Assumption of the Virgin

Adam Lenckhart German
After a composition by Titian (Tiziano Vecellio) Italian

Not on view

Although clearly influenced by Titian's altarpiece in the church of the Frari in Venice, this work demonstrates the virtuoso carver's meticulous attention to individual figures and their emotions. As in the adjacent relief, the paper-thin ivory was treated as if it were a canvas altarpiece. Both compositions bear inscriptions on the reverse stating that they served as devotional images for a young Italian nun.

Assumption of the Virgin, Adam Lenckhart (German, Würzburg 1610–1661 Vienna), Ivory, Austrian, carved in Italy

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.

Front