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Scrapbook of Drawings and Prints, Gideon Saint British, Pen and ink, engraving and etching — Scrapbook of Drawings and Prints
Gideon Saint
ca. 1760

Lindisfarne Castle, Holy Island, Northumberland, Thomas Girtin British, Watercolor and bodycolor (gouache) — Lindisfarne Castle, Holy Island, Northumberland
Thomas Girtin
1796–97

Loggia of the Ducal Palace, Venice, John Ruskin British, Watercolor over graphite — Loggia of the Ducal Palace, Venice
John Ruskin
1849–50

Armor, Odilon Redon French, Charcoal and conté crayon — Armor
Odilon Redon
1891

Aman-Jean (Portrait of Edmond François Aman-Jean), Georges Seurat French, Conté crayon on Michallet paper — Aman-Jean (Portrait of Edmond François Aman-Jean)
Georges Seurat
Edmond-François Aman-Jean
1882–83

Amya Petitioning Faustus for the Custody of Saint Mamas, Jean Cousin the Elder French, Pen and brown ink, brush and gray wash, with white gouache, over black chalk — Amya Petitioning Faustus for the Custody of Saint Mamas
Jean Cousin the Elder
ca. 1543

Phaeton, from "The Four Disgracers", Hendrick Goltzius Netherlandish, Engraving — Phaeton, from "The Four Disgracers"
Hendrick Goltzius
Cornelis Cornelisz van Haarlem
1588

Still-Life with a Watermelon and Pomegranates, Paul Cézanne French, Watercolor over graphite on laid paper — Still-Life with a Watermelon and Pomegranates
Paul Cézanne
1900–1906

Otto, Count of Nassau and his Wife Adelheid van Vianen, Bernard van Orley Netherlandish, Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso) — Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
1530–35

Dune Landscape with Oak Tree, Jacob van Ruisdael Dutch, Black chalk, brush and gray wash, and gouache; framing lines in pen and brown ink — Dune Landscape with Oak Tree
Jacob van Ruisdael
1650–55

Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso) — Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85

Scalinata della Trinità dei Monti, Giovanni Paolo Panini Italian, Pen and black ink, brush and gray wash, watercolor, over graphite — Scalinata della Trinità dei Monti
Giovanni Paolo Panini
ca. 1756–58

The Lake of Zug, Joseph Mallord William Turner British, Watercolor and bodycolor (gouache) with reductive techniques over graphite — The Lake of Zug
Joseph Mallord William Turner
1843

Reading the News at the Weavers' Cottage, Adriaen van Ostade Dutch, Pen and brown ink, watercolor, white heightening, over traces of graphite; framing lines by the artist (?) in pen and brown ink and gold — Reading the News at the Weavers' Cottage
Adriaen van Ostade
1673

Hercules chasing Avarice from the Temple of the Muses, Ugo da Carpi Italian, Chiaroscuro woodcut from two blocks in green — Hercules chasing Avarice from the Temple of the Muses
Ugo da Carpi
Baldassarre Tommaso Peruzzi
ca. 1520–27

Nocturne (Nocturne: The Thames at Battersea), James McNeill Whistler American, Lithotint with scraping on a prepared half-tint ground, printed in soft gray-black ink on pale blue laid chine mounted on ivory wove plate paper; second state of two (Chicago) — Nocturne (Nocturne: The Thames at Battersea)
James McNeill Whistler
1878

A Woman Seated at a Bench on the Avenue du Bois, Berthe Morisot French, Watercolor over traces of graphite — A Woman Seated at a Bench on the Avenue du Bois
Berthe Morisot
1885

Angel of the Revelation (Book of Revelation, chapter 10), William Blake British, Watercolor, pen and black ink, brush and wash, over traces of graphite — Angel of the Revelation (Book of Revelation, chapter 10)
William Blake
ca. 1803–5

Sunset, Eugène Delacroix French, Pastel on blue laid paper — Sunset
Eugène Delacroix
ca. 1850

Germain-Augustin and Rose de Saint-Aubin, Drawn by Their Uncle, Gabriel de Saint-Aubin French, Brush and gray wash, over black chalk and graphite — Germain-Augustin and Rose de Saint-Aubin, Drawn by Their Uncle
Gabriel de Saint-Aubin
1766

Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt van Rijn) Dutch, Drypoint printed on vellum — Christ Crucified between the Two Thieves: The Three Crosses
Rembrandt (Rembrandt van Rijn)
1653

Mascarade à la Grecque; Suite des Vases; and [Cheminées], Ennemond Alexandre Petitot French, Etching — Mascarade à la Grecque; Suite des Vases; and [Cheminées]
Multiple artists/makers
1771, 1764

Liverpool Shipping, Edward Alexander Wadsworth British, Woodcut on Japanese paper — Liverpool Shipping
Edward Alexander Wadsworth
1918

Accident, Robert Rauschenberg American, Lithograph — Accident
Robert Rauschenberg
1963

Eastern Coast of Rügen with Shepherd, Caspar David Friedrich German, Brown ink and wash over pencil, with white opaque watercolor, on wove paper; partial framing line in brown-black ink — Eastern Coast of Rügen with Shepherd
Caspar David Friedrich
1805–6

'Rear Guard' (or 'On the Road'): men and women carrying rifles and children, José Clemente Orozco Mexican, Lithograph — 'Rear Guard' (or 'On the Road'): men and women carrying rifles and children
Multiple artists/makers
1929

Snake Man, Alison Saar American, Color woodcut and lithograph — Snake Man
Alison Saar
Vinalhaven Press
1994

Marilyn, Andy Warhol American, Color silkscreen — Marilyn
Multiple artists/makers
1967

Édouard Manet, Seated, Holding His Hat, Edgar Degas French, Graphite and black chalk — Édouard Manet, Seated, Holding His Hat
Edgar Degas
Edouard Manet
ca. 1868

The Connoisseur, Honoré Daumier French, Pen and ink, wash, watercolor, lithographic crayon, and gouache over black chalk on wove paper — The Connoisseur
Honoré Daumier
ca. 1860–65

Moulin Rouge: La Goulue, Henri de Toulouse-Lautrec French, Lithograph printed in four colors; three sheets of wove paper — Moulin Rouge: La Goulue
Henri de Toulouse-Lautrec
Affiches Américaines, Charles Lévy
1891

Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape) — Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)

Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink — Self-Portrait
Goya (Francisco de Goya y Lucientes)
ca. 1796

God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper — God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20

The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine), Jean Auguste Dominique Ingres French, Graphite — The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine)
Jean Auguste Dominique Ingres
Prince Wenzel von Kaunitz-Rietberg
1818

Music-Making Angels, Albrecht Dürer German, Pen and brown ink — Music-Making Angels
Albrecht Dürer
1521

Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912, Léon Bakst Russian, born present day Belarus, Watercolor and gold and silver paints over graphite — Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912
Léon Bakst
1922

Bacchanal, Nicolas Poussin French, Pen and brown ink, brush and brown wash, over faint black chalk — Bacchanal
Nicolas Poussin
ca. 1635–36

Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; undivided plate, only state — Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Joseph Smith
1741

Youth Playing a Pipe for a Satyr, Giovanni Benedetto Castiglione (Il Grechetto) Italian, Brush with colored oil paint; paper partly saturated with oil; lined — Youth Playing a Pipe for a Satyr
Giovanni Benedetto Castiglione (Il Grechetto)
1645–50