigenous communities—past, present, and future—for their ongoing and fundamental relationships to the region.


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Plate, John Monday  American, Earthenware; Redware with sgraffito decoration, American
John Monday
1830
Nurse and Child, Mary Cassatt  American, Pastel on wove paper (originally blue), mounted on canvas, American
Mary Cassatt
1896–97
Pocket bottle, American Flint Glass Manufactory  American, Blown pattern-molded glass, American
American Flint Glass Manufactory
Henry William Stiegel
1769–74
Portrait of Nicolás Matías Fernández Méndez, José Campeche, Oil on wood panel
José Campeche
ca. 1800
Calvary, Unknown artists, Guatemala, late 18th century, Polychrome wood, gilt silver, glass, hair, Guatemalan
Unknown
ca. 1790
Sofa, John Henry Belter  American, Rosewood, Rosewood veneer; chestnut, pine (secondary woods); modern upholstery with some original underupholstery, American
John Henry Belter
J. H. Belter & Co.
1850–60
Covered jar, Earthenware, burnished, with white paint and silver leaf, Mexican
Mexican
ca. 1675–1700
Basin, Master Potter A, Tin-glazed earthenware, Mexican
Master Potter A
ca. 1650
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