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Picasso in The Metropolitan Museum of Art, a landmark exhibition of 300 works by Pablo Picasso (Spanish, 1881–1973), will provide an unprecedented opportunity to see one of the most important collections in the world of the artist's work. On view at The Metropolitan Museum of Art from April 27 through August 15, 2010, this is the first exhibition to focus exclusively on the remarkable array of works by Picasso in the Met's collection. The exhibition will reveal the Museum's complete holdings of the artist's paintings, drawings, sculptures, and ceramics—never before seen in their entirety—as well as a significant number of his prints.
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Picasso in The Metropolitan Museum of Art, es una exposición emblemática compuesta por 300 obras de Pablo Picasso (Español, 1881–1973), que brinda una oportunidad sin precedentes de contemplar una de las colecciones más importantes del mundo de la obra de este artista. Se trata de la primera muestra que se centra exclusivamente en la extraordinaria colección que el Met atesora de Picasso. Abrirá sus puertas al público desde el 27 de abril hasta el 15 de agosto de 2010. La exposición presentará la colección completa, nunca antes vista en su totalidad, que el Museo posee del artista: pinturas, dibujos, esculturas y cerámicas, así como un número significativo de sus grabados.
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Eighteenth-century European court society was famous for its lavish banquets featuring elaborate settings and protocols designed to indicate the status of both host and guests. Integral to these events were extravagant dining services of silver and gold, many of which subsequently were melted down to finance the frequent wars of the period. Vienna Circa 1780: An Imperial Silver Service Rediscovered, now on view at The Metropolitan Museum of Art through November 7, 2010, presents a magnificent and rare surviving Imperial silver service, made about 1779-1782 for Duke Albert Casimir of Sachsen-Teschen (1738-1822) and his consort, Habsburg Archduchess Marie Christine of Austria (1742-1798), daughter of Empress Maria Theresa.
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Founded in 1917, the Allen Memorial Art Museum at Oberlin College is one of the finest college or university collections in the United States, serving as an invaluable educational resource for aspiring art scholars. While the museum is closed in 2010 for renovations, 20 of their masterpieces—19 paintings and one sculpture—are on view at The Metropolitan Museum of Art for five months in the special exhibition Side by Side: Oberlin's Masterworks at the Met. These include the great Ter Brugghen painting Saint Sebastian Tended by Irene (one of the most important North Baroque paintings in the U.S.), Cézanne's Viaduct at l'Estaque, Kirchner's Self-Portrait as a Soldier, and a striking Kirchner sculpture. Each of these works is integrated into the Metropolitan Museum's excellent collection, creating new, provocative juxtapositions.
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In 1908, while excavating in the Valley of the Kings in Egypt, American archaeologist Theodore Davis discovered about a dozen large storage jars. Their contents included broken pottery, bags of natron (a mixture of sodium carbonate, sodium bicarbonate, sodium sulphate, and sodium chloride that occurs naturally in Egypt), bags of sawdust, floral collars, and pieces of linen with markings from years 6 and 8 during the reign of a then little-known pharaoh named Tutankhamun. The Metropolitan Museum of Art was given six of the vessels and a good part of their contents in 1909.
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A new installation at The Metropolitan Museum of Art explores themes of birthday celebrations and long life in Chinese art. Drawn entirely from the Museum's collection and promised gifts, and on view in The Florence and Herbert Irving Galleries for Chinese Decorative Arts, Celebration: The Birthday in Chinese Art showcases more than 50 works—paintings, garments, and decorative art objects—depicting the birthday and longevity themes that were pervasive in China especially during the Ming (1368–1644) and Qing (1644–1911) dynasties. While the earliest work in the installation is a 13th-century painting, most date from the 16th to 18th centuries. Celebration includes several works never before exhibited, including a monumental 18th-century tapestry (kesi) woven in silk and gold with the character for longevity shou as well as a recently acquired lacquer box with mother-of-pearl inlays capturing a party setting and lively boys at play. The installation will remain on view through August 15, 2010.
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The renowned 15th-century sculptors Jean de la Huerta and Antoine Le Moiturier labored together for more than 25 years on a grand and complex commission: the tomb of John the Fearless (Jean sans Peur, 1371–1419), the second Duke of Burgundy, and his wife, Margaret of Bavaria, which featured 41 alabaster mourning figures, among other elements. Following the precedent of the mourners carved for the tomb of Philip the Bold, the first Duke of Burgundy, de la Huerta and Le Moiturier created astonishingly realistic and highly individualized pleurants (mourners) that serve as a permanent record of the lavish funeral of one of the richest men in medieval France. The figures express a broad range of powerful emotions—from melancholy to desolation—through facial expression, gesture, and the eloquent draping of garments. The renovation of the Musée des Beaux-Arts in Dijon, France—where 37 of the statuettes from the tomb of John the Fearless are housed—provides an opportunity for the unprecedented loan of these figures for the exhibition The Mourners: Medieval Tomb Sculptures from the Court of Burgundy, opening March 2 at The Metropolitan Museum of Art, the first venue in an eight-city tour. Three additional figures from the tomb of John the Fearless (now in the collections of the Louvre, the Musée National du Moyen Âge, and the Cleveland Museum of Art) and three from the tomb of Philip the Bold will also be shown, along with an architectural element (Cleveland Museum of Art and Memorial Art Gallery, University of Rochester, respectively). The installation at the Metropolitan will be supplemented by related works from the Museum's collection, including the monumental Enthroned Virgin from the convent at Poligny (established by John the Fearless and Margaret of Bavaria) that was carved by Claus de Werve.
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One of the most beautiful manuscripts in the world is the lavishly illustrated medieval prayer book known as the Belles Heures (Beautiful Hours). It was created by the Limbourg Brothers—three of the greatest illuminators in Europe—for one of the most famous art patrons of all time, Jean de France, duc de Berry (1340–1416). The son, brother, and uncle to three successive kings of France, Jean de France commissioned luxury works in many media—from chalices to castles—without regard for cost, but is best remembered for his patronage of manuscripts. Herman, Paul, and Jean de Limbourg were in their teens when he selected them to create a sumptuous Book of Hours for his private prayers, and he allowed the young artists rare latitude in designing the work.
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After an eight-month hiatus, The Metropolitan Museum of Art reopens its André Mertens Galleries for Musical Instruments on March 2, featuring a refreshed and reinstalled presentation of its renowned collection of Western musical instruments.
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The Mourners: Medieval Tomb Sculptures from the Court of Burgundy
(opening Tuesday, March 2) – an unprecedented loan from the Musée des Beaux Arts in Dijon of 38 dramatic alabaster statuettes, considered among the most sumptuous and innovative of the late Middle Ages.
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Fourteen rare and important manuscript illuminations from The Metropolitan Museum of Art's Robert Lehman Collection—ranging in date from the 13th through the 16th century and representing high points of the German, French, and Netherlandish schools of illumination—will be on view beginning March 16.
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In a special presentation at The Cloisters museum and gardens—The Metropolitan Museum of Art's branch devoted to the art and architecture of the Middle Ages—some 30 citizens of Nijmegen (The Netherlands) wearing historically accurate attire based on medieval designs will participate in a lecture demonstration with costume historian Desirée Koslin. The program will take place twice on Sunday, February 28, 2010, at 1:00 p.m. and again at 3:00 p.m., and will focus on 15 different costumes. Although they are of contemporary construction, each unique costume relates to a specific depiction in one of several well-known illuminated manuscripts of the 15th century. Costumes featured in the demonstration will include those that would have been worn by dukes, duchesses, ladies of the court, and merchants, as well as citizens, servants, and peasants. The costumed citizens of Nijmegen will be available for photographs by the public—taken without flash—during the intermission. The event is free with Museum admission.
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A new installation opening at The Metropolitan Museum of Art on February 6, Mastering the Art of Chinese Painting: Xie Zhiliu (1910-1997) , demonstrates how Chinese artists learned their craft from earlier masterpieces and from nature. It showcases more than 100 works—including paintings, sketches, drawings, calligraphies, and poetry manuscripts—by Xie Zhiliu (pronounced "shay jer leo"), one of modern China's leading artists and connoisseurs. It also marks the centenary of his birth. A number of his sketches and copies will be accompanied by photographs of the works that inspired him and by his own completed works, in order to trace how he developed his unique style. Drawn primarily from a recent gift to the Metropolitan Museum from the artist's daughter Sarah Shay, the works on view comprise the first solo exhibition of Xie Zhiliu's works to be organized outside China.
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A unique window into the lavish French courts of the Valois dukes of Burgundy and Berry will be offered at The Metropolitan Museum of Art this spring with the simultaneous opening, on March 2, of two landmark exhibitions: The Art of Illumination: The Limbourg Brothers and the Belles Heures of Jean de France, duc de Berry and The Mourners: Medieval Tomb Sculpture from the Court of Burgundy. The former features the exquisitely illustrated pages of a luxurious prayer book that belonged to Jean de Berry (1340–1416); the latter shows expressive alabaster figures from the tomb of his nephew, John the Fearless (Jean sans Peur, 1371–1419).
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In the 1860s and 1870s, long before the embrace of collage techniques by avant-garde artists of the early 20th century, aristocratic Victorian women were experimenting with photocollage. Playing with Pictures: The Art of Victorian Photocollage, on view at The Metropolitan Museum of Art February 2 – May 9, 2010, is the first exhibition to comprehensively examine this little-known phenomenon. Whimsical and fantastical Victorian photocollages, created using a combination of watercolor drawings and cut-and-pasted photographs, reveal the educated minds as well as accomplished hands of their makers. With subjects as varied as new theories of evolution, the changing role of photography, and the strict conventions of aristocratic society, the photocollages frequently debunked stuffy Victorian clichés with surreal, subversive, and funny images. Featuring 48 works from public and private collections—including many that have rarely or never been exhibited before—Playing with Pictures will provide a fascinating window into the creative possibilities of photography in the 19th century.
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The Drawings of Bronzino, the first exhibition ever dedicated to Agnolo Bronzino (1503-1572), brings together nearly all of the 61 known drawings by, or attributed to, the great Florentine court artist of the Medici. On view at The Metropolitan Museum of Art from January 20 through April 18, 2010, the exhibition features drawings of extraordinary beauty and rarity which are seldom on public view, and draws loans from major museums and private collections within Europe and North America, including the Galleria degli Uffizi, Musée du Louvre, British Museum, Royal Library of Windsor Castle, Ashmolean Museum, Kupferstich-Kabinett Dresden, and Staatliche Museen Berlin.
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Romare Bearden's vibrant mural-size tableau The Block (1971) and related sketches and photographs will be featured at The Metropolitan Museum of Art beginning January 15, 2010, in a small installation of works from the collection. The Block, an ambitious 18-foot-long collage, celebrates the Harlem neighborhood in New York City that nurtured and inspired so much of the artist's life and work. Romare Bearden (1911–1988) is best known for the colorful cut-paper collages that he began making in the 1960s. Elaborate works such as The Block (1971) elevated this genre to a major art form through its unusual materials, expressionist color, abstracted forms, flattened shapes and spaces, and shifts in perspective and scale—all the while maintaining focus on the human narrative being told within a single city block.
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An installation of 14 bold and colorful paintings created by contemporary Aboriginal Australian artists will go on view at The Metropolitan Museum of Art on December 15. Drawn from a U. S. private collection, Contemporary Aboriginal Painting from Australia will provide an introduction to Aboriginal painting, which has become Australia's most celebrated contemporary art movement and has attained prominence within the international art world. The installation will present works created primarily over the past decade by artists from the central desert, where the contemporary painting movement began, and from adjoining regions, to which the movement spread. The works on view—all of which have never before been on public display—will feature paintings by prominent artists, including some of the founders of the contemporary movement, as well as emerging figures. This is the first presentation of contemporary Australian Aboriginal painting to be held at the Metropolitan Museum.
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In 1975, The Metropolitan Museum of Art acquired, by gift and purchase, more than 400 works of Japanese art from collector Harry G. C. Packard (1914-1991). This daring acquisition instantly transformed the Museum into an institution with one of the finest collections of its kind in the West, comprised of encyclopedic holdings from the Neolithic period through the 19th century.
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Sounding the Pacific: Musical Instruments of Oceania, the first exhibition devoted to the subject ever mounted by an art museum, will open at The Metropolitan Museum of Art on November 17. Featuring more than 50 outstanding works—including percussion, wind, and string instruments and forms unique to the Pacific—the exhibition will explore not only the diverse forms of Oceanic musical instruments but also the many different roles they play, or played, in Pacific cultures, from announcing the onset of war, to embodying the voices of supernatural beings or softly enticing a lover. Drawn primarily from the Museum's collection, the exhibition will showcase the objects that were created and used from the early 19th to the late 20th century in all five regions of Oceania: Melanesia, Polynesia, Micronesia, Australia, and Island Southeast Asia. The works on view include instruments ranging from small flutes and ocarinas used for private entertainment or courtship, to massive slit gongs played in performances for entire communities, in which the thundering beats can carry for miles.
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North Italian Drawings, 1410–1550: Selections from the Robert Lehman Collection and the Department of Drawings and Prints, on view from November 3, 2009–January 31, 2010, features 31 exceedingly rare drawings from The Metropolitan Museum of Art's Robert Lehman Collection, with an additional nine chosen from the Department of Drawings and Prints. The installation showcases a period in Italian art that saw the emergence of drawing as an essential tool for artists and includes a selection of works that illustrate the versatility of the medium over more than a century. Drawings from the later 15th century show how artists used the medium to work out elaborate, multi-figured compositions, and several works from the 16th century reveal the close relationship between drawing and painting.
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Photographs are often perceived as transparent windows onto a three-dimensional world. Yet photographs also have their own material presence as physical objects. Contemporary artists who exploit this apparent contradiction between photograph as window and photograph as object are featured in Surface Tension: Contemporary Photographs from the Collection, on view at The Metropolitan Museum of Art from September 15, 2009, through May 16, 2010. The exhibition presents 30 works that play with the inherent tension between the flatness of the photograph and the often lifelike illusion of depth.
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Pablo Bronstein at the Met is a presentation of new work by the London-based artist, addressing the history and future of The Metropolitan Museum of Art, and will be shown at the Museum from October 6, 2009, through February 21, 2010. Several large ink drawings by the artist will suggest a mythical history of the Metropolitan Museum, imagining the building under construction. A series of computer drawings will focus on hypothetical futures of the Museum. This will be the artist's first solo exhibition in New York.
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The marble sculpture Young Archer, attributed to Michelangelo Buonarroti (Caprese 1475- Rome 1564), is now on view in the Vélez Blanco Patio in The Metropolitan Museum of Art. The fragmentary marble figure of a nude youth, which is missing arms and lower legs, was retained previously in the Fifth Avenue mansion that has housed the Cultural Services office of the French Embassy for decades. The sculpture is on special loan to the Metropolitan Museum for ten years from the French Republic, Ministry of Foreign and European Affairs.
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From the decade before the Revolution to the eve of World War I, many of America's most acclaimed painters captured in their finest works the temperament of their respective eras. They recorded and defined the emerging character of Americans as individuals, citizens, and members of ever-widening communities. Opening at The Metropolitan Museum of Art this fall, American Stories: Paintings of Everyday Life, 1765–1915 will bring together for the first time more than 100 of these iconic pictures that tell compelling stories of life's tasks and pleasures. The first overview of the subject in more than 35 years, the exhibition includes loans from leading museums and private lenders—and many paintings from the Metropolitan's own distinguished collection. American Stories features masterpieces by John Singleton Copley, Charles Willson Peale, William Sidney Mount, George Caleb Bingham, Winslow Homer, Thomas Eakins, John Singer Sargent, Mary Cassatt, William Merritt Chase, John Sloan, and George Bellows, and notable works by some of their key colleagues.
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"What Japan was, she owed to the samurai. They were not only the flower of the nation but its root as well." From Bushido: The Soul of Japan by Inazo Nitobe (1907)
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The Du Paquier ceramic manufactory, founded by Claudius Innocentius du Paquier in Vienna in 1718, was only the second factory in Europe able to make true porcelain in the manner of the Chinese. This small porcelain enterprise developed a highly distinctive style that remained Baroque in inspiration throughout the history of the factory, which was taken over by the State in 1744. Imperial Privilege: Vienna Porcelain of Du Paquier, 1718–44, at The Metropolitan Museum of Art through March 21, 2010, charts the history of the development of the Du Paquier factory, setting its production within the historic and cultural context of Vienna in the first half of the 18th century. The exhibition features more than 100 works, half drawn from the Metropolitan Museum's superb collection, and half from the premier private collection of this material.
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The first comprehensive exhibition of Luo Ping's paintings ever presented in America, Eccentric Visions: The Worlds of Luo Ping (1733-1799) will bring together nearly 60 works, including many Chinese "National Treasures," by one of the most celebrated painters in 18th-century China. Complemented by 27 pieces from American collections, this momentous international-loan exhibition will reveal the range and brilliance of the artist's vision as well as his place among his peers. Highlights of the exhibition will include the sensational handscroll Ghost Amusements (ca. 1766)—one of the best known paintings in the late imperial China—depicting the world of ghosts that, he claimed, he had seen with his own eyes. The youngest of the so-called "Eight Eccentrics," a group of highly individualistic artists active in the prosperous metropolis of Yanzhou, Luo Ping was an extraordinary artist, whose works influenced the course of later Chinese painting.
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Velázquez Rediscovered, a special exhibition on view at The Metropolitan Museum of Art until February 7, 2010, features a newly identified painting by Velázquez, Portrait of a Man, formerly ascribed by the Museum to the workshop of Velázquez and recently reattributed to the master himself following its cleaning and restoration. It will be shown alongside other works from the Museum's superior collection of works by the great Spanish painter.
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Although lacquer is used in many Asian cultures, the art of carving lacquer is unique to China. Showcasing some 50 wondrously wrought examples, Cinnabar: The Chinese Art of Carved Lacquer, opening on August 6, will explore the development of this important artistic tradition from the 13th to the 18th century. Drawn from The Metropolitan Museum of Art's holdings as well as the collection of Florence and Herbert Irving, the installation will feature a number of masterworks, including newly acquired, rare 13th-century lacquer boxes for holding incense or cosmetics, and a recently restored eight-panel screen depicting a birthday celebration in an elaborate private compound. Dated 1773, this screen has never before been exhibited in public.
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New York, July 10, 2008)—After 15 years as Senior Consultant for modern and contemporary art at The Metropolitan Museum of Art, Nan Rosenthal will retire on July 1, it was announced today by Gary Tinterow, Engelhard Curator in Charge of the Department of Nineteenth-Century, Modern, and Contemporary Art at the Metropolitan.
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Arts of Korea Gallery
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Nearly a dozen examples of early Jewish art—dating from the first through the seventh century C.E.—are on view in the south gallery of the Mary and Michael Jaharis Galleries for Byzantine art and the Medieval Europe Gallery. Works on loan from the Jewish Theological Seminary, The American Numismatic Society, and the Judy and Michael Steinhardt Collection, New York, are shown alongside objects from the holdings of the Metropolitan.
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Monumental Tapestry is Highlight of Multi-Year Project at Met's Northern Manhattan Branch
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The Christmas tree and Neapolitan Baroque crèche at The Metropolitan Museum
of Art, a long-established yuletide tradition in New York, will be on view for the
holiday season from November 24, 2009, through January 6, 2010. The brightly lit,
20-foot blue spruce with a collection of 18th-century Neapolitan angels and
cherubs among its boughs and groups of realistic crèche figures flanking the
Nativity scene at its base will once again delight holiday visitors in the Museums
Medieval Sculpture Hall. Set in front of the 18th-century Spanish choir screen
from the Cathedral of Valladolid, with recorded Christmas music in the
background and daily lighting ceremonies, the installation reflects the spirit of the
holiday season.
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Vermeer's Masterpiece "The Milkmaid"
On the occasion of the 400th anniversary of Henry Hudson's historic voyage from the Netherlands to New York, the Rijksmuseum in Amsterdam has sent The Milkmaid, perhaps the most admired painting by the Dutch artist Johannes Vermeer (1632–1675), to the Metropolitan Museum. The exhibition marks the first time that The Milkmaid has traveled to the U.S. since 1939, and also features all five paintings by Vermeer from the Metropolitan's collection and works by other Dutch masters.
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メトロポリタン美術館では10月21日より>侍の芸術:日本の武器、武具、1156-1868 展を開催します。この展覧会は日本全国60以上のパブリック、プライベート・コレクションから選りすぐった名品が一堂に会する一大イベントで、日本の刀剣・甲冑を中心に侍の芸術を総括的、且つ詳細に紹介します。展示作品は国宝34点、重要文化財64点、重要美術品6点、名物9点を含む、甲冑、刀剣、日本刀の鍔・拵え(こしらえ)、弓矢、馬具、旗、陣羽織、大名の装飾品、また侍を描いた屏風、絵巻物等合計214点で、この中には日本国外で初公開となる作品も多数含まれており、武家文化の真髄を刀剣・甲冑戦具等芸術を通して見せるユニークな展覧会となります。刀剣・甲冑を中心に侍芸術を総括的にみせる展覧会はこれが世界最初で最大規模のもので、展示作品には日本刀の最高傑作として知られる名刀、大包平(12世紀)や、三日月の前立て付き兜が圧倒的な存在感を放つ伊達政宗の鎧(16-17世紀)他、信長、秀吉、家康等日本を代表する武将ゆかりの品々がメトロポリタンの特別展ギャラリーに並びます。期間中12月の第1週に約60作品の展示替えが行われる予定です。
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The 50th anniversary of the publication of The Americans, Robert Frank's ground-breaking book of black-and-white photographs, will be celebrated with the major exhibition Looking In: Robert Frank's The Americans, on view at The Metropolitan Museum of Art September 22, 2009–January 3, 2010. Robert Frank is one of the great living masters of photography, and his seminal book The Americans captured a culture on the brink of social upheaval. The exhibition traces the artist's process of creating this once-controversial suite of photographs, which grew out of several cross-country road trips in 1955 and 1956. Born in Switzerland in 1924, Frank was an outsider encountering much of America for the first time; he discovered its power, its vastness, and—at times—its troubling emptiness. Although Frank's depiction of American life was criticized when the book was released in the U.S. in 1959, The Americans soon became recognized as a masterpiece of 20th-century art. Looking In: Robert Frank's The Americans features all 83 photographs from his original book. Remarkably, the exhibition at the Metropolitan will be the first time that this body of work is presented in its entirety to a New York audience.
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Watteau, Music, and Theater, the first exhibition of paintings by the great early 18th–century French painter and draftsman Jean-Antoine Watteau (1684–1721) in the United States in 25 years, is currently on view at The Metropolitan Museum of Art through November 29. The exhibition explores the place of music and theater in the work of the artist, comparing the imagery of power associated with the court of the Sun King, Louis XIV, with a more optimistic and mildly subversive imagery of pleasure developed in contemporary opera-ballet and theater. Showing that the painter's utopian vision was influenced directly by these sister arts, it sheds light on a number of Watteau's pictures.
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The Metropolitan Museum of Art will present an exhibition celebrating the musical heritage of China – one of the oldest continuously documented traditions with roots reaching back more than 8,000 years – beginning September 5. Featuring some 60 objects and illustrations – drawn largely from the Museum's collections of Asian art and musical instruments – Silk and Bamboo: Music and Art of China will reveal the dynamic interplay of cultures, the continuity of musical practice, and the diversity of China's musical traditions from the fifth century B.C. to the present.