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The invention of glassblowing led to an enormous increase in the range of shapes and designs that glassworkers could produce, and the mold-blowing process soon developed as an offshoot of free-blowing. A craftsman created a mold of a durable material, usually baked clay and sometimes wood or metal. The mold comprised at least two parts, so that it could be opened and the finished product inside removed safely. Although the mold could be a simple undecorated square or round form, many were in fact quite intricately shaped and decorated. The designs were usually carved into the mold in negative, so that on the glass they appeared in relief. |
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Rosemarie Trentinella
Lifchez/Stronach Curatorial Intern, Department of Greek and Roman Art, The Metropolitan Museum of Art Citation for this page
Trentinella, Rosemarie. "Roman Mold-Blown Glass". In Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/rmold/hd_rmold.htm (October 2003)
Suggested Further Reading
Harden, Donald B., et al. Glass of the Caesars. Exhibition catalogue. Milan: Olivetti, 1987.
Matheson, Susan B. Ancient Glass in the Yale University Art Gallery. New Haven: Yale University Art Gallery, 1980. Price, Jennifer. "Decorated Mould-Blown Glass Tablewares in the First Century AD." In Roman Glass: Two Centuries of Art and Invention, edited by Martine Newby and Kenneth Painter, pp. 5675. London: Society of Antiquaries, 1991. Stern, E. Marianne. Roman, Byzantine, and Early Medieval Glass, 10 BCE700 CE: Ernesto Wolf Collection. Ostfildern: Hatje Cantz, 2001. Stern, E. Marianne. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: "L'Erma" di Bretschneider, 1995. Whitehouse, David. Roman Glass in the Corning Museum of Glass. Vol. 2. Corning, N.Y.: Corning Museum of Glass, 2001. Suggested Web Link(s)
Learn more on www.metmuseum.org
Greek and Roman Art: Features & Exhibitions; Collection; Online Resources (links); Books in the Met Store
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