The figurine is handmade and solid, with a mold-made face. The nude, bearded figure is preserved to the hips, where it is broken diagonally from the rest of the figurine, which probably was a horse-and-rider group.
Said to be from the temple of Apollo Hylates at Kourion, Cyprus
Cesnola, Luigi Palma di. 1894. A Descriptive Atlas of the Cesnola Collection of Cypriote Antiquities in the Metropolitan Museum of Art, New York, Vol. 2. pl. LXV.577, Boston: James R. Osgood and Company.
Myres, John L. 1914. Handbook of the Cesnola Collection of Antiquities from Cyprus. no. 2264, p. 360, New York: The Metropolitan Museum of Art.
Karageorghis, Vassos, Gloria Merker, and Joan R. Mertens. 2016. The Cesnola Collection of Cypriot Art: Terracottas. no. 284, pp. 167, 262, Online Publication, [CD-Rom 2004], New York: The Metropolitan Museum of Art.