Evening cape
Emile Pingat had a proclivity for designing carefully finished dresses and outerwear which made him one of the top three French fashion designers during the second half of the 19th century. Active between 1860 and 1896, Pingat was adroit at manipulating multiple textiles and trimmings into a cohesive and elevated garment. He was inspired by design elements of other cultures and often reinterpreted them into his own work, making them unique and intriguing. His elaborately decorated and impeccably tailored outwear was particularly sought after.
The bustle silhouette was the prevalent style of any 1880s woman's wardrobe. This cape mimics that silhouette, allowing the wearer to maintain the shape created by her dress underneath. The rich color of the royal blue velvet is evocative of the original wearer who at that point in time would have been seen as a precious jewel who required continual attention and assistance. That perceived helplessness is also reflected in the cape's lack of armholes, which would limit easy mobility. Pingat's treatment of the trim completes the luxurious quality of the garment with a liberal application of guipure lace in vertical lines emphasizing the statuesque, but somewhat removed, appearance of the wearer.
The bustle silhouette was the prevalent style of any 1880s woman's wardrobe. This cape mimics that silhouette, allowing the wearer to maintain the shape created by her dress underneath. The rich color of the royal blue velvet is evocative of the original wearer who at that point in time would have been seen as a precious jewel who required continual attention and assistance. That perceived helplessness is also reflected in the cape's lack of armholes, which would limit easy mobility. Pingat's treatment of the trim completes the luxurious quality of the garment with a liberal application of guipure lace in vertical lines emphasizing the statuesque, but somewhat removed, appearance of the wearer.
Artwork Details
- Title: Evening cape
- Design House: Maison Pingat (French)
- Designer: Emile Pingat (French, 1820–1901)
- Date: 1885–89
- Culture: French
- Medium: silk, feathers
- Credit Line: Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Marion Litchfield, 1950
- Object Number: 2009.300.140
- Curatorial Department: The Costume Institute
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.