The Timeline of Art History   The Metropolitan Museum of Art
World MapsTimelines / RegionsThematic EssaysWorks of ArtIndex  
Book Cover with Byzantine Icon of the Crucifixion, Icon carved about 1000, in Constantinople; setting made before 1085
Spanish; From the Monastery of Santa Cruz de la Serós, Jaca
Gilded silver on a wood backing, inset with ivory icon, sapphire, glass, and crystal; 10 1/2 x 7 1/2 in. (26 x 19.1 cm)
Gift of J. Pierpont Morgan, 1917 (17.190.134)

Byzantine ivories were highly prized in the West, where most survived in church treasuries or were incorporated into deluxe bookbindings. The ivory from this plaque originally formed the center of a Byzantine three-paneled icon, and its inclusion in a setting with filigree, precious stone, and glass simulating precious stone indicates the special homage accorded these Eastern works of art. This plaque is one of a pair that served as book covers. They were likely one of the many gifts to the Monastery of Santa Cruz de los Serós from its reputed founder, Queen Felicia, wife of Sancho V Ramírez (r. 1063–94), king of Aragon and Navarre. Her name, in fact, appears on the other cover.


Open full-size and alternate view(s)



  • Related Timeline(s)

    Related Index Terms

    Art Movement/Style

    Material and Technique

    Object

    Subject Matter/Theme

    Technical Glossary




    Print
    Close
  • Book Cover with Byzantine Icon of the Crucifixion, Icon carved about 1000, in Constantinople; setting made before 1085
    Spanish; From the Monastery of Santa Cruz de la Serós, Jaca
    Gilded silver on a wood backing, inset with ivory icon, sapphire, glass, and crystal; 10 1/2 x 7 1/2 in. (26 x 19.1 cm)
    Gift of J. Pierpont Morgan, 1917 (17.190.134)