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'Lotto' Carpet, Wool (warp, weft and pile); symmetrically knotted pile
16th century
Strand of Beads, Carnelian
9th–12th century
Incense Burner of Amir Saif al-Dunya wa’l-Din ibn Muhammad al-Mawardi, Ja`far ibn Muhammad ibn `Ali, Bronze; cast, engraved, chased, pierced
Ja`far ibn Muhammad ibn `Ali
dated 577 AH/1181–82 CE
Footed Bowl and Plate, Glass, opalescent white; blown, bowl with applied stem and blown applied foot, fired silver and gold decoration
first half 18th century
Dado Panel, Plaster; cast
20th century
Pyxis (Cylindrical Container), Stonepaste; luster-painted on incised, opaque white glaze
late 11th–early 12th century
Calligraphic Galleon, 'Abd al-Qadir Hisari  Turkish, Ink and gold on paper
Calligrapher 'Abd al-Qadir Hisari
dated 1180 AH/1766–67 CE
Great Indian Fruit Bat, Bhawani Das or a follower Indian, Pencil, ink, and opaque watercolor on paper
Painting attributed to Bhawani Das
ca. 1777–82
Dagger with Zoomorphic Hilt, Hilt: copper; cast, chased, gilded, and inlaid with rubies.<br/>Blade: steel; forged
second half 16th century
Goa Stone and Gold Case, Container: gold; pierced, repoussé, with cast legs and finials<br/>Goa stone: compound of organic and inorganic materials
late 17th–early 18th century
Panel from a Rectangular Box, Ivory; carved, inlaid with stone with traces of pigment
10th–early 11th century
Ceiling, Wood; carved, painted, and gilded
16th century
Mihrab (Prayer Niche), Mosaic of polychrome-glazed cut tiles on stonepaste body; set into mortar
dated 755 AH/1354–55 CE
Lantern for a Lamp, Earthenware; carved decoration, unglazed
9th–10th century
Morgan Casket, Ivory; carved
11th–12th century
Calligraphic Plaque, Steel; forged and pierced
probably late 17th century
Animal-Spouted Pitcher, Earthenware; polychrome decoration under transparent glaze (buff ware)
9th–10th century
Khusrau and Shirin, Hatifi  Iranian, active Istanbul, Main support: ink, opaque watercolor, and gold on paper; binding: leather
Poet Hatifi
Calligraphy, illumination, and painting by Suzi
dated 904 AH/1498–99 CE
Damascus Room, Wood (poplar) with gesso relief, gold and tin leaf, glazes and paint; wood (cypress, poplar, and mulberry), mother-of-pearl, marble and other stones, stucco with glass, plaster ceramic tiles, iron, brass
dated 1119 AH/1707 CE
"The Feast of Sada", Folio 22v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Author Abu'l Qasim Firdausi
Painting attributed to Sultan Muhammad
ca. 1525
"Isfandiyar's Third Course: He Slays a Dragon", Folio 434v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Author Abu'l Qasim Firdausi
Painting attributed to Qasim ibn 'Ali
ca. 1530