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(New York, September 9, 2008)—The Metropolitan Museum of Art announced today that Thomas P. Campbell – an accomplished curator with a specialty in European tapestry who has worked at the Museum since 1995 – has been elected its next Director and CEO, succeeding Philippe de Montebello, who announced in January his intention to retire from the Metropolitan Museum at the end of this year. Mr. Campbell, who organized the groundbreaking and widely acclaimed exhibitions Tapestry in the Renaissance: Art and Magnificence (2002) and Tapestry in the Baroque: Threads of Splendor (2007), is currently Curator in the Department of European Sculpture and Decorative Arts as well as Supervising Curator of the Museum's Antonio Ratti Textile Center. He was elected at today's meeting of the Board of Trustees and will assume the directorship of the Metropolitan Museum on January 1, 2009.
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To mark both the opening of the 55th anniversary season of the Metropolitan Museum Concerts series and Philippe de Montebello's valedictory year as Metropolitan Museum Director, the Museum will present a concert by the Orpheus Chamber Orchestra that features a performance of Saint-Saëns's Carnival of the Animals with Philippe de Montebello reading the Ogden Nash verses as narrator, and pianists Orion Weiss and Inon Barnatan as soloists. Mendelssohn's Symphony No. 10 for Strings in B Minor; and Mozart's Symphony No. 29 in A Major, K. 201, complete the program, which takes place in the Museum's Grace Rainey Rogers Auditorium.
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The Season's PianoForte Series Launches with Rafal Blechacz and Marc-André Hamelin, Itzhak Perlman and the Perlman Music Program Continue Into a Second Concert Season,
Menahem Pressler and Richard Stoltzman Perform Together,
Lesley Gore Makes Her Metropolitan Museum Debut,
Music from Mali, Spain, and Turkey Takes the Stage, and
James Conlon Talks About the Life of a Conductor
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The Metropolitan Museum of Art will host a group of 50 fellows, who consist of graduate students and scholars from the United States and around the world. The fellows will undertake study and research projects, either at the Metropolitan Museum or abroad, for periods ranging from two months to one year, most of them beginning in September 2008.
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Galleries, shops, and dining areas at The Metropolitan Museum of Art will be open to the public on September 1 (Labor Day), the next "Met Holiday Monday." This special viewing day is also the last chance for visitors to see two popular exhibitions: Superheroes: Fashion and Fantasy, which has already had more than 400,000 visitors since it opened on May 7, and Radiance from the Rain Forest: Featherwork in Ancient Peru.
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(New York, July 24, 2008)—The Metropolitan Museum of Art has acquired a drawing of the Archangel Gabriel announcing the birth of Christ by the Netherlandish master Lucas van Leyden (Leyden ca. 1494 – 1533 Leyden), it was announced today. The drawing, dating to the 1520s, enters the Museum's collection through the combination of a promised gift by Leon D. and Debra R. Black and purchase by the Museum. It is now the only drawing by the artist in America.
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(New York, July 10, 2008)—After 15 years as Senior Consultant for modern and contemporary art at The Metropolitan Museum of Art, Nan Rosenthal will retire on July 1, it was announced today by Gary Tinterow, Engelhard Curator in Charge of the Department of Nineteenth-Century, Modern, and Contemporary Art at the Metropolitan.
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The 55th Season Opens With Philippe de Montebello Narrating Saint-Saëns's Carnival of the Animals with the Orpheus Chamber Orchestra, and Includes the Return of Itzhak Perlman and the Perlman Music Program; Ten Pianists Including Till Fellner Launching a Beethoven Sonata Cycle; the Complete Beethoven String Quartets; the Farewell Season of the Guarneri String Quartet; Patti Smith, Richie Havens, and Lesley Gore; and Music from Mali, Mexico,
Spain, and Turkey
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(NEW YORK, TUESDAY, JULY 1, 2008)—The Metropolitan Museum of Art is saddened to report that late last night or early this morning, a late 15th-century glazed terracotta relief sculpture of Saint Michael the Archangel by Andrea della Robbia (1435-1525), came loose from metal mounts that have long held the framed lunette securely to the wall above a doorway in its European Sculpture and Decorative Arts Galleries. The 62-x-32-inch relief, which has been on view in its current location since 1996, fell to a stone floor and suffered some damage. Preliminary inspection indicates that the relief has not been irrevocably harmed and that it can be repaired and again presented to the public.