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Prato em forma de folha

late 7th–early 8th century
On view at The Met Fifth Avenue in Gallery 207
A arte de prateiro atingiu o seu auge na China durante a dinastia Tang (618–906). Nessa época, os laços estreitos com a Ásia central e ocidental trouxeram a influência estrangeira tanto iconográficas como formais. As técnicas de fabricação também progrediram a partir dos métodos tradicionais de fundição: martelado e repuxado. Este prato requintado na forma de uma folha, decorado com flores e pássaros em repoussé (martelado ao inverso), exemplifica a maravilha da arte decorativa Tang.

Artwork Details

Object Information
  • 唐 葉形鎏金銀盤
  • Título: Prato em forma de folha
  • Período: Dinastia Tang
  • Data: Final do século VII–início do século VIII
  • Geografia: China
  • Meio: Prata parcialmente dourada
  • Dimensões: 14,6 cm de largura
  • Linha de créditos: Compra, doação de Arthur M. Sackler, 1974
  • Número de acesso: 1974.268.11
  • Curatorial Department: Asian Art

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Cover Image for 7430. Dish in the Shape of a Leaf

7430. Dish in the Shape of a Leaf

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The shapes and ornament of the objects in this case appear Near Eastern or Greco-Roman in character. They were produced during the Tang Dynasty, an imperial age with an extremely cosmopolitan culture. Numerous traders from Central Asia and beyond traveled to Ch’ang-an, the Tang Dynasty capital. Many cultures and religions co-existed peacefully in the city. In fact, the entire Sassanian court, which had been overrun by Islamic crusaders, moved there from Persia in the seventh century, to find safety. They brought with them a number of their artisans, including silversmiths. Sassanian forms and motifs became a part of the repertoire of silver vessels that were already being developed in China, resulting in an explosion of new decorative forms.

The leaf-shaped dish at the front is made of cast silver and decorated with floral scrolls that enclose birds—a Tang-dynasty variation of a late Roman motif. The bowl to its right bears a recumbent deer, a central Asian image. It is hammered and chased rather than cast, and parcel gilding highlights the naturalistic décor.

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