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A composite image featuring renaissance portrait paintings with partially obscured faces, set against a countryside backdrop, titled "hidden faces: covered portraits of the renaissance.

Exhibition

Hidden Faces: Covered Portraits of the Renaissance

Through July 7

Now on view at The Met Fifth Avenue in Gallery 964

Free with Museum admission

Plan Your Visit All exhibitions

Overview Visiting Guide Exhibition Objects

House Altarpiece, Oil and gold on wood; metal fixtures, German — House Altarpiece
German
ca. 1490

The Lamentation of Christ, Simon Marmion French, Oil and tempera (?) on oak panel — The Lamentation of Christ
Simon Marmion (French, Amiens ca. 1425–1489 Valenciennes)
ca. 1473

Bronze box mirror, Bronze, Greek — Bronze box mirror
Greek
2nd quarter of the 4th century BCE

Gold aureus of Augustus, Gold, Roman — Gold aureus of Augustus
Roman
20–19 BCE

Gold aureus of Diocletian, Gold, Roman — Gold aureus of Diocletian
Roman
293 CE

Portrait medal of Cecilia Gonzaga (obverse); Innocence and a Unicorn in a Moonlit Landscape (reverse), Pisanello (Antonio Pisano) Italian, Bronze (copper alloy with warm brown patina under a worn layer of black wax) — Portrait medal of Cecilia Gonzaga (obverse); Innocence and a Unicorn in a Moonlit Landscape (reverse)
Pisanello (Antonio Pisano) (Italian, Pisa or Verona by 1395–1455)
model 1447 (old aftercast)

Portrait medal of Vittorino Rambaldoni da Feltre (obverse); A Pelican (reverse), Pisanello (Antonio Pisano) Italian, Bronze (yellowish copper alloy with brown patina and traces of black lacquer or wax) — Portrait medal of Vittorino Rambaldoni da Feltre (obverse); A Pelican (reverse)
Pisanello (Antonio Pisano) (Italian, Pisa or Verona by 1395–1455)
model 1446–47 (possibly cast 15th or 16th century)

Portrait medal of Paolo Giovio (obverse); Giovio Raising a Man from a Grave (reverse), Francesco da Sangallo Italian, Bronze (Copper alloy with brown patina<br/>under a layer of dark wax.) — Portrait medal of Paolo Giovio (obverse); Giovio Raising a Man from a Grave (reverse)
Francesco da Sangallo (Italian, 1494–1576)
model ca. 1552 (probably a later cast)

Francesco d'Este (born ca. 1429, died after 1486), Rogier van der Weyden Netherlandish, Oil on wood — Francesco d'Este (born ca. 1429, died after 1486)
Rogier van der Weyden (Netherlandish, Tournai ca. 1399–1464 Brussels)
ca. 1460

Portrait of a Man with an Open Book (Guillaume Fillastre?) (recto); Branch of Holly and Inscription (verso), Rogier van der Weyden Netherlandish, Oil on oak panel — Portrait of a Man with an Open Book (Guillaume Fillastre?) (recto); Branch of Holly and Inscription (verso)
Workshop of Rogier van der Weyden (Netherlandish, Tournai ca. 1399–1464 Brussels)
1430s?

Johann von Rückingen (recto); Wild Man with von Rückingen Coat of Arms (verso), Wolfgang Beurer German, Oil on wood panel — Johann von Rückingen (recto); Wild Man with von Rückingen Coat of Arms (verso)
Wolfgang Beurer (German, active 1480–1500)
1487

Friedrich Faut von Monsperg (recto); Faut von Monsperg Coat of Arms (verso), German , Frankfurt(?), Oil on walnut panel, German — Friedrich Faut von Monsperg (recto); Faut von Monsperg Coat of Arms (verso)
German , Frankfurt(?)
1485

15A Portrait: Heinrich zum Jungen (recto); Inscriptions (verso)
15B Cover with zum Jungen Coat of Arms (recto); Vine Scroll Decoration (verso), German , Frankfurt(?), Portrait: mixed media(?) on parchment, laid down on spruce panel<br/>Cover: distemper on canvas, laid down on wood panel, German — 15A Portrait: Heinrich zum Jungen (recto); Inscriptions (verso) 15B Cover with zum Jungen Coat of Arms (recto); Vine Scroll Decoration (verso)
German , Frankfurt(?)
1477

Portrait Cover with a Wild Man (recto); Inscription (verso), Jakob Elsner German, Oil on limewood panel — Portrait Cover with a Wild Man (recto); Inscription (verso)
Workshop of Jakob Elsner (German, Konstanz 1460–1517 Nuremberg)
1497

Portrait of a Man (recto); Flowers in a Vase (verso), Hans Memling Netherlandish, Oil on panel — Portrait of a Man (recto); Flowers in a Vase (verso)
Hans Memling (Netherlandish, Seligenstadt, active by 1465–died 1494 Bruges)
ca. 1485

Allegory of Chastity (cover for a lost portrait?), Hans Memling Netherlandish, Oil on oak panel — Allegory of Chastity (cover for a lost portrait?)
Hans Memling (Netherlandish, Seligenstadt, active by 1465–died 1494 Bruges)
1479-1480

Young Woman with a Pink, Hans Memling and Workshop Netherlandish, Oil on wood — Young Woman with a Pink
Hans Memling (Netherlandish, Seligenstadt, active by 1465–died 1494 Bruges) and Workshop
ca. 1485–90

Portrait of a Boy (recto); painted porphyry (verso), Jacometto (Jacometto Veneziano) Italian, Tempera and oil on wood panel — Portrait of a Boy (recto); painted porphyry (verso)
Jacometto (Jacometto Veneziano) (Italian, active Venice by ca. 1472–died before 1498)
ca. 1475-80

Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck, Jacometto (Jacometto Veneziano) Italian, Oil on wood; verso: oil and gold on wood — Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck
Jacometto (Jacometto Veneziano) (Italian, active Venice by ca. 1472–died before 1498)
ca. 1485–95

Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, Jacometto (Jacometto Veneziano) Italian, Oil on wood; (verso: oil and gold on wood) — Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille
Jacometto (Jacometto Veneziano) (Italian, active Venice by ca. 1472–died before 1498)
ca. 1485–95

Dialogo dell'Imprese Militari et Amorose, Gabriel Symeoni Italian, Woodcut — Dialogo dell'Imprese Militari et Amorose
Multiple artists/makers
1574

Book Case, Leather (Cuir bouilli), Italian (?) — Book Case
Italian (?)
15th century

Portrait of a Man (possibly Pietro Bembo) (recto); inscription with a Verse by Horace and Tied Laurel Branches (verso), Jacometto (Jacometto Veneziano) Italian, Tempera and oil on wood panel — Portrait of a Man (possibly Pietro Bembo) (recto); inscription with a Verse by Horace and Tied Laurel Branches (verso)
Jacometto (Jacometto Veneziano) (Italian, active Venice by ca. 1472–died before 1498)
ca. 1475-97

Portrait of a Lady (recto); Pseudo-marble with Inscription (verso), Jacometto (Jacometto Veneziano) Italian, Oil on wood, Italian, Venice — Portrait of a Lady (recto); Pseudo-marble with Inscription (verso)
Circle of Jacometto (Jacometto Veneziano) (Italian, active Venice by ca. 1472–died before 1498)
1470s

Portrait of a Man (Giulio Mellini?) (recto); Allegorical Landscape (verso), Unknown, Oil on wood panel — Portrait of a Man (Giulio Mellini?) (recto); Allegorical Landscape (verso)
Unknown
1492-1507

Portrait of a Woman (La Monaca), Ridolfo Ghirlandaio Italian, Oil on wood panel — Portrait of a Woman (La Monaca)
Ridolfo Ghirlandaio (Italian, Florence 1483–1561 Florence)
ca. 1510

Cover with a Mask, Grotteschi, and Inscription, Ridolfo Ghirlandaio Italian, Oil on panel — Cover with a Mask, Grotteschi, and Inscription
Ridolfo Ghirlandaio (Italian, Florence 1483–1561 Florence)
ca. 1510

Portrait of a Young Woman (recto); Laurel Wreath, Shield, Ornamental Ribbons, and Poetic Inscriptions (verso), Agnolo del Mazziere Italian, Oil on poplar panel — Portrait of a Young Woman (recto); Laurel Wreath, Shield, Ornamental Ribbons, and Poetic Inscriptions (verso)
Agnolo del Mazziere (Italian, Florence 1465–1513)
ca. 1485-1490

Portrait of a Woman, Lorenzo Lotto Italian, Oil on wood panel — Portrait of a Woman
Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto)
ca. 1505

Portrait Cover with an Allegory, Lorenzo Lotto Italian, Oil on panel, Italian, Venice — Portrait Cover with an Allegory
Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto)
ca. 1505

Portrait Cover with an Allegory, Lorenzo Lotto Italian, Oil on wood panel, Italian, Venice — Portrait Cover with an Allegory
Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto)
ca. 1505

Portrait Medal of Bernardo de Rossi, Francesco Francia Italian, Bronze (Copper alloy with an olive<br/>green to brown patina.) — Portrait Medal of Bernardo de Rossi
Follower of Francesco Francia (Italian, Bologna ca. 1447–1517 Bologna)
ca. 1520 (possibly cast seventeenth century)

Two Satyrs in a Landscape, Titian (Tiziano Vecellio) Italian, Pen and brown ink, highlighted with white gouache on fine, off-white laid paper — Two Satyrs in a Landscape
Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90?–1576 Venice)
ca. 1505–10

Cupid and the Wheel of Fortune, Titian (Tiziano Vecellio) Italian, Oil on canvas, Italian, Venice — Cupid and the Wheel of Fortune
Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90?–1576 Venice)
ca. 1515-1520

The Triumph of Love, Titian (Tiziano Vecellio) Italian, Oil on canvas, mounted on panel — The Triumph of Love
Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90?–1576 Venice)
ca. 1545

Livret Emblemes de maistre Andre Alciati, Andrea Alciato Italian, woodcut — Livret Emblemes de maistre Andre Alciati
Andrea Alciato (Italian, 1492–1550)
Chrestien Wechel
1536

Jakob Stralenberger, Martin Kaldenbach German, Oil on linden panel — Jakob Stralenberger
Martin Kaldenbach (German, Frankurt am Main 1480–1518 Frankfurt am Main)
1506

Sliding Cover with Stralenberg Coat of Arms, Martin Kaldenbach German, Oil on linden panel — Sliding Cover with Stralenberg Coat of Arms
Martin Kaldenbach (German, Frankurt am Main 1480–1518 Frankfurt am Main)
1506

Manuscript Leaf with Coat of Arms, from a Book of Hours, Tempera, ink, and shell gold on parchment, South Netherlandish — Manuscript Leaf with Coat of Arms, from a Book of Hours
South Netherlandish
ca. 1500

Coat of Arms with a Skull, Albrecht Dürer German, Engraving — Coat of Arms with a Skull
Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)
1503

Portrait of a Young Man; (reverse) Girl Making a Garland, Hans Süss von Kulmbach German, Oil on poplar — Portrait of a Young Man; (reverse) Girl Making a Garland
Hans Süss von Kulmbach (German, Kulmbach ca. 1480–1522 Nuremberg)
ca. 1508

Portrait of a Man with a Rosary, Lucas Cranach the Elder German, Oil on oak — Portrait of a Man with a Rosary
Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar)
ca. 1508

Margarethe Vöhlin (recto); Vöhlin Coat of Arms (versos), Bernhard Strigel German, Oil on linden panel, poplar frame, German — Margarethe Vöhlin (recto); Vöhlin Coat of Arms (versos)
Bernhard Strigel (German, Memmingen 1460–1528 Memmingen)
1527

Hans Roth (recto); Roth Coat of Arms (verso), Bernhard Strigel German, Oil on linden panel, poplar frame, German — Hans Roth (recto); Roth Coat of Arms (verso)
Bernhard Strigel (German, Memmingen 1460–1528 Memmingen)
1527

Portrait of a Woman; Sliding Portrait Cover with Inscription, Ludger tom Ring the Younger German, Oil on copper panel, wood cover — Portrait of a Woman; Sliding Portrait Cover with Inscription
Attributed to Ludger tom Ring the Younger (German, Münster 1522–1584 Braunschweig)
ca. 1560

Allegory of Virtue, Lucas Cranach the Younger German, Oil on poplar panel — Allegory of Virtue
Lucas Cranach the Younger (German, Wittenberg 1515–1586 Wittenberg)
1548

Tabernacle mirror frame, Unknown, Walnut, Italian, Florence(?) — Tabernacle mirror frame
Unknown (Italian, Ferrara)
1540–60

Martin Luther and Katharine von Bora, Lucas Cranach the Elder German, Oil on wood panel, German — Martin Luther and Katharine von Bora
Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar)
1525

Portrait of a Man in Royal Livery, Hans Holbein the Younger German, Oil and gold on parchment, laid down on linden — Portrait of a Man in Royal Livery
Hans Holbein the Younger (German, Augsburg 1497/98–1543 London)
1532–35

Elector Friedrich the Wise of Saxony; Cover with a Centaur, Meister der Dosenköpke (Master of the Capsule Portraits) German, Wood, pearwood; canister bottom: walnut, partially painted — Elector Friedrich the Wise of Saxony; Cover with a Centaur
Meister der Dosenköpke (Master of the Capsule Portraits) (German, 16th century)
1525

Anna Rasper or Anna Dornle (?); Cover with a Siren, Meister der Dosenköpke (Master of the Capsule Portraits) German, Portrait: wood, pearwood; canister bottom: walnut partially painted — Anna Rasper or Anna Dornle (?); Cover with a Siren
Meister der Dosenköpke (Master of the Capsule Portraits) (German, 16th century)
1525

Coin Box (Schraubtaler) of Heinrich Julius, Duke of Brunswick-Lüneburg-Wolfenbüttel: Wild Man and Portrait of Ferdinand II (obverse); Portrait of a Lady (interior), German, Coins: silver; portrait: gouache on vellum (?), German — Coin Box (Schraubtaler) of Heinrich Julius, Duke of Brunswick-Lüneburg-Wolfenbüttel: Wild Man and Portrait of Ferdinand II (obverse); Portrait of a Lady (interior)
German
1604

Portrait of a Woman, Lavinia Fontana Italian, Oil on wood panel, Italian — Portrait of a Woman
Lavinia Fontana (Italian, Bologna 1552–1614 Rome)

Portrait of a Man, Lavinia Fontana Italian, Oil on wood panel, Italian — Portrait of a Man
Lavinia Fontana (Italian, Bologna 1552–1614 Rome)

Portrait of a gentleman, Relief: pigmented wax, black glass, seed pearls, gilding; frame: glass, gilded and black wood, Italian, probably Florence — Portrait of a gentleman
Italian, probably Florence
1565–85

Portrait of a lady, Relief: pigmented wax, black glass, seed pearls, gilding; frame: glass, gilded and black wood, Italian, Florence — Portrait of a lady
Italian, Florence
1565–85

Portrait of Paulus Praun, Cover, and Carrying Case, Matthäus Carl German, Portrait: colored wax, paper; capsule: wooden; case: leather, German — Portrait of Paulus Praun, Cover, and Carrying Case
Matthäus Carl (German, Augsburg ca. 1560 - ca. 1609 Amberg)
1584

Portrait of a lady, Pigmented wax, seed pearls, emerald, ruby, linen, metal thread; gilded-copper or brass alloy, glass, probably French (wax), probably southern German or northern Italian (case) — Portrait of a lady
probably French (wax), probably southern German or northern Italian (case)
1560–80

The Rape of Europa and Mercury and the Three Graces, Lambertus Vrythoff, Case and dial: enameled gold; Movement: gilded brass and steel, partly blued, French, probably Paris case with Dutch, The Hague watch — The Rape of Europa and Mercury and the Three Graces
Watchmaker: Lambertus Vrythoff (recorded 1724–69)
Decoration on case after paintings by Simon Vouet (French, Paris 1590–1649 Paris)
case ca. 1645, movement ca. 1750

Portrait of Elisabeth Krauss with Sliding Cover, German , Nuremberg, 17th century, Colored wax and wood — Portrait of Elisabeth Krauss with Sliding Cover
German , Nuremberg, 17th century
1639-1640

Plan Your Visit

Dates

Through July 7

The Met Fifth Avenue

Free with Museum admission

Plan Your Visit All exhibitions

A composite image featuring renaissance portrait paintings with partially obscured faces, set against a countryside backdrop, titled "hidden faces: covered portraits of the renaissance.