Several of the Jewish manuscripts on view in Byzantium and Islam: Age of Transition, including the example shown above, are thought to have come from the Cairo Genizah, a repository of communal, religious, and business documents housed in the attic of the tenth-century Ben Ezra Synagogue in Cairo that was rediscovered in 1896 by Cambridge scholar Solomon Schechter.
The Walters Art Museum in Baltimore and the Yeshiva University Museum in New York City co-own another treasure from the Ben Ezra Synagogue: one of the doors of the synagogue's ark, the compartment where the scriptures are kept. According to an article in the Baltimore Sun (August 30, 2000), the door was discovered at an estate sale in central Florida in 1993 or 1994 and purchased for $37.50. After experts—including Byzantium and Islam catalogue contributor Steven Fine—identified the panel as originating from the Ben Ezra Synagogue, and testing confirmed that it dated to the eleventh century, it was acquired by the museums as a joint purchase.
The Ben Ezra door, which will be on view next spring at The Walters Art Museum and next fall at Yeshiva University Museum (see exhibition information), is one of the few extant examples of Jewish synagogue art from this period, and it provides a fascinating window onto Jewish culture. Its decoration reflects the influence of Islamic styles in Jewish communities of this period, and its use of inscribed scriptural quotation as ornament parallels examples of Fatimid architecture from Islamic and Christian contexts (see examples in the collection of The Jewish Museum: synagogue inscription; dedication inscription). The Ben Ezra inscription reads: "Open for me the gates of righteousness. . . . This is the gate of the Lord" (Psalm 118:19–20). The panel contains traces of paint and gold leaf, indicating that it was once richly colored.
The door has also given us new understanding of the common representations of Torah arks in Jewish manuscripts from this period—including an example in the Byzantium and Islam catalogue—which are often richly ornamented with quotations from scripture. We now know that these illustrations represent the way Torah arks were actually decorated at this time.