Other: 7 1/2 × 4 3/16 in. (19.1 × 10.6 cm)
Diam. of rim: 2 3/4 in. (7 cm)
Gift of J. Pierpont Morgan, 1917
On view at The Met Fifth Avenue in Gallery 166
Translucent deep honey brown; handle in opaque white.
Outsplayed rim, folded up and in, forming collar on inside of mouth; cylindrical neck with short vertical projecting ridge at top; sloping shoulder; piriform body, tapering downwards; flat bottom; handle with two prominent ribs attached to shoulder, drawn up and outwards, then turned in at a right angle, folded up to form loop above rim and then dropped onto rim and top of neck.
Decoration comprises four registers on neck and body, divided by ridges and raised horizontal lines: on neck, vertical flutes rounded at both ends; in frieze on shoulder and upper body, continuous floral spray with upturned spikes, forming circular frames for six downturned palmettes with outward facing leaves, alternating with six downturned palmettes with inward facing leaves; around middle section of body, frieze filled with net pattern, broken on one side by a tabula ansata containing a Greek inscription; on lower body, vertical flutes, rounded at top, with spikes projecting upward between flutes; on bottom, deep, small kick with central knob.
Intact, but slight indent in top of side near handle; slight dulling and pitting, patches of creamy weathering and iridescence.
Neck and upper body blown in a three-part mold, with mold marks extending to ridge below frieze with net pattern; separate cup-shaped mold for lower body and bottom.
Opaque white was used frequently on early Roman glass, for the vessel body, for decorative trails, and most particularly as an outer layer or casing in cameo glass. This jug is the only known example of a vessel signed by Ennion on which opaque white appears.
Signature: Signed by Ennion
Inscription: Inscribed in Greek: "Ennion made [me/it]"
Said to have been acquired in Constantinople (Froehner 1903, p. 164, no. 1183)
Before 1895, purchased by Julien Gréau; purchased as part of the Gréau glass collection by John Pierpont Morgan; until 1913, collection of J. Pierpont Morgan; 1913, inherited by J. Pierpont Morgan (son); acquired in 1917, gift of J.P. Morgan.
1903. Collection Julien Gréau. Verrerie antique, émaillerie et poterie appartenant à M. John Pierpont Morgan. no. 1183, pp. 163-64, pl. 217.
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Richter, Gisela M. A. 1911. "The Room of Ancient Glass." Bulletin of the Metropolitan Museum of Art, 6(6) Supplement: p. 16, fig. 16.
Rostovtzeff, Michael Ivanovitch. 1914. Antichna︠i︡a Dekorativna︠i︡a Zhivopisʹ Na ︠i︡ug︠i︡e Rossīi. Vol. I: Opisanie I Issledovanie Pamiatnikov. p. 514, fig. 96, St. Petersburg: Imper. Arkheologucheska︠i︡a Kommissī︠i︡a.
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Richter, Gisela M. A. 1930. The Room of Ancient Glass, : p. 16, fig. 16.
Harden, Donald Benjamin. 1935. "Romano-Syrian Glasses with Mould-Blown Inscriptions." The Journal of Roman Studies, 25: p. 168, pl. 23c.
Metropolitan Museum of Art. 1936. A Special Exhibition of Glass from the Museum Collections: New York, October 13 to November 29, 1936.. p. 7, New York: The Metropolitan Museum of Art.
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Auth, Susan H. 1976. Ancient glass at the Newark Museum from the Eugene Schaefer Collection of antiquities. no. 58, p. 65, Newark: Newark Museum.
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Israeli, Yael. 1983. "Ennion in Jerusalem." Journal of Glass Studies, 25: p. 67.
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