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Apparels for a Requiem Mass

ca. 1700 (embroidery) patched and reassembled to current shape in the 19th century
Not on view
Skulls bedecked with green worm-like ribbons make for incongruous centerpieces in colorful cartouches. These needlework apparels – rectangular pictorial panels to ornament priestly vestments – are part of a long tradition of skeletal representations depicted on clothing for the Catholic Requiem (funerary) Mass. Although their designs read as bold and powerful images from a distance, up close the embroidery is rough and rudimentary.

At some point, probably in the early nineteenth century, the embroidered panels were applied to a thin black velvet support, cut and retailored to create the current chasuble-like shape, with the apparels incongruously set on their sides, edge-to-edge up the front and rear of the garment. Thus repurposed, the vestment was apparently used for a century, displaying multiple signs of wear-and-tear, before it entered the collector of Parisian decorator and designer, Georges Hoentschel.

Artwork Details

Object Information
  • Title: Apparels for a Requiem Mass
  • Date: ca. 1700 (embroidery) patched and reassembled to current shape in the 19th century
  • Culture: Spanish
  • Medium: Silk and metal thread
  • Dimensions: L. (as assembled) 52 1/2 inches (133.4 cm)
  • Classifications: Textiles-Velvets, Textiles-Embroidered, Textiles-Ecclesiastical
  • Credit Line: Gift of J. Pierpont Morgan, 1916
  • Object Number: 16.32.319
  • Curatorial Department: European Sculpture and Decorative Arts
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Self-Portrait, Goya (Francisco de Goya y Lucientes)  Spanish, Brush and point of brush, carbon black ink
Draftsman Goya (Francisco de Goya y Lucientes)
Sitter Goya (Francisco de Goya y Lucientes)
ca. 1796
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