Art/ Collection/ Art Object
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明 仿陳淳 雜花圖 冊
Garden Flowers

Artist:
After Chen Chun (Chinese, 1483–1544)
Period:
Ming dynasty (1368–1644)
Date:
dated 1540
Culture:
China
Medium:
Album of sixteen paintings and one leaf of calligraphy; ink and color on paper
Dimensions:
Image (six leaves): 12 13/16 x 22 9/16 in. (32.5 x 57.3 cm) Image (ten leaves): 13 1/8 x 22 3/4 in. (33.3 x 57.8 cm)
Classification:
Paintings
Credit Line:
Gift of Douglas Dillon, 1986
Accession Number:
1986.266.1a–u
Not on view
Following Shen Zhou’s (1427–1509) example of treating still-life painting as uninhibited “ink plays,” Chen Chun strove to turn his flower paintings into spontaneous “idea writings.” Realistic flower paintings had been a popular subject since at least the tenth century, and Chen Chun was perhaps the greatest exponent of this genre in his time. This album, with a rich variety of spring blossoms, treats flowers not merely as botanical specimens but also as inevitable reminders of the brevity of life, beauty, and material existence.
Signature: Each leaf bears one of the three artist's seals found after Chen Chun's inscription.

(a, b) Two doublet leaf frontispiece sheets in four large clerical script (lishu) characters- two to a sheet: (a) Baiyang; (b) zahua [Miscellaneous Flowers by Baiyang]

(s, t) Double sheet, inscription by artist: "In the gengzi year of the Jiajing era (1540), I traveled to Yushan and passed by Mr. Chou Liuguan's 'thatched hut' [caotang]. The owner brought out this album, prepared the powdered colors and inscribed it as pictures of miscellanous plants. My stay extended until it became several months and before I knew it, I had filled the album. Those who look at it might best regard it as an album of studies. [signed] Daofu made this [followed by three seals] Baiyang shanren, Chen Taofu shi and Fusheng yin."

Inscription: Colophons:
Leaf t: Wen Peng (1498–1573), right section, in running script
Wang Zhideng (1535–1612), left section, standard script
Leaf u: Jin nong (1687–after 1764)
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