The Collection
The American Wing Ancient Near Eastern Art Arms and Armor The Michael C. Rockefeller Wing Asian Art The Cloisters The Costume Institute Drawings and Prints Egyptian Art European Paintings European Sculpture and Decorative Arts Greek and Roman Art Islamic Art Robert Lehman Collection The Libraries Medieval Art Musical Instruments Photographs Antonio Ratti Textile Center Modern and Contemporary Art

The Art of Ingeniously Tormenting

Etcher Thomas Rowlandson British
After George Murgatroyd Woodward British
Publisher Thomas Tegg British

February 8, 1808

Not on view

One of five plates after Woodward. Images inspired by the novelist Jane Collier's (1714-1755) "An Essay on the Art of Ingeniously Tormenting" (1753), a satirical advice book giving advice on how to nag, including methods to tease and mortify. Modelled on Jonathan Swift's satirical essays.

The Art of Ingeniously Tormenting, Thomas Rowlandson (British, London 1757–1827 London), Hand-colored etching — Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Title: The Art of Ingeniously Tormenting

Etcher: Thomas Rowlandson (British, London 1757–1827 London)

Artist: After George Murgatroyd Woodward (British, 1765–1809 London)

Publisher: Thomas Tegg (British, London 1776–1846 London)

Date: February 8, 1808

Medium: Hand-colored etching

Dimensions: Plate: 6 5/8 × 10 5/16 in. (16.9 × 26.2 cm)
Sheet (trimmed): 6 15/16 × 10 9/16 in. (17.6 × 26.9 cm)

Classification: Prints

Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959

Accession Number: 59.533.1923

How Etchings are Made

An illustrated explainer.

The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.

The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.

Drawings and Prints at The Met

The Met's collection of drawings and prints—one of the most comprehensive and distinguished of its kind in the world—began with a gift of 670 works from Cornelius Vanderbilt, a Museum trustee, in 1880.

Visiting Sleeping Beauties: Reawakening Fashion?

The Art of Ingeniously Tormenting

Open Access

API

Artwork Details

Related Artworks

How Etchings are Made

Resources for Research

Feedback

Drawings and Prints at The Met

Visiting Sleeping Beauties: Reawakening Fashion?

Crop your artwork:

Scan your QR code:

The Art of Ingeniously Tormenting

Open Access

API

Artwork Details

Learn more about this artwork

Related Artworks

Migrants

Going to Ivy Bridge

The Sailor's Return from Active Service

Manager & Spouter

Departure of Blanchard and Jeffries' Balloon from Dover, January 7, 1785

How Etchings are Made

Resources for Research

Feedback

Drawings and Prints at The Met