Posted: Monday, April 23, 2012
Iconoclasm in eighth- and ninth-century Byzantium is often presented as a straightforward, universal policy that was widely enforced. Do the works in the exhibition support such a view?
Posted: Thursday, March 22, 2012
Few figures embody the transitional spirit of the seventh and eighth centuries A.D. as fully as does John of Damascus. His life gives a sense of the multicultural milieu of the early Islamic city and its diverse population of Christians and Muslims, Arabs and Greeks.
Posted: Thursday, March 15, 2012
For anyone hoping for a solid introduction to the major monuments of early medieval Byzantine art, Robin Cormack's Byzantine Art is a perfect place to start.