The Metropolitan Museum of Art - The Cloisters: Medieval Art and Architecture

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The Cloisters: Medieval Art and Architecture

Barnet, Peter, and Nancy Wu

(2012)

This title is in print.

Description

Home to an extraordinary collection of treasured masterworks, including the famed Unicorn Tapestries, The Cloisters is devoted to the art and architecture of medieval Europe. This splendid guide, published to celebrate The Cloisters' seventy-fifth anniversary, richly illustrates and describes the most important highlights of its collection, from paintings, illuminated manuscripts, and exquisitely carved sculptures to monumental architecture evocative of the grand religious spaces and domestic interiors of the Middle Ages. The Cloisters remains a testament to design innovation—a New York City landmark with sweeping views of the Hudson River—featuring original elements of Romanesque and Gothic architecture dating from the twelfth through the fifteenth century. These meditative spaces, including three beautiful gardens cultivated with species known from tapestries, medieval herbals, and other historic sources, combine artistic masterpieces with fragrant plantings and open vistas, offering visitors an oasis of serenity and inspiration—an experience that this book encapsulates and enhances.

Table of contents

Director's Foreword

Introduction
Peter Barnet and Nancy Wu

Note to the Reader

Map of The Cloisters

The Cloisters: Medieval Art and Architecture

Glossary

Tags

Authors

Nancy Y. Wu | Peter Barnet

Keywords

Medieval Art

Print Titles

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Barnet, Peter. "An Ivory Relief of the 'Man of Sorrows' in New York." in The Sculpture Journal. Vol. 4. 1–6. London: Public Monuments and Sculpture Association, 2000.

Barnet, Peter. Recent Acquisitions (1999–2008) of Medieval Art at The Metropolitan Museum of Art and The Cloisters, New York. . London: n/a, 2008.

Barnet, Peter, and Nancy Wu. The Cloisters: Medieval Art and Architecture. New York: The Metropolitan Museum of Art, 2005.

Basilica di San Marco, The Metropolitan Museum of Art. The Treasury of San Marco, Venice. New York: The Metropolitan Museum of Art, 1984.

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Boehm, Barbara Drake. Choirs of Angels: Painting in Italian Choir Books, 1300–1500. New York: The Metropolitan Museum of Art, 2008.

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Boehm, Barbara Drake, and Jiri Fajt, eds., with contributions by Robert Suckale, Paul Crossle, Zoe Opacic, Vivian B. Mann, Gerhard Schmidt, Jan Royt, and Erno Marosi. Prague, The Crown of Bohemia, 1347–1437. New York: The Metropolitan Museum of Art, 2005.

Brown, Katharine Reynolds, Dafydd Kidd, and Charles T. Little, eds., with essays by William D. Wixom, Katherine Reynolds Brown, Françoise Vallet, Elke Nieveler, Andrew Oliver, Barbara Deppert-Lippitz, Horst Böhme, Volker Bierbrauer, Inciser Gürçay Damm, Wilfried Menghin, Lidia Paroli, Otto Prinz von Hessen, Éva Garam, Csanád Bálint, Gisela Ripoll López, Birgit Arrhenius, Max Martin, Patrick Périn, Vera I. Evison, John Hines, Helmut Roth, Jan Peder Lamm, and Victor H. Elbern. From Attila to Charlemagne: Arts of the Early Medieval Period in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 2000.

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Brown, Katharine Reynolds. Guide to Provincial Roman and Barbarian Metalwork and Jewelry in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1981.

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Brown, Katharine Reynolds. "The Morgan Scramasax." Metropolitan Museum Journal, Vol. 24 (1989). New York: The Metropolitan Museum of Art, 1989.

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Castelnuovo-Tedesco, Lisbeth, and Jack Soultanian, with contributions by Richard Y. Tayar. Italian Medieval Sculpture in The Metropolitan Museum of Art and The Cloisters. New York: The Metropolitan Museum of Art, 2010.

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Caviness, Madeline Harrison. Corpus Vitrearum: Selected Papers from the XIth International Colloquium of the Corpus Vitrearum, New York, 1-6 June, 1982. Studies on Medieval Stained Glass. New York: The Metropolitan Museum of Art, 1985.

Christiansen, Keith. "Fourteenth-Century Italian Altarpieces." Metropolitan Museum of Art Bulletin, v. 40, no. 1 (Summer, 1982). New York: The Metropolitan Museum of Art, 1982.

Covi, Dario A. "A XIV Century Italian Altarpiece." Metropolitan Museum of Art Bulletin, New ser., v. 16, no. 5 (January, 1958). New York: The Metropolitan Museum of Art, 1958.

Crosby, Sumner McKnight, Jane Hayward, Charles T. Little, and William D. Wixom. The Royal Abbey of Saint-Denis in the Time of Abbot Suger (1122–1151). New York: The Metropolitan Museum of Art, 1981.

Dandridge, Pete. "Idiomatic and Mainstream: The Technical Vocabulary of a Late Roman Crossbow Fibula." Metropolitan Museum Journal, Vol. 35 (2000). New York: The Metropolitan Museum of Art, 2000.

Deppert-Lippitz, Barbara. "A Late Antique Crossbow Fibula in the Metropolitan Museum of Art." Metropolitan Museum Journal, Vol. 35 (2000). New York: The Metropolitan Museum of Art, 2000.

Deuchler, Florens. "Jean Pucelle: Facts and Fictions." Metropolitan Museum of Art Bulletin, v. 29, no. 6 (February, 1971). New York: The Metropolitan Museum of Art, 1971.

Deuchler, Florens, Jeffrey M. Hoffeld, and Helmut Nickel. The Cloisters Apocalypse: An Early Fourteenth-Century Manuscript in Facsimile. New York: The Metropolitan Museum of Art, 1971.

Deuchler, Florens. "Looking at Bonne of Luxembourg's Prayer Book." Metropolitan Museum of Art Bulletin, v. 29, no. 6 (February, 1971). New York: The Metropolitan Museum of Art, 1971.

Deuchler, Florens. "The Year 1200: Introducing Nicholas of Verdun." Metropolitan Museum of Art Bulletin, v. 28, no. 6 (February, 1970). New York: The Metropolitan Museum of Art, 1970.

Deuchler, Florens, ed. The Year 1200: A Background Survey. New York: The Metropolitan Museum of Art, 1970.

Dodds, Jerrilynn, ed., with essays by Daniel Walker, Oleg Grabar, Jerrilynn D. Dodds, Madinat al-Zahra, Antonio Vallejo Triano, Renata Holod, Cynthia Robinson, Juan Zozaya, Manuel Casamar Perez, Christian Ewert, Guillermo Rosselló Bordoy, Cristina Partearroyo, Sabiha Khemir, Dario Cabanelas Rodriguez, James Dickie, Jesús Bermúdez López, D. Fairchild Ruggles, Juan Vernet Ginés, and Juan Zozaya. Al-Andalus: The Art of Islamic Spain. New York: The Metropolitan Museum of Art, 1992.

Downey, Glanville. "A Processional Cross." Metropolitan Museum of Art Bulletin, New ser., v. 12, no. 9 (May, 1954). New York: The Metropolitan Museum of Art, 1954.

Edinger, Dora. "Rilke and the Tapestries of the Lady with the Unicorn." Metropolitan Museum of Art Bulletin, New ser., v. 6, no. 6 (February, 1948). New York: The Metropolitan Museum of Art, 1948.

Evans, Helen C. "An Early Christian Sarcophagus from Rome Lost and Found." Metropolitan Museum Journal, Vol. 28 (1993). New York: The Metropolitan Museum of Art, 1993.

Flinn, Elizabeth Haight. "A Magnificent Manuscript: A Historical Mystery." Metropolitan Museum of Art Bulletin, v. 29, no. 6 (February, 1971). New York: The Metropolitan Museum of Art, 1971.

Forsyth, William H. "A Fifteenth-Century Virgin and Child Attributed to Claux de Werve." Metropolitan Museum Journal, Vol. 21 (1986). New York: The Metropolitan Museum of Art, 1986.

Forsyth, William H. "A Gothic Doorway from Moutiers-Saint-Jean." Metropolitan Museum Journal, Vol. 13 (1978). New York: The Metropolitan Museum of Art, 1978.

Forsyth, William H. "A Group of Fourteenth-Century Mosan Sculptures." Metropolitan Museum Journal, Vol. 1 (1968). New York: The Metropolitan Museum of Art, 1968.

Forsyth, William H. "A Head from a Royal Effigy." Metropolitan Museum of Art Bulletin, New ser., v. 3, no. 9 (May, 1945). New York: The Metropolitan Museum of Art, 1945.

Forsyth, William H. "A Mediaeval Statue of the Virgin and Child." Metropolitan Museum of Art Bulletin, New ser., v. 3, no. 3 (November, 1944). New York: The Metropolitan Museum of Art, 1944.

Forsyth, William H. "Around Godefroid de Claire." Metropolitan Museum of Art Bulletin, v. 24, no. 10 (June, 1966). New York: The Metropolitan Museum of Art, 1966.

Forsyth, William H. "Madonnas of the Rhone-Meuse Valleys." Metropolitan Museum of Art Bulletin, v. 28, no. 6 (February, 1970). New York: The Metropolitan Museum of Art, 1970.

Forsyth, William H. "Mediaeval Enamels in a New Installation." Metropolitan Museum of Art Bulletin, New ser., v. 4, no. 9 (May, 1946). New York: The Metropolitan Museum of Art, 1946.

Forsyth, William H. "Medieval Statues of the Pieta in the Museum." Metropolitan Museum of Art Bulletin, New ser., v. 11, no. 7 (March, 1953). New York: The Metropolitan Museum of Art, 1953.

Forsyth, William H. "Popular Imagery in a Fifteenth-Century Burgundian Crèche." Metropolitan Museum Journal, Vol. 24 (1989). New York: The Metropolitan Museum of Art, 1989.

Forsyth, William H. "Saint Eloi and King Clothar." Metropolitan Museum of Art Bulletin, New ser., v. 4, no. 5 (January, 1946). New York: The Metropolitan Museum of Art, 1946.

Forsyth, William H. "The Biron Master and his Workshop." Metropolitan Museum Journal, Vol. 8 (1973). New York: The Metropolitan Museum of Art, 1973.

Forsyth, William H. "The Easter Sepulchre." Metropolitan Museum of Art Bulletin, New ser., v. 3, no. 7 (March, 1945). New York: The Metropolitan Museum of Art, 1945.

Forsyth, William H. "The Entombment of Christ: Addenda." Metropolitan Museum Journal, Vol. 8 (1973). New York: The Metropolitan Museum of Art, 1973.

Forsyth, William H. "The Medieval Stag Hunt." Metropolitan Museum of Art Bulletin, New ser., v. 10, no. 7 (March, 1952). New York: The Metropolitan Museum of Art, 1952.

Forsyth, William H. "The Noblest of Sports: Falconry in the Middle Ages." Metropolitan Museum of Art Bulletin, New ser., v. 2, no. 9 (May, 1944). New York: The Metropolitan Museum of Art, 1944.

Forsyth, William H. The Pietà in French Late Gothic Sculpture: Regional Variations. New York: The Metropolitan Museum of Art, 1995.

Forsyth, William H. "The Sangemini Doorway." Metropolitan Museum of Art Bulletin, v. 23, no. 10 (June, 1965). New York: The Metropolitan Museum of Art, 1965.

Forsyth, William H. "The Trojan War in Medieval Tapestries." Metropolitan Museum of Art Bulletin, New ser., v. 14, no. 3 (November, 1955). New York: The Metropolitan Museum of Art, 1955.

Forsyth, William H. "The Vermand Treasure." Metropolitan Museum of Art Bulletin, New ser., v. 9, no. 9 (May, 1951). New York: The Metropolitan Museum of Art, 1951.

Forsyth, William H. "Three Fifteenth-Century Sculptures from Poligny." Metropolitan Museum Journal, Vol. 22 (1987). New York: The Metropolitan Museum of Art, 1987.

Frazer, Margaret English. "Medieval Church Treasuries." Metropolitan Museum of Art Bulletin, v. 43, no. 3 (Winter, 1985–86). New York: The Metropolitan Museum of Art, 1985.

Freeman, Margaret B. "A Book of Hours Made for The Duke of Berry." Metropolitan Museum of Art Bulletin, New ser., v. 15, no. 4 (December, 1956). New York: The Metropolitan Museum of Art, 1956.

Freeman, Margaret B. "A New Room for the Unicorn Tapestries." Metropolitan Museum of Art Bulletin, New ser., v. 7, no. 9 (May, 1949). New York: The Metropolitan Museum of Art, 1949.

Freeman, Margaret B. "A Romanesque Virgin from Autun." Metropolitan Museum of Art Bulletin, New ser., v. 8, no. 4 (December, 1949). New York: The Metropolitan Museum of Art, 1949.

Freeman, Margaret B. "A Saint to Treasure." Metropolitan Museum of Art Bulletin, New ser., v. 14, no. 10 (June, 1956). New York: The Metropolitan Museum of Art, 1956.

Freeman, Margaret B. "A Shrine for a Queen." Metropolitan Museum of Art Bulletin, New ser., v. 21, no. 10 (June, 1963). New York: The Metropolitan Museum of Art, 1963.

Freeman, Margaret B. "Late Gothic Woodcarvings from Normandy." Metropolitan Museum of Art Bulletin, New ser., v. 9, no. 10 (June, 1951). New York: The Metropolitan Museum of Art, 1951.

Freeman, Margaret B. "Lighting the Easter Candle." Metropolitan Museum of Art Bulletin, New ser., v. 3, no. 8 (April, 1945). New York: The Metropolitan Museum of Art, 1945.

Freeman, Margaret B. "Notes on the Religious Iconography [of the tapestry The Glorification of Charles VIII]." Metropolitan Museum of Art Bulletin, New ser., v. 12, no. 10 (June, 1954). New York: The Metropolitan Museum of Art, 1954.

Freeman, Margaret B. "Rebuilding: A Thumbnail Sketch." Metropolitan Museum of Art Bulletin, New ser., v. 19, no. 10 (June, 1961). New York: The Metropolitan Museum of Art, 1961.

Freeman, Margaret B. "Shepherds in the Fields." Metropolitan Museum of Art Bulletin, New ser., v. 11, no. 4 (December, 1952). New York: The Metropolitan Museum of Art, 1952.

Freeman, Margaret B. "The Annunciation From a Book of Hours for Charles of France." Metropolitan Museum of Art Bulletin, New ser., v. 19, no. 4 (December, 1960). New York: The Metropolitan Museum of Art, 1960.

Freeman, Margaret B. "The Avignon Panels: A Preliminary View." Metropolitan Museum of Art Bulletin, New ser., v. 20, no. 10 (June, 1962). New York: The Metropolitan Museum of Art, 1962.

Freeman, Margaret B. "The Iconography of the Merode Altarpiece." Metropolitan Museum of Art Bulletin, New ser., v. 16, no. 4 (December, 1957). New York: The Metropolitan Museum of Art, 1957.

Freeman, Margaret B. "The Legend of Saint Catherine Told in Embroidery." Metropolitan Museum of Art Bulletin, New ser., v. 13, no. 10 (June, 1955). New York: The Metropolitan Museum of Art, 1955.

Freeman, Margaret B. The St. Martin Embroideries. New York: The Metropolitan Museum of Art, 1968.

Freeman, Margaret B. "The Unicorn Tapestries." Metropolitan Museum of Art Bulletin, v. 32, no. 1 (1973). New York: The Metropolitan Museum of Art, 1974.

Freytag, Claudia. "Italienische Skulptur um 1400: Untersuchungen zu den Einflussbereichen." Metropolitan Museum Journal, Vol. 7 (1973). New York: The Metropolitan Museum of Art, 1973.

Gauthier, Marie-Madeleine, Bernadette Barriere, Dom Jean Becquet, Elisabeth Taburet-Delahaye, Barbara Drake Boehm, Michel Pastoureau, Beatrice de Chancel-Bardelot, Isabelle Biron, Pete Dandridge and Mark T. Wypyski. Enamels of Limoges, 1100–1350. New York: The Metropolitan Museum of Art, 1996.

Gerson, Paula Lieber, ed. Abbot Suger and Saint-Denis. New York: The Metropolitan Museum of Art, 1986.

Gillerman, Dorothy W. "The Arrest of Christ: A Gothic Relief in the Metropolitan Museum of Art." Metropolitan Museum Journal, Vol. 15 (1980). New York: The Metropolitan Museum of Art, 1980.

Gómez-Moreno, Carmen. "Giovanni Pisano at the Metropolitan Museum Revisited." Metropolitan Museum Journal, Vol. 5 (1972). New York: The Metropolitan Museum of Art, 1972.

Gómez-Moreno, Carmen. "History, Stylistic Analysis, and Dismantling." Metropolitan Museum of Art Bulletin, New ser., v. 19, no. 10 (June, 1961). New York: The Metropolitan Museum of Art, 1961.

Gómez-Moreno, Carmen. Medieval Art from Private Collections. New York: The Metropolitan Museum of Art, 1968.

Gómez-Moreno, Carmen. Sculpture from Notre-Dame, Paris: A Dramatic Discovery. New York: The Metropolitan Museum of Art, 1979.

Gómez-Moreno, Carmen. "The Doorway of San Leonardo al Frigido and the Problem of a Master Biduino." Metropolitan Museum of Art Bulletin, v. 23, no. 10 (June, 1965). New York: The Metropolitan Museum of Art, 1965.

Gómez-Moreno, Carmen. "Wandering Angels." Metropolitan Museum of Art Bulletin, New ser., v. 20, no. 4 (December, 1961). New York: The Metropolitan Museum of Art, 1961.

Grancsay, Stephen V. "A Barbarian Chieftain's Helmet." Metropolitan Museum of Art Bulletin, New ser., v. 7, no. 10 (June, 1949). New York: The Metropolitan Museum of Art, 1949.

Grancsay, Stephen V. "A Viking Chieftain's Sword." Metropolitan Museum of Art Bulletin, New ser., v. 17, no. 7 (March, 1959). New York: The Metropolitan Museum of Art, 1959.

Grancsay, Stephen V. "Knights in Armor." Metropolitan Museum of Art Bulletin, New ser., v. 6, no. 6 (February, 1948). New York: The Metropolitan Museum of Art, 1948.

Grancsay, Stephen V. "The Armor of Don Alvaro de Cabrera." Metropolitan Museum of Art Bulletin, New ser., v. 10, no. 10 (June, 1952). New York: The Metropolitan Museum of Art, 1952.

Grube, Ernst J. "Two Hispano-Islamic Silks." Metropolitan Museum of Art Bulletin, New ser., v. 19, no. 3 (November, 1960). New York: The Metropolitan Museum of Art, 1960.

Hayward, Jane. "Medieval Stained Glass from St. Leonhard in Lavanttal at the Cloisters." Metropolitan Museum of Art Bulletin, v. 28, no. 6 (February, 1970). New York: The Metropolitan Museum of Art, 1970.

Hayward, Jane. "Sacred Vestments As They Developed in the Middle Ages." Metropolitan Museum of Art Bulletin, v. 29, no. 7 (March, 1971). New York: The Metropolitan Museum of Art, 1971.

Hayward, Jane. "Stained-Glass Windows." Metropolitan Museum of Art Bulletin, v. 30, no. 3 (December, 1971–January, 1972). New York: The Metropolitan Museum of Art, 1971.

Hayward, Jane. "Stained-Glass Windows from the Carmelite Church at Boppard-am Rhein: A Recontruction of the Glazing Program of the North Nave." Metropolitan Museum Journal, Vol. 2 (1969). New York: The Metropolitan Museum of Art, 1969.

Hayward, Jane, and Walter Cahn. Radiance and Reflection: Medieval Art from the Raymond Pitcairn Collection. New York: The Metropolitan Museum of Art, 1982.

Heinrich, Theodore Allen. "The Burg Weiler Altarpiece." Metropolitan Museum of Art Bulletin, New ser., v. 12, no. 10 (June, 1954). New York: The Metropolitan Museum of Art, 1954.

Hoffeld, Jeffrey M. "Adam's Two Wives." Metropolitan Museum of Art Bulletin, v. 26, no. 10 (June, 1968). New York: The Metropolitan Museum of Art, 1968.

Hoffeld, Jeffrey M. "An Image of St. Louis and the Structuring of Devotion." Metropolitan Museum of Art Bulletin, v. 29, no. 6 (February, 1971). New York: The Metropolitan Museum of Art, 1971.

Hoffeld, Jeffrey M. "The Art of the Medieval Blacksmith." Metropolitan Museum of Art Bulletin, v. 28, no. 4 (December, 1969). New York: The Metropolitan Museum of Art, 1969.

Holcomb, Melanie, with contributions by Lisa Bessette, Barbara Drake Boehm, Evelyn M. Cohen, Kathryn Gerry, Ludovico V. Geymonat, Aden Kumler, Lawrence Nees, William Noel, Wendy A. Stein, Faith Wallis, Karl Whittington, Elizabeth Williams, and Nancy Wu. Pen and Parchment: Drawing in the Middle Ages. New York: The Metropolitan Museum of Art, 2009.

Hoving, Thomas. "A Long-Lost Romanesque Annunciation." Metropolitan Museum of Art Bulletin, New ser., v. 20, no. 4 (December, 1961). New York: The Metropolitan Museum of Art, 1961.

Hoving, Thomas. "In Search of a Rhenish Master." Metropolitan Museum of Art Bulletin, New ser., v. 20, no. 10 (June, 1962). New York: The Metropolitan Museum of Art, 1962.

Hoving, Thomas. "Italian Romanesque Sculpture." Metropolitan Museum of Art Bulletin, v. 23, no. 10 (June, 1965). New York: The Metropolitan Museum of Art, 1965.

Hoving, Thomas, Millard Meiss, and Ugo Procacci. The Great Age of Fresco: Giotto to Pontormo. An Exhibition of Mural Paintings and Monumental Drawings. New York: The Metropolitan Museum of Art, 1968.

Hoving, Thomas. "The Bury St. Edmunds Cross." Metropolitan Museum of Art Bulletin, New ser., v. 22, no. 10 (June, 1964). New York: The Metropolitan Museum of Art, 1964.

Hoving, Thomas. "The Face of St. Juliana: The Transformation of a Fourteenth Century Reliquary." Metropolitan Museum of Art Bulletin, New ser., v. 21, no. 5 (January, 1963). New York: The Metropolitan Museum of Art, 1963.

Howett, John. "Two Panels by the Master of the St. George Codex in The Cloisters." Metropolitan Museum Journal, Vol. 11 (1976). New York: The Metropolitan Museum of Art, 1976.

Husband, Timothy. "'Ick Sorgheloose': A Silver-Stained Roundel in the Cloisters." Metropolitan Museum Journal, Vol. 24 (1989). New York: The Metropolitan Museum of Art, 1989.

Husband, Timothy. "A Beautiful Madonna in the Cloisters Collection." Metropolitan Museum of Art Bulletin, v. 28, no. 6 (February, 1970). New York: The Metropolitan Museum of Art, 1970.

Husband, Timothy Bates, with an essay by Margaret Lawson. The Art of Illumination: The Limbourg Brothers and the Belles Heures of Jean de France, Duc de Berry. New York: The Metropolitan Museum of Art, 2008.

Husband, Timothy. "Ecclesiastical Vestments of the Middle Ages: An Exhibition." Metropolitan Museum of Art Bulletin, v. 29, no. 7 (March, 1971). New York: The Metropolitan Museum of Art, 1971.

Husband, Timothy. "The Winteringham Tau Cross and Ignis Sacer." Metropolitan Museum Journal, Vol. 27 (1992). New York: The Metropolitan Museum of Art, 1992.

Husband, Timothy. "Valencian Lusterware of the Fifteenth Century: Notes and Documents." Metropolitan Museum of Art Bulletin, v. 29, no. 1 (Summer, 1970). New York: The Metropolitan Museum of Art, 1970.

Husband, Timothy, with contributions by Julien Chapuis. The Treasury of Basel Cathedral. New York: The Metropolitan Museum of Art, 2001.

Husband, Timothy, with the assistance of Gloria Gilmore-House. The Wild Man: Medieval Myth and Symbolism. New York: The Metropolitan Museum of Art, 1980.

Ivins, William Mills. "A Neglected Aspect of Early Print-Making." Metropolitan Museum of Art Bulletin, New ser., v. 7, no. 2 (October, 1948). New York: The Metropolitan Museum of Art, 1948.

Ivins, William Mills. "In the Beginning Was the Word." Metropolitan Museum of Art Bulletin, New ser., v. 4, no. 1 (Summer, 1945). New York: The Metropolitan Museum of Art, 1945.

Ivins, William Mills. "The Aix Lantern." Metropolitan Museum of Art Bulletin, New ser., v. 4, no. 7 (March, 1946). New York: The Metropolitan Museum of Art, 1946.

Ivins, William Mills. "The Herbal of Pseudo-Apuleius." Metropolitan Museum of Art Bulletin, New ser., v. 2, no. 7 (March, 1944). New York: The Metropolitan Museum of Art, 1944.

Janke, R. Steven. "The Retable of Don Dalmau de Mur y Cervello from the Archbishop's Palace at Saragossa: A Documented Work by Franci Gomar and Tomas Giner." Metropolitan Museum Journal, Vol. 18 (1983). New York: The Metropolitan Museum of Art, 1983.

Kahsnitz, Rainer, and William D. Wixom, with contributions by Martin Angerer, Guy Bauman, Barbara Drake Boehm, Rainer Brandl, Jane Hayward, Timothy Husband, Walter Karcheski, Kurt Löcher, Otto Lohr, Hermann Maué, Helmut Nickel, Klaus Pechstein, Rainer Schoch, Alfred Wendehorst, Leonie von Wilckens, and Johannes Willers. Gothic and Renaissance Art in Nuremberg, 1300–1550. New York: The Metropolitan Museum of Art, 1986.

Kajitani, Nobuko. "Technical Notes [Two riddles of the Queen of Sheba]." Metropolitan Museum Journal, Vol. 6 (1972). New York: The Metropolitan Museum of Art, 1972.

Kanter, Laurence B., Barbara Drake Boehm, Carl Brandon Strehlke, Gaudenz Freuler, Christa C. Mayer Thurman, and Pia Palladino. Painting and Illumination in Early Renaissance Florence, 1300–1450. New York: The Metropolitan Museum of Art, 1994.

Kargère, Lucretia Goddard. "The Kalkar School of Carving: Attribution of a Wooden Polychromed Sculpture." Metropolitan Museum Journal, Vol. 35 (2000). New York: The Metropolitan Museum of Art, 2000.

Kargère, Lucretia Goddard. "The Montvianeix Madonna: Materials and Techniques in 12th-century Auvergne," in 13th Triennial Meeting Rio de Janeiro Preprints, ICOM-CC Conference, (September, 2002) 507–512.. n/a: n/a, 2002.

Kletke, Daniel. "A New Reading of a Pilaster Capital from St.-Guilhem-le-Désert at the Cloisters." Metropolitan Museum Journal, Vol. 30 (1995). New York: The Metropolitan Museum of Art, 1995.

Kupfer, Vasanti. "The Iconography of the Tympanum of the Temptation of Christ at The Cloisters." Metropolitan Museum Journal, Vol. 12 (1977). New York: The Metropolitan Museum of Art, 1977.

Lawson, Margaret. "Conservation of the Fifteenth-Century Parchment Manuscript The Belles Heures of Jean, Duke of Berry," in Contributions to the Baltimore Congress 2–6 September, 2002: "Examination and Works of Art on Paper, Books, Documents and Photographs, Techniques and Conservation", Vincent Daniels, Alan Donnithorne, and Perry Smith, eds. (London, 2002), pp. 129–134.. n/a: n/a, 2002.

Lawson, Margaret. "Technical Observations: Materials, Techniques, and Conservation of the Belles Heures Manuscript," in The Art of Illumination: The Limbourg Brothers and the Belles Heures of Jean de France, Duc de Berry, Timothy B. Husband, ed. (New York: The Metropolitan Museum of Art, 2008), pp. 325–41. New York: The Metropolitan Museum of Art, 2008.

Leuchak, Rebecca. "'The Old World for the New': Developing the Design for the Cloister." Metropolitan Museum Journal, Vol. 23 (1988). New York: The Metropolitan Museum of Art, 1988.

Lillich, Meredith P. "The Arms of Coucy in Thirteenth-Century Stained Glass." Metropolitan Museum Journal, Vols. 19–20 (1984–85). New York: The Metropolitan Museum of Art, 1984.

Little, Charles T., ed., with an essay by Willibald Sauerländer. Set in Stone: The Face in Medieval Sculpture. New York: The Metropolitan Museum of Art, 2006.

Longland, Sabrina. "'Pilate Answered: What I Have Written I Have Written'." Metropolitan Museum of Art Bulletin, v. 26, no. 10 (June, 1968). New York: The Metropolitan Museum of Art, 1968.

Longland, Sabrina. "A Literary Aspect of the Bury St. Edmunds Cross." Metropolitan Museum Journal, Vol. 2 (1969). New York: The Metropolitan Museum of Art, 1969.

Lowden, John. The Jaharis Gospel Lectionary: The Story of a Byzantine Book. New York: The Metropolitan Museum of Art, 2009.

Mallory, Michael. "An Altarpiece by Lippo Memmi Reconsidered." Metropolitan Museum Journal, Vol. 9 (1974). New York: The Metropolitan Museum of Art, 1974.

Martin Nagy, Rebecca. "A Fourteenth-Century German Tapestry of the Crucifixion." Metropolitan Museum Journal, Vol. 16 (1981). New York: The Metropolitan Museum of Art, 1981.

Mayor, A. Hyatt. "Northern Gothic Prints." Metropolitan Museum of Art Bulletin, New ser., v. 6, no. 6 (February, 1948). New York: The Metropolitan Museum of Art, 1948.

Meiss, Millard. "An Early Altarpiece form the Cathedral of Florence." Metropolitan Museum of Art Bulletin, New ser., v. 12, no. 10 (June, 1954). New York: The Metropolitan Museum of Art, 1954.

The Metropolitan Museum of Art. "Medieval Monuments at the Cloisters As They Were and As They Are." Metropolitan Museum of Art Bulletin, v. 30, no. 4 (February–March, 1972). New York: The Metropolitan Museum of Art, 1972.

The Metropolitan Museum of Art. "Part 2." Metropolitan Museum of Art Bulletin, v. 33, no. 5 (May, 1938). New York: The Metropolitan Museum of Art, 1938.

The Metropolitan Museum of Art. The Art of Medieval Spain, A.D. 500–1200. New York: The Metropolitan Museum of Art, 1993.

The Metropolitan Museum of Art. "The Unicorn Tapestries Were Made for Anne of Brittany." Metropolitan Museum of Art Bulletin, New ser., v. 1, no. 1 (Summer, 1942). New York: The Metropolitan Museum of Art, 1942.

The Metropolitan Museum of Art. "Valencian Lusterware of the Fifteenth Century: An Exhibition at the Cloisters." Metropolitan Museum of Art Bulletin, v. 29, no. 1 (Summer, 1970). New York: The Metropolitan Museum of Art, 1970.

The Metropolitan Museum of Art, introductions by Charles T. Little and Timothy Husband. The Metropolitan Museum of Art. Vol. 3, Europe in the Middle Ages. New York: The Metropolitan Museum of Art, 1987.

The Metropolitan Museum of Art, with contributions by François Avril, Rüdiger Becksmann, Martin Blindheim, Peter Bloch, Robert Branner, Helmut Buschhausen, Walter Cahn, Madeline Harrison Caviness, Otto Demus, Alain Erlande-Brandenburg, Mojmír S. Frinta, Cesare Gnudi, Henry B. Graham, Louis Grodecki, Reiner Haussherr, Adelheid Heimann, Dietrich Kötzsche, Gerhart B. Ladner, Jean Lafond, Carl Nordenfalk, Françoise Perrot, Pierre Quarré, Kenneth M. Setton, Frauke Steenbock, Jan van der Meulen, Kurt Weitzmann, Francis Wormald, and an introduction by Jeffrey Hoffeld. The Year 1200: A Symposium. New York: The Metropolitan Museum of Art, 1975.

Mitchell, G. Frank, et al., and photography by Lee Boltin. Treasures of Early Irish Art, 1500 B.C. to 1500 A.D.. New York: The Metropolitan Museum of Art, 1977.

Nickel, Helmut. "A Crusader's Sword: Concerning the Effigy of Jean d'Alluye." Metropolitan Museum Journal, Vol. 26 (1991). New York: The Metropolitan Museum of Art, 1991.

Nickel, Helmut. "A Knightly Sword with Presentation Inscriptions." Metropolitan Museum Journal, Vol. 2 (1969). New York: The Metropolitan Museum of Art, 1969.

Nickel, Helmut. "A Note on the Iconography of the Sangemini Doorway." Metropolitan Museum Journal, Vol. 35 (2000). New York: The Metropolitan Museum of Art, 2000.

Nickel, Helmut. "A Theory about the Early History of the Cloisters Apocalypse." Metropolitan Museum Journal, Vol. 6 (1972). New York: The Metropolitan Museum of Art, 1972.

Nickel, Helmut. "And Behold a White Horse...Observations on the Colors of the Four Horsemen of the Apocalypse." Metropolitan Museum Journal, Vol. 12 (1977). New York: The Metropolitan Museum of Art, 1977.

Nickel, Helmut. "Presents to Princes: A Bestiary of Strange and Wondrous Beasts, Once Known, for a Time Forgotten, and Rediscovered." Metropolitan Museum Journal, Vol. 26 (1991). New York: The Metropolitan Museum of Art, 1991.

Nickel, Helmut. "Sir Gawayne and the Three White Knights." Metropolitan Museum of Art Bulletin, v. 28, no. 4 (December, 1969). New York: The Metropolitan Museum of Art, 1969.

Nickel, Helmut. "Some Remarks on the Armorial Tapestry of John Dynham at The Cloisters." Metropolitan Museum Journal, Vols. 19–20 (1984–85). New York: The Metropolitan Museum of Art, 1984.

Nickel, Helmut. "The Dragon and the Pearl." Metropolitan Museum Journal, Vol. 26 (1991). New York: The Metropolitan Museum of Art, 1991.

Nickel, Helmut. "The Iron Door Mountings from St.-Leonard-de-Noblat." Metropolitan Museum Journal, Vol. 23 (1988). New York: The Metropolitan Museum of Art, 1988.

Nickel, Helmut. "The Man beside the Gate." Metropolitan Museum of Art Bulletin, v. 24, no. 8 (April, 1966). New York: The Metropolitan Museum of Art, 1966.

Ostoia, Vera K. "A Late Medieval Plique-A-Jour Enamel." Metropolitan Museum of Art Bulletin, New ser., v. 4, no. 3 (November, 1945). New York: The Metropolitan Museum of Art, 1945.

Ostoia, Vera K. "A Palmesel at the Cloisters." Metropolitan Museum of Art Bulletin, New ser., v. 14, no. 7 (March, 1956). New York: The Metropolitan Museum of Art, 1956.

Ostoia, Vera K. "A Ponto-Gothic Fibula." Metropolitan Museum of Art Bulletin, New ser., v. 11, no. 5 (January, 1953). New York: The Metropolitan Museum of Art, 1953.

Ostoia, Vera K. "A Statue from Saint-Denis." Metropolitan Museum of Art Bulletin, New ser., v. 13, no. 10 (June, 1955). New York: The Metropolitan Museum of Art, 1955.

Ostoia, Vera K. "Contributions on the Style and Works of Jean de Liège." Metropolitan Museum Journal, Vol. 4 (1971). New York: The Metropolitan Museum of Art, 1971.

Ostoia, Vera K. "The Lusignan Mirror." Metropolitan Museum of Art Bulletin, New ser., v. 18, no. 1 (Summer, 1959). New York: The Metropolitan Museum of Art, 1959.

Ostoia, Vera K. "The Virgin and Child with Angels." Metropolitan Museum of Art Bulletin, v. 25, no. 10 (June, 1967). New York: The Metropolitan Museum of Art, 1967.

Ostoia, Vera K. "To Represent What Is as It Is." Metropolitan Museum of Art Bulletin, v. 23, no. 10 (June, 1965). New York: The Metropolitan Museum of Art, 1965.

Ostoia, Vera K. "Two Riddles of the Queen of Sheba." Metropolitan Museum Journal, Vol. 6 (1972). New York: The Metropolitan Museum of Art, 1972.

Papanicolaou, Linda Morey. "Stained Glass from the Cathedral of Tours: The Impact of the Sainte-Chapelle in the 1240s." Metropolitan Museum Journal, Vol. 15 (1980). New York: The Metropolitan Museum of Art, 1980.

Parker, Elizabeth C., and Charles T. Little. The Cloisters Cross: Its Art and Meaning. New York: The Metropolitan Museum of Art, 1994.

Parker, Elizabeth C., ed., with the assistance of Mary B. Shepard. The Cloisters: Studies in Honor of the Fiftieth Anniversary. New York: The Metropolitan Museum of Art, 1992.

Pease, Murray. "A Treatment for Panel Paintings." Metropolitan Museum of Art Bulletin, New ser., v. 7, no. 4 (December, 1948). New York: The Metropolitan Museum of Art, 1948.

Peck, Harry Thurston. "European Armor from the Imperial Ottoman Arsenal." Metropolitan Museum Journal, Vol. 24 (1989). New York: The Metropolitan Museum of Art, 1989.

Pekarskaja, Ljudmila V. "Treasures from Ancient Kiev in the Metropolitan Museum of Art and Dumbarton Oaks." Metropolitan Museum Journal, Vol. 32 (1997). New York: The Metropolitan Museum of Art, 1997.

Raggio, Olga. "The Angel in the Metropolitan Museum in New York and Some New Attributions to Piero Tedesco." Metropolitan Museum Journal, Vol. 6 (1972). New York: The Metropolitan Museum of Art, 1972.

Randall, Richard H. "A King Reinstated." Metropolitan Museum of Art Bulletin, New ser., v. 13, no. 10 (June, 1955). New York: The Metropolitan Museum of Art, 1955.

Randall, Richard H. "A Spanish Virgin and Child." Metropolitan Museum of Art Bulletin, New ser., v. 13, no. 4 (December, 1954). New York: The Metropolitan Museum of Art, 1954.

Randall, Richard H. "Flemish Influences on Sculpture in Spain." Metropolitan Museum of Art Bulletin, New ser., v. 14, no. 10 (June, 1956). New York: The Metropolitan Museum of Art, 1956.

Randall, Richard H. "Frog in the Middle." Metropolitan Museum of Art Bulletin, New ser., v. 16, no. 10 (June, 1958). New York: The Metropolitan Museum of Art, 1958.

Randall, Richard H. "Lusterware of Spain." Metropolitan Museum of Art Bulletin, New ser., v. 15, no. 10 (June, 1957). New York: The Metropolitan Museum of Art, 1957.

Randall, Richard H. "The Case of the Calcite Font." Metropolitan Museum of Art Bulletin, New ser., v. 20, no. 10 (June, 1962). New York: The Metropolitan Museum of Art, 1962.

Redmond, Roland Livingston. "The Exhibition of French Tapestries." Metropolitan Museum of Art Bulletin, New ser., v. 6, no. 3 (November, 1947). New York: The Metropolitan Museum of Art, 1947.

Ricketson, Edith Bayles. "Barbarian Jewelry of the Merovingian Period." Metropolitan Museum of Art Bulletin, New ser., v. 5, no. 5 (January, 1947). New York: The Metropolitan Museum of Art, 1947.

Rodney, Nanette B. "Salome." Metropolitan Museum of Art Bulletin, New ser., v. 11, no. 7 (March, 1953). New York: The Metropolitan Museum of Art, 1953.

Rorimer, James J. "A Late XII Century Lintel." Metropolitan Museum of Art Bulletin, New ser., v. 1, no. 8 (April, 1943). New York: The Metropolitan Museum of Art, 1943.

Rorimer, James J. "A Treasury at the Cloisters." Metropolitan Museum of Art Bulletin, New ser., v. 6, no. 9 (May, 1948). New York: The Metropolitan Museum of Art, 1948.

Rorimer, James J. "A XII Century Fresco From the Pyrenees." Metropolitan Museum of Art Bulletin, New ser., v. 13, no. 6 (February, 1955). New York: The Metropolitan Museum of Art, 1955.

Rorimer, James J. "Acquisitions for the Cloisters." Metropolitan Museum of Art Bulletin, New ser., v. 11, no. 10 (June, 1953). New York: The Metropolitan Museum of Art, 1953.

Rorimer, James J. "Four Tombs from Las Avellanas and Other Gothic Sculptures." Metropolitan Museum of Art Bulletin, New ser., v. 8, no. 8 (April, 1950). New York: The Metropolitan Museum of Art, 1950.

Rorimer, James J. "Late Medieval Sculpture from the Byways of Burgundy." Metropolitan Museum of Art Bulletin, New ser., v. 9, no. 7 (March, 1951). New York: The Metropolitan Museum of Art, 1951.

Rorimer, James J. Medieval Monuments at The Cloisters as They Were and as They Are. New York: The Metropolitan Museum of Art, 1972.

Rorimer, James J. "Recent Reinstallations of Medieval Art." Metropolitan Museum of Art Bulletin, New ser., v. 6, no. 7 (March, 1948). New York: The Metropolitan Museum of Art, 1948.

Rorimer, James J. "The Annunciation Tapestry." Metropolitan Museum of Art Bulletin, New ser., v. 20, no. 4 (December, 1961). New York: The Metropolitan Museum of Art, 1961.

Rorimer, James J. "The Apse from San Martin at Fuentiduena." Metropolitan Museum of Art Bulletin, New ser., v. 19, no. 10 (June, 1961). New York: The Metropolitan Museum of Art, 1961.

Rorimer, James J. "The Glorification of Charles VIII." Metropolitan Museum of Art Bulletin, New ser., v. 12, no. 10 (June, 1954). New York: The Metropolitan Museum of Art, 1954.

Rorimer, James J. "The Medieval Galleries." Metropolitan Museum of Art Bulletin, New ser., v. 12, no. 6 (February, 1954). New York: The Metropolitan Museum of Art, 1954.

Rorimer, James J. "The Museum's Collection of Mediaeval Tapestries." Metropolitan Museum of Art Bulletin, New ser., v. 6, no. 3 (November, 1947). New York: The Metropolitan Museum of Art, 1947.

Rorimer, James J. "The Nine Heroes Tapestries at the Cloisters." Metropolitan Museum of Art Bulletin, New ser., v. 7, no. 9 (May, 1949). New York: The Metropolitan Museum of Art, 1949.

Rorimer, James J. "The Statue of St. James Recently Cleaned." Metropolitan Museum of Art Bulletin, New ser., v. 1, no. 3 (November, 1942). New York: The Metropolitan Museum of Art, 1942.

Rorimer, James J. "The Treasury at the Cloisters and Two Ingolstadt Beakers." Metropolitan Museum of Art Bulletin, New ser., v. 9, no. 10 (June, 1951). New York: The Metropolitan Museum of Art, 1951.

Rorimer, James J. "The Virgin from Strasbourg Cathedral." Metropolitan Museum of Art Bulletin, New ser., v. 7, no. 8 (April, 1949). New York: The Metropolitan Museum of Art, 1949.

Rorimer, James J. "Three Kings From Lichtenthal." Metropolitan Museum of Art Bulletin, New ser., v. 12, no. 4 (December, 1953). New York: The Metropolitan Museum of Art, 1953.

Rorimer, James J. "Two Gothic Angels for the Cloisters." Metropolitan Museum of Art Bulletin, New ser., v. 11, no. 4 (December, 1952). New York: The Metropolitan Museum of Art, 1952.

Rousseau, Theodore. "The Merode Altarpiece." Metropolitan Museum of Art Bulletin, New ser., v. 16, no. 4 (December, 1957). New York: The Metropolitan Museum of Art, 1957.

Salles, Georges. "A Message from France." Metropolitan Museum of Art Bulletin, New ser., v. 6, no. 3 (November, 1947). New York: The Metropolitan Museum of Art, 1947.

Sanfaçon, Roland. "A Flamboyant Gothic Portal from Poitou at The Cloisters." Metropolitan Museum Journal, Vol. 42 (2007). New York: The Metropolitan Museum of Art, 2007.

Schimansky, Dobrila-Donya. "The Study of Medieval Ecclesiastical Costumes: A Bibliography and Glossary." Metropolitan Museum of Art Bulletin, v. 29, no. 7 (March, 1971). New York: The Metropolitan Museum of Art, 1971.

Schmidt, Gerhard. "Beiträge zu Stil und Oeuvre des Jean de Liège." Metropolitan Museum Journal, Vol. 4 (1971). New York: The Metropolitan Museum of Art, 1971.

Schneider, Hildegard. "On the Pomegranate." Metropolitan Museum of Art Bulletin, New ser., v. 4, no. 4 (December, 1945). New York: The Metropolitan Museum of Art, 1945.

Schneider, Hildegard. "The Acanthus at the Cloisters." Metropolitan Museum of Art Bulletin, New ser., v. 3, no. 10 (June, 1945). New York: The Metropolitan Museum of Art, 1945.

Schrader, J. L. "A Medieval Bestiary." Metropolitan Museum of Art Bulletin, v. 44, no. 1 (Summer, 1986). New York: The Metropolitan Museum of Art, 1986.

Schrader, J. L. "George Grey Barnard: The Cloisters and The Abbaye." Metropolitan Museum of Art Bulletin, v. 37, no. 1 (Summer, 1979). New York: The Metropolitan Museum of Art, 1979.

Shepard, Mary B., and Cynthia Clark, eds., with Jane Hayward. English and French Medieval Stained Glass in the Collection of The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 2003.

Souchal, Geneviève, with an introduction by Francis Salet. Masterpieces of Tapestry from the Fourteenth to the Sixteenth Century. New York: The Metropolitan Museum of Art, 1974.

Stahl, Harvey. "Chartres, The Year 1200: The Metropolitan on Location." Metropolitan Museum of Art Bulletin, v. 28, no. 7 (March, 1970). New York: The Metropolitan Museum of Art, 1970.

Stauffer, Annemarie, with essays by Marsha Hill, Helen C. Evans, and Daniel Walker. Textiles of Late Antiquity. New York: The Metropolitan Museum of Art, 1995.

Suhr, William. "The Restoration of the Merode Altarpiece." Metropolitan Museum of Art Bulletin, New ser., v. 16, no. 4 (December, 1957). New York: The Metropolitan Museum of Art, 1957.

Taylor, Francis Henry. "The Archaic Smile: A Commentary on the Arts in Times of Crisis." Metropolitan Museum of Art Bulletin, New ser., v. 10, no. 8 (April, 1952). New York: The Metropolitan Museum of Art, 1952.

Tomkins, Calvin. "'The Cloisters ... The Cloisters ... The Cloisters '." Metropolitan Museum of Art Bulletin, v. 28, no. 7 (March, 1970). New York: The Metropolitan Museum of Art, 1970.

Vandersall, Amy L. "Five 'Romanesque' Portals: Questions of Attribution and Ornament." Metropolitan Museum Journal, Vol. 18 (1983). New York: The Metropolitan Museum of Art, 1983.

Vandersall, Amy L. "Two Carolingian Ivories from the Morgan Collection in the Metropolitan Museum of Art." Metropolitan Museum Journal, Vol. 6 (1972). New York: The Metropolitan Museum of Art, 1972.

Vaurie, Charles. "Birds in the Prayer Book of Bonne of Luxembourg." Metropolitan Museum of Art Bulletin, v. 29, no. 6 (February, 1971). New York: The Metropolitan Museum of Art, 1971.

Von Nostitz, Charles E., Jr. "Two Unpolychromed Riemenschneiders at The Cloisters." Metropolitan Museum Journal, Vol. 10 (1975). New York: The Metropolitan Museum of Art, 1975.

Weitzmann, Kurt. "The Late Roman World." Metropolitan Museum of Art Bulletin, v. 35, no. 2 (Autumn, 1977). New York: The Metropolitan Museum of Art, 1977.

Weitzmann, Kurt, ed. Age of Spirituality: Late Antique and Early Christian Art, Third to Seventh Century. New York: The Metropolitan Museum of Art, 1979.

Weitzmann, Kurt, ed., with contributions by Hans-Georg Beck, Beat Brenk, Peter R. L. Brown, George M. A. Hanfmann, Ernst Kitzinger, Richard Krautheimer, Arnaldo Momigliano, Ihor Ševčenko, Massey H. Shepherd, Jr., and Kurt Weitzmann. Age of Spirituality: A Symposium. New York: The Metropolitan Museum of Art, 1980.

Wilkinson, Charles Kyrle. "A Thirteenth-Century Morality." Metropolitan Museum of Art Bulletin, New ser., v. 2, no. 1 (Summer, 1943). New York: The Metropolitan Museum of Art, 1943.

Wilkinson, William D. "Works of Art Use Extreme Care." Metropolitan Museum of Art Bulletin, v. 28, no. 7 (March, 1970). New York: The Metropolitan Museum of Art, 1970.

Winternitz, Emanuel. "Bagpipes for the Lord." Metropolitan Museum of Art Bulletin, New ser., v. 16, no. 10 (June, 1958). New York: The Metropolitan Museum of Art, 1958.

Wixom, WIlliam D. "Late Medieval Sculpture in the Metropolitan, 1400 to 1530." Metropolitan Museum of Art Bulletin, v. 64, no. 4 (Spring, 2007). New York: The Metropolitan Museum of Art, 2007.

Wixom, WIlliam D. "Medieval Sculpture: At The Cloisters." Metropolitan Museum of Art Bulletin, v. 46, no. 3 (Winter, 1988–89). New York: The Metropolitan Museum of Art, 1988.

Wixom, WIlliam D. "Medieval Sculpture at the Metropolitan, 800 to 1400." Metropolitan Museum of Art Bulletin, v. 62, no. 4 (Spring, 2005). New York: The Metropolitan Museum of Art, 2005.

Wixom, WIlliam D. "Picturing the Apocalypse: Illustrated Leaves from a Medieval Spanish Manuscript." Metropolitan Museum of Art Bulletin, v. 59, no. 3 (Winter, 2002). New York: The Metropolitan Museum of Art, 2002.

Wixom, William D., ed., with contributions by Barbara Drake Boehm, Katharine R. Brown, Lisbeth Castelnuovo-Tedesco, Helen C. Evans, Margaret E. Frazer, Carmen Gómez-Moreno, Timothy B. Husband, Daniel Kletke, Charles T. Little, Mary B. Shepard, and William D. Wixom. Mirror of the Medieval World. New York: The Metropolitan Museum of Art, 1999.

Young, Bonnie. "A Jewel of St. Catherine." Metropolitan Museum of Art Bulletin, v. 24, no. 10 (June, 1966). New York: The Metropolitan Museum of Art, 1966.

Young, Bonnie. "A Medieval Bell." Metropolitan Museum of Art Bulletin, New ser., v. 11, no. 10 (June, 1953). New York: The Metropolitan Museum of Art, 1953.

Young, Bonnie. "A Saint on a Holy-Water Font." Metropolitan Museum of Art Bulletin, v. 23, no. 10 (June, 1965). New York: The Metropolitan Museum of Art, 1965.

Young, Bonnie. A Walk through the Cloisters. New York: The Metropolitan Museum of Art, 1988 (originally published in 1979).

Young, Bonnie. "John Dynham and His Tapestry." Metropolitan Museum of Art Bulletin, New ser., v. 20, no. 10 (June, 1962). New York: The Metropolitan Museum of Art, 1962.

Young, Bonnie. "Needlework by Nuns: A Medieval Religious Embroidery." Metropolitan Museum of Art Bulletin, v. 28, no. 6 (February, 1970). New York: The Metropolitan Museum of Art, 1970.

Young, Bonnie. "Note." Metropolitan Museum of Art Bulletin, v. 26, no. 4 (December, 1967). New York: The Metropolitan Museum of Art, 1967.

Young, Bonnie. "Opus Anglicanum." Metropolitan Museum of Art Bulletin, v. 29, no. 7 (March, 1971). New York: The Metropolitan Museum of Art, 1971.

Young, Bonnie. "Scenes in an Ivory Garden." Metropolitan Museum of Art Bulletin, New ser., v. 14, no. 10 (June, 1956). New York: The Metropolitan Museum of Art, 1956.

Online Titles

"The Age of Saint Louis (1226–1270)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Boehm, Barbara Drake. "Relics and Reliquaries in Medieval Christianity." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Boehm, Barbara Drake and Melanie Holcomb. "Animals in Medieval Art." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Boehm, Barbara Drake and Melanie Holcomb. "Jewish Art in Late Antiquity and Early Byzantium." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Boehm, Barbara Drake and Melanie Holcomb. "Jews and the Arts in Medieval Europe." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Breiding, Dirk H. "Fashion in European Armor, 1000–1300." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Breiding, Dirk H. "Fashion in European Armor, 1300–1400." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Brooks, Sarah . "Icons and Iconoclasm in Byzantium." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Brooks, Sarah . "The Byzantine State under Justinian I (Justinian the Great)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

"Byzantium (ca. 330–1453)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Chapuis, Julien. "Gothic Art." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Chapuis, Julien. "Late Medieval German Sculpture." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Chapuis, Julien. "Late Medieval German Sculpture: Images for the Cult and for Private Devotion." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Chapuis, Julien. "Late Medieval German Sculpture: Materials and Techniques." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Chapuis, Julien. "Late Medieval German Sculpture: Polychromy and Monochromy." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Chapuis, Julien. "Patronage at the Early Valois Courts (1328–1461)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Chapuis, Julien. "Romanesque Art." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Department of Medieval Art. "Art for the Christian Liturgy in the Middle Ages." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Department of Medieval Art. "Classical Antiquity in the Middle Ages." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Department of Medieval Art. "List of Rulers of Byzantium." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Department of Medieval Art. "Monasticism in Medieval Christianity." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Department of Medieval Art. "Private Devotion in Medieval Christianity." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Department of Medieval Art. "Stained Glass in Medieval Europe." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Department of Medieval Art. "The Art of the Book in the Middle Ages." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Department of Medieval Art. "The Crusades (1095–1291)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Department of Medieval Art. "The Cult of the Virgin Mary in the Middle Ages." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Goldiner, Sigrid. "Art and Death in the Middle Ages." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Goldiner, Sigrid. "Medicine in the Middle Ages." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Labatt, Annie. "Constantinople after 1261." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Labatt, Annie. "Frescoes and Wall Painting in Late Byzantine Art." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Labatt, Annie. "Saints and Other Sacred Byzantine Figures." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Labatt, Annie. "The Religious Relationship between Byzantium and the West." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Labatt, Annie and Charlotte Appleyard. "Byzantine Art under Islam." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Labatt, Annie and Charlotte Appleyard. "Mendicant Orders in the Medieval World." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Little, Charles T. and Wendy A. Stein. "The Face in Medieval Sculpture." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Meagher, Jennifer. "Italian Painting of the Later Middle Ages." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

"Medieval European Sculpture for Buildings." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Norris, Michael. "Arms and Armor in Medieval Europe." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Norris, Michael. "Feudalism and Knights in Medieval Europe." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Ryder, Edmund C. "Byzantine Ivories." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Ryder, Edmund C. "Popular Religion: Magical Uses of Imagery in Byzantine Art." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Sorabella, Jean. "The Vikings (780–1100)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Wegner, Emma. "Hagia Sophia, 532–37." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Titles by author (8)

Nancy Y. Wu

Print Titles

Barnet, Peter, and Nancy Wu. The Cloisters: Medieval Art and Architecture. New York: The Metropolitan Museum of Art, 2005.

Online Titles

Wu, Nancy. "The Column." Connections. New York: The Metropolitan Museum of Art, 2011.

Peter Barnet

Print Titles

Barnet, Peter. "An Ivory Relief of the 'Man of Sorrows' in New York." in The Sculpture Journal. Vol. 4. 1–6. London: Public Monuments and Sculpture Association, 2000.

Barnet, Peter. Recent Acquisitions (1999–2008) of Medieval Art at The Metropolitan Museum of Art and The Cloisters, New York. . London: n/a, 2008.

Barnet, Peter, and Nancy Wu. The Cloisters: Medieval Art and Architecture. New York: The Metropolitan Museum of Art, 2005.

Houghton, James R., Katherine Baetjer, Dorothea Arnold, Joan Aruz, Carlos A. Picon, Peter Barnet, Everett Fahy, Keith Christiansen, Walter Liedtke, Colta Ives, George R. Goldner, Ian Wardropper, Thomas P. Campbell, Dita Amory, Laurence B. Kanter, Morrison H. Heckscher, J. Kenneth Moore, Hilde Limondjian, Stuart W. Pyhrr, Donald J. La Rocca, Maxwell K. Hearn, James C. Y. Watt, Stefano Carboni, Julie Jones, Alisa LaGamma, Eric Kjellgren, Virginia-Lee Webb, Gary Tinterow, Malcolm Daniel, Harold Koda, and John P. O'Neill. Philippe de Montebello and The Metropolitan Museum of Art, 1977–2008. New York: The Metropolitan Museum of Art, 2009.

Online Titles

Barnet, Peter. "Medieval Aquamanilia." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.