Hat
Odile Gilbert has created the coiffures for many important designers in both ready-to-wear and haute couture. It was Gilbert who designed the swansdown and feather coifs for the mannequins used in The Costume Institute's 2005 "Chanel" exhibition. Her collaborations with designers are invariably characterized by her deftly elegant treatment of often unconventional materials. In this instance, Gilbert used human hair to form a top hat that matched the hair color of the runway model. The model's hair appeared to be extended into a surreal topiary placed at a dapper angle over her brow. For the show, Gilbert's sculptured coiffeurs reinforced Jean Paul Gaultier's playful couture transgressions with the dandiacal rakishness that is a signature of the house.
"Here, the inspiration comes from morphing but with a Surrealist twist. We can ask ourselves 'What is the hair and what is the hat?' It turns out that the hair is the hat and the hat is the hair."
-Jean Paul Gaultier
"This top hat was designed for the Gaultier Paris haute-couture show, autumn/winter '06-'07. One of the collection's themes was Surrealism, and this hair top hat creates an illusion. From afar, the illusion is of a real black-satin top hat, but with a closer look you can see it is hand-made of natural hair. The idea for the couture runway show was to use the brim of the hat to create a sort of bang with the hair of the girl, so the model's hair becomes part of the hat, which is another layer of Illusion.
The masculine-feminine style is a very strong code in Jean Paul Gaultier's creative universe. The top hat is originally an elegant masculine accessory and here it is turned here into a chic, sophisticated, and very feminine one."
-Odile Gilbert
"Here, the inspiration comes from morphing but with a Surrealist twist. We can ask ourselves 'What is the hair and what is the hat?' It turns out that the hair is the hat and the hat is the hair."
-Jean Paul Gaultier
"This top hat was designed for the Gaultier Paris haute-couture show, autumn/winter '06-'07. One of the collection's themes was Surrealism, and this hair top hat creates an illusion. From afar, the illusion is of a real black-satin top hat, but with a closer look you can see it is hand-made of natural hair. The idea for the couture runway show was to use the brim of the hat to create a sort of bang with the hair of the girl, so the model's hair becomes part of the hat, which is another layer of Illusion.
The masculine-feminine style is a very strong code in Jean Paul Gaultier's creative universe. The top hat is originally an elegant masculine accessory and here it is turned here into a chic, sophisticated, and very feminine one."
-Odile Gilbert
Artwork Details
- Title: Hat
- Couture Line: Gaultier Paris (French, founded 1997)
- Designer: Jean Paul Gaultier (French, born 1952)
- Designer: Odile Gilbert (French)
- Date: fall/winter 2006–7
- Culture: French
- Medium: human hair, silk, cotton, metal
- Credit Line: Alfred Z. Solomon-Janet A. Sloane Endowment Fund, 2007
- Object Number: 2007.168
- Curatorial Department: The Costume Institute
More Artwork
A slider containing 5 items.
Press the down key to skip to the last item.
Press the down key to skip to the last item.
Gaultier Paris
Jean Paul Gaultier
fall/winter 2001–2
Gaultier Paris
Jean Paul Gaultier
ca. 1999
Gaultier Paris
Jean Paul Gaultier
spring/summer 2002
Multiple artists/makers
fall/winter 2003–4
Gaultier Paris
Jean Paul Gaultier
fall/winter 2008–9
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.