Heilbrunn Timeline of Art History

• World Regions

  All regions

  Select a region

  • North America
  • Europe
  • Central and North Asia
  • East Asia
  • Central America
  • South America
  • Africa
  • West Asia
  • Oceania
  • South and Southeast Asia

  Select a time period

  • 8000–2000 B.C.
  • 2000–1000 B.C.
  • 1000 B.C.–1 A.D.
  • 1–500 A.D.
  • 500–1000 A.D.
  • 1000–1400 A.D.
  • 1400–1600 A.D.
  • 1600–1800 A.D.
  • 1800–1900 A.D.
  • 1900 A.D.–Present
• Timelines

  by Time Period 8,000–2,000 b.c. 2,000–1,000 b.c. 1,000 b.c.–1 a.d. 1–500 a.d. 500–1,000 a.d. 1,000–1400 a.d. 1400–1600 a.d. 1600–1800 a.d. 1800–1900 a.d. 1900 a.d.–present

  by Geographical Region Africa   Central America   Central and North Asia   East Asia   Europe   North America   Oceania   South America   South and Southeast Asia  West Asia

• Thematic Essays
  • Recent Additions  |  All Thematic Essays
  • 
    Select a Thematic Category African Art American Art Ancient Near Eastern Art Art of the Americas Asian Art Byzantine Art Egyptian Art European Art Greek and Roman Art Islamic Art Medieval Art Modern and Contemporary Art Oceanic/Pacific Art Prehistory Select a Department American Decorative Arts American Paintings and Sculpture Ancient Near Eastern Art Arms and Armor Arts of Africa, Oceania, and the Americas Asian Art The Costume Institute Drawings and Prints Education Egyptian Art European Paintings European Sculpture and Decorative Arts Greek and Roman Art Islamic Art The Libraries Medieval Art and The Cloisters Musical Instruments Nineteenth-Century, Modern, and Contemporary Art Objects Conservation Paintings Conservation Paper Conservation Photographs Robert Lehman Collection Scientific Research Textile Conservation

    ---

  • Select a Geographical Region Africa Central America Central and North Asia East Asia Europe North America Oceania South America South and Southeast Asia West Asia All Geographical Regions Select a Time Period 20,000–8000 B.C. 8000–2000 B.C. 2000–1000 B.C. 1000 B.C.–1 A.D. 1–500 A.D. 500–1000 A.D. 1000–1400 A.D. 1400–1600 A.D. 1600–1800 A.D. 1800–1900 A.D. 1900 A.D.–Present All Time Periods
    
• Works of Art
  Recent Additions
  
  

  Title Description
  Artist
  Material and Technique
  Credit Line
  Accession Number

• Index

  Artist (A–Z) | All Artists

  • A
  • B
  • C
  • D
  • E
  • F
  • G
  • H
  • I
  • J
  • K
  • L
  • M
  • N
  • O
  • P
  • Q
  • R
  • S
  • T
  • U
  • V
  • W
  • X
  • Y
  • Z

  ---

  Subject (A–Z)

  • A
  • B
  • C
  • D
  • E
  • F
  • G
  • H
  • I
  • J
  • K
  • L
  • M
  • N
  • O
  • P
  • Q
  • R
  • S
  • T
  • U
  • V
  • W
  • X
  • Y
  • Z

The Roman Republic

• 
  Funerary relief, ca. 325–300 b.c.
  Greek, South Italian, Tarentine
  Limestone

  H. 23 1/16 in. (58.5 cm), W. as preserved 21 1/8 in. (53.6 cm)
  Fletcher Fund, 1929 (29.54)

• 
  Torso of a Ptolemaic King, Ptolemaic Period, 80–30 b.c.
  Egyptian
  Dark basalt

  H. 36 5/8 in. (93 cm)
  Purchase, Lila Acheson Wallace Gift and Rogers Fund, 1981 (1981.224.1)

• 
  Portrait bust of a man, 1st century b.c.; Republican
  Roman
  Marble

  H. 14.37 in. (36.5 cm)
  Rogers Fund, 1912 (12.233)

• 
  Statue of a draped seated man, Republican or Early Imperial, 1st century b.c.
  Roman
  Marble

  H. 51 1/2 in. (130.8 cm)
  Rogers Fund, 1909 (09.221.4)

• 
  Tivoli Hoard, mid-1st century b.c.; Late Republican
  Roman; Italy, said to have been found at Tivoli or Boscoreale
  Silver

  Rogers Fund, 1920 (20.49.2–.12)

• 
  Sword, mid-1st century b.c.; Late Iron Age (La Tène)
  Celtic
  Iron blade, copper alloy hilt and scabbard

  L. 19 3/4 in. (50 cm)
  Rogers Fund, 1999 (1999.94a-d)

• 
  Fresco wall painting in a cubiculum (bedroom) from the Villa of P. Fannius Synistor at Boscoreale, ca. 40–30 b.c.; Late Republican
  Roman
  Plaster

  Rogers Fund, 1903 (03.14.13a–g)

View SlideshowView Thumbnails

During the last three centuries of the Republic, Rome became a metropolis and the capital city of a vast expanse of territory acquired piecemeal through conquest and diplomacy.

Related

Timelines (6)

• Anatolia and the Caucasus (Asia Minor), 1000 B.C.–1 A.D.
• Ancient Greece, 1000 B.C.–1 A.D.
• Eastern Europe and Scandinavia, 1000 B.C.–1 A.D.
• Italian Peninsula, 1000 B.C.–1 A.D.
• Western and Central Europe, 1000 B.C.–1 A.D.
• Western North Africa, 1000 B.C.–1 A.D.

Primary Thematic Essays (3)

• Art of the Hellenistic Age and the Hellenistic Tradition
• Augustan Rule (27 b.c.–14 a.d.)
• The Roman Empire (27 b.c.–393 a.d.)

Other Thematic Essays (37)

• Ancient Greek Colonization and Trade and their Influence on Greek Art
• Arms and Armor—Common Misconceptions and Frequently Asked Questions
• Art of the Roman Provinces, 1–500 a.d.
• The Augustan Villa at Boscotrecase
• Barbarians and Romans
• Boscoreale: Frescoes from the Villa of P. Fannius Synistor
• The Byzantine City of Amorium
• Contexts for the Display of Statues in Classical Antiquity
• The Decoration of European Armor
• Eastern Religions in the Roman World
• Etruscan Art
• Frederic Edwin Church (1826–1900)
• Hellenistic and Roman Cyprus
• Hellenistic Jewelry
• Images of Antiquity in Limoges Enamels in the French Renaissance
• Intellectual Pursuits of the Hellenistic Age
• The Julio–Claudian Dynasty (27 b.c.–68 a.d.)
• List of Rulers of the Roman Empire
• Luxury Arts of Rome
• Mystery Cults in the Greek and Roman World
• The Nude in Western Art and its Beginnings in Antiquity
• Painted Funerary Monuments from Hellenistic Alexandria
• Polychromy of Roman Marble Sculpture
• The Praenestine Cistae
• Retrospective Style in Greek and Roman Sculpture
• The Rise of Macedonia and the Conquest of Alexander the Great
• Roman Glass
• Roman Housing
• Roman Inscriptions
• Roman Painting
• Roman Portrait Sculpture: Republican through Constantinian
• Roman Portrait Sculpture: The Stylistic Cycle
• Roman Sarcophagi
• Sardis
• The Seleucid Empire (323–64 b.c.)
• Theater and Amphitheater in the Roman World
• The Year One

Maps (4)

• Africa, 1000 b.c.–1 a.d.
• Europe, 1000 b.c.–1 a.d.
• West Asia, 1000 b.c.–1 a.d.
• World, 1000 b.c.–1 a.d.

Index Terms (34)

Art Movement/Style

• Augustan Art in Ancient Rome
• Egyptian Art in the Ptolemaic Period
• Republican Art in Ancient Rome

Geography/Place

• Rome (Ancient)

Material and Technique

• Basalt
• Copper
• Iron
• Limestone
• Marble Sculpture in the Round
• Painting in Fresco
• Plaster
• Sculpture in the Round from Egypt and Western North America
• Silver from the Italian Peninsula

Object

• Body Armor
• Deep Vessel (Cup or Bowl)
• Deep Vessel from Europe
• Helmet
• Implement for Tableware
• Musical Instruments from the Italian Peninsula
• Period Rooms from Europe
• Secular Architecture from Europe
• String Instrument
• Sword
• Vessel from the Italian Peninsula
• Wall painting

Subject Matter/Theme

• Archaeology from Africa and Egypt
• Archaeology from Europe
• Food and Feasting
• Funerary Art from Europe
• Interior
• Portrait Sculpture from Africa and Egypt
• Ruler from Egypt
• Trade (1–500 A.D.)
• Warfare

Share

| More

From its inauspicious beginnings as a small cluster of huts in the tenth century B.C., Rome developed into a city-state, first ruled by kings, then, from 509 B.C. onward, by a new form of government—the Republic. During the early Republic, power rested in the hands of the patricians, a privileged class of Roman citizens whose status was a birthright. The patricians had exclusive control over all religious offices and issued final assent (patrum auctoritas) to decisions made by the Roman popular assemblies. However, debts and an unfair distribution of public land prompted the poorer Roman citizens, known as the plebians, to withdraw from the city-state and form their own assembly, elect their own officers, and set up their own cults. Their principal demands were debt relief and a more equitable distribution of newly conquered territory in allotments to Roman citizens. Eventually, in 287 B.C., with the so-called Conflict of the Orders, wealthier, land-rich plebians achieved political equality with the patricians. The main political result was the birth of a noble ruling class consisting of both patricians and plebians, a unique power-sharing partnership that continued into the late first century B.C.

During the last three centuries of the Republic, Rome became a metropolis and the capital city of a vast expanse of territory acquired piecemeal through conquest and diplomacy. Administered territories (provinciae) outside Italy included: Sicily, Sardinia, Spain, Africa, Macedonia, Achaea, Asia, Cilicia, Gaul, Cyrene, Bithynia, Crete, Pontus, Syria, and Cyprus. The strains of governing an ever-expanding empire involving a major military commitment, and the widening gulf between those citizens who profited from Rome's new wealth and those who were impoverished, generated social breakdown, political turmoil, and the eventual collapse of the Republic. Rome experienced a long and bloody series of civil wars, political crises, and civil disturbances that culminated with the dictatorship of Julius Caesar and his assassination on March 15, 44 B.C. After Caesar's death, the task of reforming the Roman state and restoring peace and stability fell to his grandnephew, Gaius Julius Caesar Octavianus, only eighteen years old, who purged all opposition to his complete control of the Roman empire and was granted the honorific title of Augustus in 27 B.C.

Department of Greek and Roman Art, The Metropolitan Museum of Art

Citation Department of Greek and Roman Art. "The Roman Republic". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/romr/hd_romr.htm (October 2000) Further Reading Gruen, Erich S. Culture and National Identity in Republican Rome. Ithaca, N.Y.: Cornell University Press, 1992. Kleiner, Diana E. E. Roman Sculpture. New Haven: Yale University Press, 1992. Matyszak, Philip. Chronicle of the Roman Republic: The Rulers of Ancient Rome from Romulus to Augustus. London: Thames & Hudson, 2003. Milleker, Elizabeth J., ed. The Year One: Art of the Ancient World East and West. Exhibition catalogue. New York: Metropolitan Museum of Art, 2000. Related exhibitions and online features Special Exhibitions (including upcoming, current, and past exhibitions) The Roman Mosaic from Lod, Israel

These related Museum Bulletin or Journal articles may or may not represent the most current scholarship. Oliver, Andrew, Jr. "Two Hoards of Roman Republican Silver." The Metropolitan Museum of Art Bulletin, v. 23, no. 5 (January, 1965). JSTOR | PDF