The Robert Lehman Collection. Vol. 5, Italian Fifteenth- to Seventeenth-Century Drawings

The Robert Lehman Collection. Vol. 5, Italian Fifteenth- to Seventeenth-Century Drawings

Tempesti, Anna Forlani

1991

388 pages

272 illustrations

This title is out of print.

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Table of contents

About the authors

Foreword by Egbert Haverkamp-Begemann
Acknowledgments
Note to the Reader

Catalogue

Northern Italy, Fifteenth and Sixteenth Centuries

Central and Southern Italy, Fifteenth and Sixteenth Centuries

Italy, Seventeenth Century

Concordance
References
Index of Previous Owners
Subject Index
Index

Met Art in Publication

Saint Stephen and Other Saints on Clouds, Friuli (?), Black chalk, touches of red chalk in the contours of the figure behind Saint Stephen; squared in black chalk. — Saint Stephen and Other Saints on Clouds
Friuli (?)
late 16th century

Kitchen Scene, Copy after Leandro (?) Bassano, Pen and brown ink, brown wash, Italian — Kitchen Scene
Copy after Leandro (?) Bassano
late 16th century

Male Figure Seen from Behind, Alessandro Maganza Italian, Pen and brown ink, over a pencil sketch — Male Figure Seen from Behind
Alessandro Maganza
ca. 1603–10

Hunting Scene and Lions Attacking Animals, The Veneto, Pen and brown ink, touches of brush and brown wash, on brownish paper; retouched (by a later hand) in pen and brown ink in one lion's tail and leg, in the bull's face and tail, and in the dog's faces., Italian — Hunting Scene and Lions Attacking Animals
The Veneto
late 16th century

The Madonna and Child with a Female Martyr Saint, a Bishop Saint, and a Female Donor, Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Pen and dark brown ink, brush and gray ink. — The Madonna and Child with a Female Martyr Saint, a Bishop Saint, and a Female Donor
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
first half 15th century

Orpheus, Italian , early 16th century, Pen and brown ink, Central Italian — Orpheus
Italian
early 16th century

Study of Two Bovine Animals, The Veneto, Pen and brown ink, Italian (Veneto) — Study of Two Bovine Animals
The Veneto
mid-15th century

A Kneeling Man in Fifteenth-Century Costume (recto); a small, fragmentary sketch of a recumbant boy, probably by a later hand (verso), Pinturicchio Italian, Metalpoint, heightened with white, reworked with the point of the brush and gray ink, on gray prepared paper. — A Kneeling Man in Fifteenth-Century Costume (recto); a small, fragmentary sketch of a recumbant boy, probably by a later hand (verso)
Pinturicchio
ca. 1509

Design for an Antependium: The Madonna della Misericordia with Saints John the Baptist and John the Evangelist, the Circumcision, and the Presentation of the Virgin, Lorenzo Veneziano Italian, Pen and brown ink, yellow watercolor in the backgrounds of the niches. — Design for an Antependium: The Madonna della Misericordia with Saints John the Baptist and John the Evangelist, the Circumcision, and the Presentation of the Virgin
Lorenzo Veneziano
ca. 1370

The Return of the Prodigal Son, Lombardy- The Veneto, Pen and brown ink, over traces of black chalk, Italian — The Return of the Prodigal Son
Lombardy- The Veneto
mid-16th century

A Young Woman Seated in a Chair, Central Italy, Pen and brown ink on paper washed with light brown, Central Italian — A Young Woman Seated in a Chair
Central Italy
17th century

Seated Female Figure with Upraised Arms, Facing Right, Veronese School, Pen and brown ink, over traces of black chalk, Italian, Verona — Seated Female Figure with Upraised Arms, Facing Right
Veronese School
mid-15th century

Seated Female Figure Holding a Book and a Scroll (?), Veronese School, Pen and dark brown ink, over black chalk, Italian, Verona — Seated Female Figure Holding a Book and a Scroll (?)
Veronese School
mid-15th century

Seated Man with a Book and a Scroll, Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Pen and brown ink. — Seated Man with a Book and a Scroll
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
first half 15th century

Justice, Fra Angelico (Guido di Pietro) Italian, Pen and brown ink, brush and brown wash (the blade of the sword in pen and darker brown ink) — Justice
Fra Angelico (Guido di Pietro)
ca. 1440

Group of Draped Figures, Antonello da Messina (Antonello di Giovanni d'Antonio), Tip of the brush (or fine pen?) and brown ink — Group of Draped Figures
Antonello da Messina (Antonello di Giovanni d'Antonio)
early 1460s

A Seated Man Declaiming from a Book, Pen and brown ink — A Seated Man Declaiming from a Book
mid to late 16th century

Standing Apostle, Giovanni Bandini (called Giovanni dell'Opera) Italian, Pen and brown ink — Standing Apostle
Giovanni Bandini (called Giovanni dell'Opera)
mid-16th century

Study for the Figure of Christ in a Deposition, Ventura Salimbeni Italian, Red chalk, over traces of an illegible sketch in black chalk. — Study for the Figure of Christ in a Deposition
Ventura Salimbeni
late 16th–early 17th century

Approach to a Mountain Village with Horsemen on the Road, Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) Italian, Pen and brown ink, traces of black chalk; mounted on an album page — Approach to a Mountain Village with Horsemen on the Road
Fra Bartolomeo (Bartolomeo di Paolo del Fattorino)
ca. 1501

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Citation

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Forlani Tempesti, Anna. 1991. Italian Fifteenth- to Seventeenth-Century Drawings. The Robert Lehman Collection 5. New York: Metropolitan museum of art.